Chorale and Canzone

Canzone Popolare Per Coro A 3 Voci Maschili. Par GIURANNA ELENA BARBARA. Italian / Classique / Date parution : 1905-06-06/ Répertoire / Choeur d'Hommes

Cette composition lente est magnifique et intense contient beaucoup de séquences mélodiques et est dédiée au Saint François ? un personnage dont l?histoire de vie impressionnait toujours le compositeur. Il avait déjà honoré François d?Assise dans plusieurs ?uvres tel qu?une composition pour cordes un oratorio une messe et un Laudate pour chorale et orchestre d?harmonie. Canzone di Francesco va créer un moment de méditation et de réflexion pendant votre concert mais est aussi convenable comme morceau d?échauffement pour travailler l?intonation le phrasé et la production du son.

Edition no.: BA9284 ISMN: 9790006537181 Volume / Series: Complete Organ Works, Volume IV Editor: Boecker, Jan / Stockmeier, Wolfgang Product format: Performance score(s), Anthology, Urtext edition Includes the following individual parts: Organ Binding: Cardboard binding Pages / Format: XIX, 95 Seiten - 30,0 x 23,0 cm Gerard Bunk (1888–1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works. Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement. This Urtext edition, prepared by the composer’s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary. The complete edition will comprise a total of six volumes. - First complete Urtext edition - Each volume contains a detailed foreword and critical commentary (Ger/Eng) - Numerous facsimiles and illustrations Contents (BA 9284): Festliche Stunde (Marche festivale) op. 43 Pièce héroïque op. 49 Eight Character Pieces op. 54 No. 1: Melodie No. 2: Scherzando No. 3: Impromptu No. 4: Improvisation No. 5: Pastorale No. 6: Aeolsharfe No. 7: Canzone No. 8: Allelujah Fantasie op. 57

Canzone D'l Zampognari-This Sicilian carol is traditionally played on bagpipes by shepherds who serenade Italian villagers the nine days before Christmas. This SAB and 2-part captures the style of the carol and tells the Christmas story with simpleunison and harmony throughout. Available separately: SAB 2-part StudioTrax CD. Duration: ca. 1:50.

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Que c'est ung grant remort (chanson de la Renaissance (publiée par Pierre Attaingnant) - 0 Felice nocchiero (Canzonette de Orazio Vecchi) - L'ultima volta ch'io (Canzonette de Orazio Vecchi - Lasso no é cor mio ( Villanella de Luca Marenzio) - Se il dolce sguardo (Villanella de Luca Marenzio) - Quando sperai (Canzonette de Claudio Monteverdi) - Son questi i crespi (Canzonette de Claudio Monteverdi) - Your shining eyes (Madrigal de Thomas Bateson) - 0 Felix anima (Motet de Giacomo Carissimi) - Due pupille (Nocturne de Wolfgang A. Mozart) - Psaumes 31 et 69 (Joseph Haydn) - Mich zieht es nach dem Dârfchen (Schumann) - Wesley's Challenge (Tom Johnson) - 4 VOIX MIXTES: 0 bone Jesu (Marco Antonio Ingenieri) - 0 Salutaris hostia (Giovanni Francesco Anerio) - Panis angelicus (Claudio Casciolini) - Ach, Gott, wie manches Herzelied (Choral de J.S. Bach) - Ach wie flüchtig, ach wie nichtig (Choral de J.S. Bach) - Erlaube mir, feins Mädchen (J. Brahms) - Somebody loves me (Gershwin) - Margie, Barber shop song (arrangement de Jacques Petit) - Every time I feel the Spirit (Spiritual arrangé par Marc Meyer) - Wesley 's Challenge (Tom Johnson) Compositeur/Auteur : CORNU Françoise Discipline/Instrument : choeur Support : Partition Style/Genre : méthode - études Date de parution : sept.-03

A Pastoral Song-Known as A Pastoral Song this is the third in Franz Joseph Haydn's set of Six Canzonettas. Though bright and cheerful in its setting the lyrics sadly lament that those we love are gone. Available: SSA; PianoTrax CD.

Arrangeur: David Nutter. Par WERT GIACHES DE. Langue: Italian, Format: Parisien portrait/ Répertoire / Choeur Mixte (SATB)

Par LUTHER MARTIN. / Niveau : Facile à Intermédiaire / Répertoire / Trompette, Cor, Trombone et Tuba

based on 'From Highest Heaven I Come to Tell'-The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided