Concerto for oboe in C minor

Ces livres solos pour hautbois de 3 volumes qui contiennent plusieurs Concertos importants, devrait aider le jeune hautboïste encore inexpérimentés, à ses études. / Hautbois

Ces livres solos pour hautbois de 3 volumes qui contiennent plusieurs Concertos importants, devrait aider le jeune hautboïste encore inexpérimentés, à ses études. / Hautbois

Joseph Robinson of The Double Reed says of Elaine Douvas in this recording: Eschewing overt expression in favor of implication and subtlety she offers performances that are stylish and full of passion and conviction to be sure but which like all great art withstand and reward the most careful scrutiny...Expert phrasing and articulation by Elaine Douvas in this album demonstrate persuasively that the pieces she has chosen are sufficient to challenge the finest player's imagination discipline and instrumental skill. This album is a delight for any oboist and again contains a rich collection of music from many periods from Telemann to Hindemith. Includes a complete solo partprinted on high-quality ivory paper annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Elaine Douvas oboe Accompaniment: Erik Nielsen piano

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He

Ed. A. Ephrikian - riduzione per oboe e pianoforte-Antonio Vivaldi's Concerto In D minor F.VII No.1 for Oboe with a Piano reduction of the original Strings and Continuo parts transcribed by Angelo Ephrikian.

Concerto In D Minor Op.9 No.2 is a beautiful work composed by Tomaso Albinoni (1674-1745) and has been arranged here for Oboe with Piano reduction by Remo Giazotto. The solo oboe part is also included on a separateinsert.

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.

18th Century Concerto - 'Short unpretentious and pleasing'. Oboe with piano reduction of orchestral part.PP55 ISMN 979-0-57016-079-2 Score and partsPP55A ISMN 979-0-57016-080-8 Piano reduction