Format : Score and Parts
SKU: HL.48181409
UPC: 888680907051. 9.0x12.0x0.066 inches.
Composed by Jeanine Rueff, Concertino is dedicated to Marcel Mule. Initially for Alto Saxophone and Chamber Orchestra, these scores are arranged for Alto Saxophone and Piano, and would fit players with advanced skills and ability Written in three distinctive parts: Allegro Molto (tempo 144), Lento (tempo 54) and Vivo (tempo 132). Well composed, quite challenging but very lyrical, this piece is really enjoyable and would be perfect for recitals. Jeanine Rueff composed numerous pieces for Saxophone which are often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet..
SKU: BT.DHP-1115233-400
ISBN 9789043136204. 9x12 inches. English-German-French-Dutch.
The Concertino op. 12 by the German violinist, composer and violin educator Ferdinand Küchler (1867-1937) is a three-movement work that is ideal for the development of playing in first and third position. The first movement is both powerful and playful in character, and its themes that follow on from each other rapidly, producing a concise sonata form. The second movement has been written in a three-part song form (A-B-A). The A section has a cantabile atmosphere, whereas section B is more dramatic. The third movement is a rondo (with a refrain and episodes). The refrain is joyful in spirit, and the episodes present variation.Het Concertino op. 12 van Ferdinand Küchler (1867-1937) is een driedelig werk. Voor de leerling is dit het ideale werk om aan de eerste en derde positie te werken. Het eerste deel is krachtig en speels tegelijk. Het tweededeel is in de vorm van een driedelige lied geschreven (A-B-A). Het derde deel is een rondo.Das Concertino op. 12 von Ferdinand Küchler (1867-1937) ist ein dreisätziges Werk, mit dem Schüler ausgezeichnet an ihrem Spiel in der ersten und dritten Lage arbeiten können. Der erste Satz ist kraftvoll und verspielt zugleich; der zweite Satz wurde in der Form eines dreistimmigen Liedes geschrieben (A-B-A). Der dritte Satz ist ein Rondo. Le Concertino opus 12 de Ferdinand Küchler (1867-1937) est un Å?uvre en trois mouvements, destinées aux élèves maîtrisant le jeu en première et troisième position. Le premier mouvement est puissant et ludique, le deuxième a été écrit sous la forme d'une mélodie en trois parties (ABA). Le troisième mouvement est un rondo. Il Concertino op. 12 di Ferdinand Küchler (1867-1937) è un brano in tre movimenti, ideale per praticare la prima e terza posizione. Il primo movimento è al contempo potente e gioioso, il secondo in forma di un canto a voci (A-B-A), mentre il terzo movimento è un rondò.
SKU: HL.48185216
UPC: 888680788223. 9x12 inches.
American composer Arthur Frackenpohl (b. 1924) has written a significant amount of successful repertoire for the brass family. Concertino for tuba and piano reduction is no exception. Frackenpohl has won multiple awards for his compositions. Published in 1967, Concertino for tuba added a significant work to the repertoire of an instrument which lacks in substantial solo compositions. Comprising three movements, the first movement of Concertino is marked moderato, followed by a lento second movement. The final movement is allegro. All three movements display fine aspects of the tuba which are often ignored. Suitable for intermediate tuba players, Frackenpohl's Concertino for the instrument is an exciting addition to the instrument's repertoire.
SKU: BO.B.3414
English comments: Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi CervelloComentarios del Espanol:Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello.
SKU: BO.B.3059
ISBN 9788480202831.
SKU: BO.B.3430
The Geminis Concertino was written in 2005 and dedicated to Gerard Claret and the National Chamber Orchestra of Andorra (ONCA).
The work, as its name implies, is a small-scale concerto for violin and 15 string instruments. Its score is basically a chamber piece in which the solo part never takes an overly virtuoso role. Conceived as a single movement, played without interruption, its internal construction consists of three classic sections: A, bars 1-72, B, bars 73-161, and C, from bar 162 to the end of the piece. Part B begins with the two opening measures of Bela Bartok's Violin Concerto simply as a reminder of a composer and a work that has impressed me since I was very young.I should confess that the entire Geminis Concertino has a certain Bartokian air that I attribute to the love I have always professed for this composer and that lately seems to affect me much as it did in my youth.--The author. Barcelona, march 2006
Comentarios del Espanol: Concertino Geminis es una obra escrita el ano 2005, que dedique a Gerard Claret y a la Orquestra de Cambra de Andorra.
La obra, como su nombre indica, es un pequeno concierto para violin y 15 instrumentos de cuerda, sin que la parte solista tome nunca un papel excesivamente virtuosistico, ya que la partitura tiene un caracter eminentemente cameristico. Concebida en un solo tiempo y, por lo tanto, interpretada sin interrupcion, su construccion interna la constituyen los tres movimientos clasicos: A, del compas 1 al 72; B, del compas 73 al 161; y C, del compas 162 al final. La parte B comienza con los dos primeros compases del Concierto para violin de Bela Bartok, simplemente como recuerdo de un compositor y de una obra que, ya desde muy joven, me impresionaron.
Debo confesar que entiendo que todo el Concertino Geminis adquiere un cierto aire bartokiano, que atribuyo al amor que siempre he profesado por ese autor y que ultimamente vuelve a estar presente, igual como lo estuvo en mi juventud.--El autor. Barcelona, marzo de 2006
SKU: BT.EMBZ14606B
Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos. Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.
SKU: BT.EMBZ14606A
SKU: HL.50511996
ISBN 9790080146064. Bach (23 x 30,2 cm) inches. Daniel Csengery.
Daniel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.
SKU: HL.50487252
ISBN 9790080126431. Octavo (19 x27 cm) inches. Hungarian, Italian. Ferenc Farkas.
The Concertino IV for oboe and string orchestra was composed in 1982-83 and dedicated to the renowned Swiss oboist Jean-Paul Goy. Its three short movements, following the traditional tempo order, mirror Farkas's attraction to Classical order and harmony. The musical language is modern and personal, however, and allows the soloist to exhibit his virtuosity.
SKU: HL.50511995
ISBN 9790080300558. 9.0x12.0x0.464 inches. Daniel Csengery.
SKU: BA.BA04036
ISBN 9790006443437. 33.1 x 25.6 cm inches.
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SKU: BT.EMBZ12643
Italian.
SKU: CY.CC2357
John Frith's new composition, Concertino for Bass Trombone & Wind Ensemble is a major new work for Bass Trombone in three movements: Humoresque, Ballad and Scherzo. Mr. Frith lives in the UK has written this work for UK Bass Trombone virtuoso, Jonathan Warburton.
SKU: HL.50510437
ISBN 9790080131015. UPC: 073999054682. A/4 inches. Ferenc Farkas.
SKU: AP.1-ADV40002
UPC: 805095400021. English.
A three-movement piece which combines orchestral vocabulary with a variety of groove oriented music such as Latin, jazz, and American folk music. It can be performed either with any size string orchestra and winds, or with string sextet (2 violins, 2 violas, cello, bass) and woodwind quintet (flute, oboe, clarinet, French horn, bassoon). The first two movements, allegro moderato and lento, showcase the lyrical side of the saxophone. The third movement, allegro molto, involves a good deal of virtuosity and requires improvisational skills over modal chords.