SKU: AP.1-ADV7053
UPC: 805095070538. English.
The Children's Suite features 16 pieces inspired by A. A. Milne's Now We Are Six, a book for children of all ages. The songs represent the wonderful world of Christopher Robin and Pooh et al. and falls into two categories; jazz and classical. The improvisation sections can be omitted or elongated depending on the level of the player. Titles: Overture * Busy * Down by the Pond * Buttercup Days * The Engineer * The Emperor's Rhyme * Forgiven * Furry Bear * A Knight in Shining Armor * Come Out with Me * The Good Girl * Twice Times * Solitude * Forgotten * The Morning Walk * The End.
SKU: CA.334610
ISBN 9790007185718. Key: G major. Language: German/Latin. Text: Borderies, Jean Francois.
SKU: CA.331230
ISBN 9790007173272. Key: B flat major. Text language: English.
SKU: CA.333330
ISBN 9790007184568. Key: G major. Language: German/Latin. Text: Borderies, Jean Francois.
SKU: HL.14032776
7.0x10.0x0.093 inches.
In this piece for unaccompanied SATB choir, fervent, dance-like music appears side by side with fear and awe, producing a dramatic contrast. The work was commissioned jointly by the Dean and Chapter of Winchester Cathedral and by Mrs Ruth Daniel on behalf of St. John's College, Cambridge, for performances during Advent 1997. There were simultaneous first performances on 29th November 1997, given by the Choir of Winchester Cathedral conducted by David Hill, and the choir of St. John's College conducted by Christopher Robinson in Cambridge.
SKU: CA.201605
ISBN 9790007167011.
Score available separately - see item CA.201600.
SKU: CA.331290
ISBN 9790007173333. Key: A minor. Text language: English.
SKU: CA.331160
ISBN 9790007173210. Key: A minor. Text language: English.
SKU: CA.323860
ISBN 9790007158590. Key: F major. Text language: Latin/German. Text: Borderies, Jean Francois / Mohr, Joseph Franz.
SKU: CA.333810
ISBN 9790007184995. Key: G major. Language: German/Latin. Text: Borderies, Jean Francois.
SKU: SU.29130250
CF 58. From the Oratorio YOUR SOVEREIGN MINDGuitar & String Quartet Duration: Composed: 2016 Published by: Distributed Composer.
SKU: CA.331310
ISBN 9790007173340. Key: D minor. Text language: Latin.
SKU: CA.325230
ISBN 9790007159092. Key: F major. Text language: Latin/German. Text: Borderies, Jean Francois / Mohr, Joseph Franz.
SKU: CA.334280
ISBN 9790007185428. Key: G major. Language: German/Latin. Text: Borderies, Jean Francois.
SKU: CA.324550
ISBN 9790007158859. Key: F major. Text language: Latin/German. Text: Borderies, Jean Francois / Mohr, Joseph Franz.
SKU: CA.325920
ISBN 9790007159344. Key: F major. Language: Latin/German. Text: Borderies, Jean Francois / Mohr, Joseph Franz.
SKU: UT.APS-6
ISBN 9788881094790. 6.5 x 9.5 inches.
Essays by Gregory Barnett, Barra Boydell, Enrico Careri, Cheryll Duncan, Christopher Hogwood, Peter Holman, Clare Hornsby, Mark Kroll, Sandra Mangsen, Andrew Pink, Rudolf Rasch, Robin Stowell, Michael Talbot, Wiebke Thormahlen, Peter Walls, Neal ZaslawSixteen essays by international scholars celebrate the 250th anniversary of Francesco Geminiani (1687-1762), star pupil of Corelli and composer, performer and teacher in Paris, London and Dublin, who for many years was ranked as the equal of Handel.His compositions moved far beyond Corelli's model (to include theatre music, sonatas for cello and keyboard works) and later in his life he supported his aesthetic style with treatises on violin and guitar playing, good taste, accompaniment and composition. He published all his output in the most elegant style via engravers and music sellers in Paris, Amsterdam and London, and constantly revised and rewrote earlier works in new and often expanded formats. This legacy is analysed and placed in context within the various national styles current in Europe, and the enormous influence of his treatise The Art of Playing on the Violin is positioned in a continuum which extends to Ivan Galamian.Outside music these studies examine the effect of Freemasonry on Geminiani's career, and his frequent recourse to law to defend his rights. On his own admission, Geminiani preferred dealing in fine art to playing the violin -- a claim always derided by earlier writers, but in fact easily defended by newly available evidence of his highly successful sales.The reception of Geminiani's music is also re-assessed and his apparent decline in public favour is explained; many new sources contradict the accepted and dismissive opinions of Charles Burney and John Hawkins, and the supportive enthusiasm of his main British advocate, Charles Avison, is given its rightful position. Questions of present-day performance values are also contrasted with Geminiani's philosophy, and many leads presented for the future investigation of this enigmatic but individual genius.
