Dániel Csengery (né en 1974) a écrit son trois mouvements Concertino en 2006. Il s'agit d'une composition sans soucis à consonance coloré avec des rythmes entraînants, Convient aux pianistes de niveau intermédiaire et des orchestres de jeunes. La partie d'alto peut également être joué par une troisième section de violon. La musique est disponible en deux versions: 14606A - Partition et parties, la réduction 14606B pour deux pianos / Piano Et Orchestre A Cordes
SKU: HL.50511996
ISBN 9790080146064. Bach (23 x 30,2 cm) inches. Daniel Csengery.
Daniel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.
SKU: BO.B.3414
English comments: Concertino for violin and string orchestra was composed in 1993. It is a pleasant score with a slightly virtuosic touch written with the idea of creating a relaxed atmosphere in which the soloist and the orchestra can display their technique and expressive capabilities. It is a work, similar in lenght to baroque concertos, and is divided into three movements, folowing the conventional form.: two fast movements around a slow one. Te first two movements -Allegro burlesco and Adagio cantabile- follow the ABA pattern. The third starts with a -cadenza- by the soloist which includes thematic material from the previous slow movement linking straight up to the -Presto- which uses as its main idea a more forceful version of the opening melodic sketch of the -Allegro burlesco- converted into three time. The work was specially creatied for the violinist Gerard Claret and the Orquestra de Cambra Nacional d'Andorra. Recordings: Hermitage Orchestra-Camerata St. Petersburg, violin: Sergey Malov, conductor: Alexis Soriano. Ensayo (ENY-2003). Jordi CervelloComentarios del Espanol:Concertino para violin y orquesta de cuerda es una obra compuesta en 1993. Se trata de una partitura amable y de cierto toque virtuosistico cuya principal preocupacion ha sido crear una atmosfera distendida en la que el solista y la orquesta puedan desplegar con espontaneidad sus capacidades tecnicas y expresivas. Es una obra de duracion similar a la de los conciertos del barroco y dividida en sus tres tipicos movimientos. Dos rapidos enmarcando uno lento. Los dos primeros -Allegro burlesco y Adagio cantabile- se desarrollan bajo el esquema ABA. El tercero inicia con una -cadenza- del solista que recoge material tematico del movimiento lento precedente para enlazar sin interrupcion con el -Presto- que utiliza como idea principal el dibujo melodico que abre el -Allegro burlesco-, pero mas decidido y a compas ternario. La obra fue compuesta expresamente para el violinista Gerard Claret y la Orquestra Nacional de Cambra d'Andorra. Grabaciones: Hermitage Orchestra-Camerata St. Petersburg, violin solista: Sergey Malov, direccion: Alexis Soriano. Ensayo (ENY-2003) Jordi Cervello.
SKU: HL.50510437
ISBN 9790080131015. UPC: 073999054682. A/4 inches. Ferenc Farkas.
The Concertino IV for oboe and string orchestra was composed in 1982-83 and dedicated to the renowned Swiss oboist Jean-Paul Goy. Its three short movements, following the traditional tempo order, mirror Farkas's attraction to Classical order and harmony. The musical language is modern and personal, however, and allows the soloist to exhibit his virtuosity.
SKU: HL.48022729
Bertold Hummel composed the Concerto for Bassoon and String Orchestra first with the basset horn as solo instrument before arrangingit for bassoon at the suggestion of Eberhard Buschmann. The piece is characterized by the use of French folk-song melodies which areintegrated into their own thematic material. In the first movement, Prologue, the solo instrument stands out while declaiming in a recitative-like manner. The second movement, Concerto, follows the meaning of the word 'concertare' = 'compete' by combining the soloist and the string ensemble 'competitively' to form a unified whole. The short epilogue is a fading away, with strictly alternating solo instrument and strings. Bassoon with piano reduction.
SKU: IS.VAP6164BEM
ISBN 9790365099870.
This composition tells the story of a quest to find truth, which is relative and constantly changing. It is often to be found in the place where water becomes steam, somewhere in Between on the dividing line between Ying and Yang, somewhere in a twilight zone between dark and light, between Black and White. Black, White & In Between was conceived as a concertino for violin and string orchestra. It has been recorded by the London Philharmonic Orchestra under direction of the composer with Marta Abraham as soloist.
SKU: PR.460000190
UPC: 680160097760. 9 x 12 inches.
SKU: HL.50487407
ISBN 9790080130131. A/4 inches. Ferenc Farkas.
SKU: HL.49017312
