3 Concerti Facili

SKU: BT.VOLMB737

ISBN 9788863887372. Italian.

SKU: BT.EMBZ14832

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

SKU: CU.EC9438

SKU: BT.VOLMB412

ISBN 9788863884067. Italian.

Edizione speciale della fortunata serie, raccoglie un repertorio di grande variet , da suonare al pianoforte o alla tastiera a prima vista e tutto d’un fiato!La facilit d’esecuzione dei brani offrir stimoli concreti e immediati all’allievo, che in breve tempo sar capace di ricreare alla tastiera le magiche atmosfere dei brani di Beatles, Elton John, Zucchero, Queen, Ennio Morricone, Procol Harum,Andrea Bocelli, Eros Ramazzotti, Europe e altri.

SKU: CF.BF129

ISBN 9781491153321. UPC: 680160910823.

Cello Power is a series of books designed to be used to expand the cello student’s facilityand knowledge of the instrument. The books are structured to focus on the advancedmaterials that appear in our cello literature. Most important are the exercises and myfurther recommendations on how to work on them. The process is first to digest thefundamental of each and thereby to enable one to build a solid technique in preparationfor the difficult passagework ahead. An example are the double-stop excerpts, which arebroken down into two-string bow patterns to aid in intonation and to clarify the spacingfor the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack of materials covering, ina progressive order, the transition from the introduction of the thumb position into astudent’s studies and the work on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, then there are the ensuingrepertoire demands of the concertos of Dvořák and Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique and facility in the lower areaof the cello. This includes material to help make the fifth, sixth and seventh positions lessawkward for the student. The goal is to aid in the ability of the student to become moreable to apply this technical comfort to the attainment of a more nuanced and emotionallyfulfilling musical performance on the cello.
Cello Power is a series of five books designed to be used to expandthe cello student’s facility and knowledge of the instrument. Thebooks are structured to focus on the advanced materials thatappear in our cello literature. Most important are the exercisesand my further recommendations on how to work on them. Theprocess is first to digest the fundamental of each, and therebyto enable one to build a solid technique in preparation for thedifficult passagework ahead. An example are the double-stopexcerpts, which are broken down into two-string bow patterns toaid in intonation and to clarify the spacing for the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack ofmaterials covering, in a progressive order, the transition from theintroduction of the thumb position into a student’s studies and thework on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, thenthere are the ensuing repertoire demands of concerti by Dvořák,Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique andfacility in the neck area of the cello. This includes materials to helpmake the fifth, sixth and seventh position less awkward for thestudent. The goal is to aid in the ability of the student to becomemore able to apply this technical comfort to the attainment of amore nuanced and emotionally fulfilling musical performance onthe cello.

SKU: HL.44001274

UPC: 073999946031. 6.75x10.5 inches.

Based on the famous melody from the Adagio movement of the Clarinet Concerto by Wolfgang Amadeus Mozart, this work has a beautiful lyrical quality to it. Compositions of this nature require the ability to play with great expression. The wonderful talent and genius of Mozart is clearly perceptible in this unforgettable melody. Celebrate Mozart's 250th anniversary with this most popular brass band work.

Mit The Young Amadeus verleiht Jan de Haan dem zweiten Satz aus dem Konzert fur Klarinette und Orchester in A-Dur (KV 622), das Mozart 1791 kurz vor seinem Tod komponierte, neue Frische und Jugendlichkeit. Die Melodielinie ist zauberhaft - wie ein sanfter Gesang hebt sie sich filigran von einer luftigen Begleitung ab. Von Mozart fur einen guten Freund geschrieben, vermittelt die Musik die Botschaft der Freundschaft.

The Young Amadeus donne une nouvelle jeunesse a l'Adagio du Concerto pour Clarinette et Orchestre en La Majeur KV 622, une œuvre que Mozart a composee en 1791, quelques mois avant sa mort. La courbe melodique d'une sublime tendresse temoigne du genie musical et de la divine facilite d'elocution dont Mozart avait ete doue par la nature.

SKU: BT.VOLMB663

ISBN 9788863886634. Italian.

I più famosi brani natalizi da suonare al pianoforte o alla tastiera, a prima vista e... tutto d’un fiato! La facilit d’esecuzione di queste partiture potr offrire stimoli concreti e immediati a coloro che da poco hanno cominciato a studiare ilpianoforte o a chi in breve tempo e senza troppa fatica vuole ricreare alla tastiera delle magiche atmosfere natalizie.

SKU: BO.B.3040

Comentarios del Espanol:
La Obra Rapsodia para Piano y Cobla (1953) destaca dentro de la produccion de Manuel Oltra por ser su primera obra compuesta para esta formacion instrumental. La produccion para cobla de Manuel Oltra contempla, ademas de la armonizacion de un centenar de ballets tradicionales catalanes, una docena larga de obras de concierto de forma, extension e instrumentacion variada, asi como un extenso catalogo de sardanas. La constante inquietud del compositor le ha llevado a realizar muy valiosas y logradas investigaciones timbricas. Fue el primero en combinar la cobla con instrumentos ajenos a los de la formacion tradicional consiguiendo exitosas especulaciones ritmico-melodicas. Rapsodia para piano y cobla se puede encontrar tambien en su version reducida para dos pianos. Obra compuesta por el mismo autor con el objetivo de facilitar el estudio de la obra al pianista para su posterior interpretacion con la cobla. Dado el exito de la Rapsodia para piano y cobla y gracias a su gran diversidad de timbres, en el ano 2004 Manuel Oltra creo una nueva version de la obra para orquesta sinfonica y que se publico el mismo ano en Editorial de Musica Boileau.

SKU: BO.B.3175

Comentarios del Espanol:
La Obra Rapsodia para Piano y Cobla (1953) destaca dentro de la produccion de Manuel Oltra por ser su primera obra compuesta para esta formacion instrumental. La produccion para cobla de Manuel Oltra contempla, ademas de la armonizacion de un centenar de ballets tradicionales catalanes, una docena larga de obras de concierto de forma, extension e instrumentacion variada, asi como un extenso catalogo de sardanas. La constante inquietud del compositor le ha llevado a realizar muy valiosas y logradas investigaciones timbricas. Fue el primero en combinar la cobla con instrumentos ajenos a los de la formacion tradicional consiguiendo exitosas especulaciones ritmico-melodicas. Rapsodia para piano y cobla se puede encontrar tambien en su version reducida para dos pianos. Obra compuesta por el mismo autor con el objetivo de facilitar el estudio de la obra al pianista para su posterior interpretacion con la cobla. Dado el exito de la Rapsodia para piano y cobla y gracias a su gran diversidad de timbres, en el ano 2004 Manuel Oltra creo una nueva version de la obra para orquesta sinfonica y que se publico el mismo ano en Editorial de Musica Boileau.