Complete Piano Sonatas Vol.2

Beethoven Complete Piano Sonatas Volume I. Edited by Harold Craxton. Annotated by Donald Francis Tovey.

Re-engraved corrected editions of Beethoven's complete Piano Sonatas by Artur Schnabel with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.

When Christa Landon presented the first printed version of her edition of Joseph Haydn's Piano sonatas Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn. The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn's performance practice.

The Wiener Urtext Edition presents the first critical edition of Franz Schubert's Piano Sonatas arranged in chronological order. The newly revised text is based on the sources and is accompanied by a description of genesis and history information on Schubert's instruments and his Piano writing plus notes on authentic performance practice. The editorial approach is documented in a critical report. In order to enable a complete performance the movements only extant in fragmentary form have been carefully reconstructed in accordance with up-to-date research.

The second volume of Haydn's Piano Sonatas presented here as a study score. This highly accurate Urtext edition has been edited by Georg Feder and fingered by Hans-Martin Theopold.

Piano Sonatas Nach den Quellen Urtext Com­po­si­teur: Beethoven, Ludwig van Edi­teur: Hauschild, Peter Edi­teur: Reutter, Jochen Numéro de volume: Band 2 Ins­tru­men­ta­tion: piano Édi­tion: Urtext Séries: Wiener Urtext Edition N° Réf.: UT50428 The newly revised edition of the piano sonatas by Ludwig van Beethoven in the Vienna Urtext Edition is the only one of the more recent urtext editions that is based on a wide range of sources, including autographs, reviewed copies and first editions, as well as early reprints published during the composer's lifetime and Haslinger's complete edition. This is especially important for those sonatas of which neither autographs nor copies are extant. The edition contains a Critical Report in German and English in which the complex source problems of these sonatas and the editorial decisions are explained in a comprehensible way. This makes the volume an indispensable tool to those studying these outstanding works of piano literature. Contenu du texte: Sonaten op. 26, op. 27/1-2, op. 28, op. 31/1-3, op. 49/1-2, op. 53, op. 54, op. 57

Sonaten Op. 26, Op. 27/1-2, Op. 28, Op. 31/1-3, Op. 49/1-2, Op. 53, Op. 54, Op. 57. Par BEETHOVEN LUDWIG VAN. The newly revised edition of the piano sonatas by Ludwig van Beethoven in the Vienna Urtext Edition is the only one of the more recent urtext editions that is based on a wide range of sources, including autographs, reviewed copies and first editions, as well as early reprints published during the composer's lifetime and Haslinger's complete edition. This is especially important for those sonatas of which neither autographs nor copies are extant. The edition contains a Critical Report in German and English in which the complex source problems of these sonatas and the editorial decisions are explained in a comprehensible way. This makes the volume an indispensable tool to those studying these outstanding works of piano literature. / Date parution : 2019-11-29/ Répertoire / Piano

Complete Piano Sonatas in two volumes. This comprehensive new playing edition contains 52 sonatas by the master - a treasury of keyboard compositions in which echoes of the baroque and harbingers of romanticism blend with the lucidity and elegance of 18th-century classicism. Hoboken Nos. 1-29. Breitkopf

The Complete Piano Sonatas composer: Franz Schubert editor: Martino Tirimo fingering: Martino Tirimo Edited from the sources and provided with commentary and fingering Urtext Instrumentation: Piano Publisher: Wiener Urtext Edition Volume number: Band 2 Difficulty: Intermediate-difficult Edition: Urtext Series: Wiener Urtext Edition Edition description: 1. Auflage 280 Pages - Paperback/Soft Cover ISMN: 979-0-50057-224-4 ISBN: 978-3-85055-552-4 Order number: UT 50221 Sonate Nr. 9 fis-Moll D 571 Sonate Nr. 10 H-Dur D 575 Sonate Nr. 11 C-Dur D 613 Sonate Nr. 12 f-Moll D 625 Sonate Nr. 13 A-Dur Sonate Nr. 14 a-Moll D 784 Sonate Nr. 15 C-Dur D 840 Sonate Nr. 16 a-Moll D 845 Anhang: Sonate cis-Moll D 655 (Fragment) Sonate e-Moll D 769A (Fragment)

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano