Closer Than Ever - Vocal Score

Mezzo-Soprano Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) · Back on Base (Closer Than Ever) · That Mister Man of Mine (Dames at Sea) · A Little Brains A Little Talent (Damn Yankees) · Something of My Own (Dessa Rose) · I Know the Truth (Elton John and Tim Rice's Aida) · Holding to the Ground (Falsettos) · Think of Meryl Streep (Fame: The Musical) · A Little Girl from Little Rock (Gentlemen Prefer Blondes) · Lazy Afternoon (The Golden Apple) · What Is a Woman? (I Do I Do) · Old Friend (I'm Getting My Act Together and Taking It on the Road) · Last Midnight (Into the Woods) · Moments in the Woods (Into the Woods) · Somewhere That's Green (Little Shop of Horrors) · West End Avenue (The Magic Show) · Tell Me Why (A Man of No Importance) · Take It on the Chin (Me and My Girl) · Like It Was (Merrily We Roll Along) · The Music Still Plays On (A New Brain) · Mad About the Boy (Oh! Coward) · It's a Fine Life (Oliver!) · How Can I Wait? (Paint Your Wagon) · Zip (Pal Joey) · My Cousin in Milwaukee (Pardon My English) · Notice Me Horton (Seussical the Musical) · Wonderful Wonderful Day (Seven Brides for Seven Brothers) · What a Nice Idea (Two Gentlemen of Verona) · If You Hadn't but You Did (Two on the Aisle ) · Over the Rainbow (The Wizard of Oz) · Millwork (Working).

Tenor Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfreds Singers Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocalscores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiplevolumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-bar cut suggestions for each song make it the most useful andrelevant song library of its kind. Titles include: Im Not That Smart (The 25th Annual Putnam County Spelling Bee) · My Unfortunate Erection (Chips Lament) (The 25th Annual Putnam County Spelling Bee) · Dames (42nd Street) · Radames Letter (EltonJohn and Tim Rices Aida) · The Gypsy in Me (Anything Goes (1988 Revival)) · Ballad of Booth (Part III) (Assassins) · What Am I Doin? (Closer Than Ever) · Broadway Baby (Dames at Sea) · Blah Blah Blah (Delicious) · When the Earth Stopped Turning(Elegies) · You Gotta Die Sometime (Falsettos) · I Want to Make Magic (Fame: The Musical) · Sandy (Grease) · Donna (Hair) · Different (Honk!) · The Phone Call (Lucky Stiff) · Knowing Me Knowing You (Mamma Mia) · To Each His Dulcinea (Man of LaMancha) · Larger Than Life (My Favorite Year) · Im Falling in Love with Someone (Naughty Marrietta) · And Theyre Off (A New Brain) · Stouthearted Men (The New Moon) · Lucky to Be Me (On the Town) · A New Town Is a Blue Town (The Pajama Game) ·Extraordinary (Pippin) · Theres a Boat Dats Leavin Soon for New York (Porgy and Bess) · You Took Advantage of Me (Present Arms) · Alone in the Universe (Seussical the Musical) · Something to Live For (Sophisticated Ladies) · Strike Up The Band(Strike Up The Band) · Ballad of the Easy Life (The Threepenny Opera) · Calla Lily Lady (Two Gentlemen of Verona) · Loves Revenge (Two Gentlemen of Verona) · They Wont Know Me (Wish You Were Here) · If I Only Had a Brain (The Wizard of Oz).

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Soprano Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: All for You (Saturday Night) · Autumn (Starting Here Starting Now) · Ballad of Dependency (The Threepenny Opera) · The Boy Friend (The Boy Friend) · Bring on Tomorrow (Fame - The Musical) · Goodbye Little Dream Goodbye (Anything Goes 1988 Revival) · I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) · I'm a Stranger Here Myself (One Touch of Venus) · Jilted (Of Thee I Sing) · Just Imagine (Good News) · A Little Bit in Love (Wonderful Town) · A Little Bit of Good (Chicago) · Long Ago (Half a Sixpense) · Love in a Home (Lil' Abner) · Love Is Sweeping the Country (Of Thee I Sing) · Mira (Carnival) · My Love Is on the Way (The Golden Apple) · My Man's Gone Now (Porgy and Bess) · Once Upon a Dream (Jekyll

Celebrated as much for his fantastic songs and Rock n'Roll Piano style as his flamboyant charisma, this set of transcriptions presents Elton at his very best! From the evergreen ballad Candle In The Wind to the dreaming glam of Rocket Man, these accurate note-for-note editions have been transcribed from the original recordings, bringing you closer to Elton's playing than ever before. Each song includes complete lyrics, melody line and chord voicings.

The Heart network is the largest commercial radio network in the UK, comprising 33 regional stations reaching more than 7.3 million people in the UK every week. Heart's phrase is 'More Music Variety', playing a mix of pop tracks and upbeat classics. This songbook, arranged for voice and piano with guitar chord boxes, features 30 pop favourites from artists including Take That, Duffy, Leona Lewis, Michael Buble, Robbie Williams and many more./ Recueil / Piano, Chant et Guitare

300 chants sacrés en faux livre format, ligne de mélodie avec des paroles et des symboles de la corde. / Piano/Vocal/Guitare (PVG)

About Franz Schubert's opera 'Sakontala' During the autumn of 1820 Schubert started working on a large-scale romantic opera in three acts (and with partly spoken dialogue) for soloists choir and orchestra. The text was based on the classical poet Kalidasa’s drama 'Sakontala' and a friend of Schubert (professor ofphysics Johann Phillip Neumann) wrote the libretto. For unknown reasons Schubert never completed the opera. In the standard literature on Schubert this fragment is usually referred to as a minor totally incomplete torso. During the summer of 2001 the Finnish 'cultural entrepreneur' Antti Sairanen decided to investigate the possibility of 'rescuing' one of Schubert's numerous unfinished works for the stage by attempting to produce a performable version. Among his choices 'Sakontala' (because of the quality of the original Kalidasa text) became a preferred item. In the spring of 2002 he contacted me with this general idea and we decided to have a closer look at the Sakontala fragment. Sairanen managed to obtain a copy of the fragment from the international Schubert society in Tübingen. One of the ideas discussed was to attempt a 'rendering' of Schubert’s unfinished music combined with new music composed by me - accepting the inevitable stylistic 'clash' as a virtue. To my amazement however the 'fragment' proved to consist of more than 400 pages of unknown music by Schubert in his own hand. The fragment consisted of pages with 16 staves organised as an orchestral score. Schubert had fully written and composed the vocal parts with text. But only very rarely and sporadically did he write accompaniment hint at