China March

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Lead time before shipment : 4 to 6 weeks

Format : Score and Parts

Composed by Robert Allmend. Countries/Catalogus Marches Vol. 1/Grand Marches. Molenaar Marching Series. Recorded on Molenaar Band Series No. 11 (ML.310011630). Full set. Duration 3 minutes, 50 seconds. Published by Molenaar Edition (ML.015551020).

Instrumentation :

Concert band

Publisher :

Molenaar Edition

Level :

Item Number: ML.015551020

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Place : USA
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Details Details	Gloceckchen Trommel Zau Schott (GEB) SKU: HL.49015635 Musikmarchen aus aller Welt. Composed by Do...(+) (GEB) SKU: HL.49015635 Musikmarchen aus aller Welt. Composed by Dorothé and e Kreusch-Jacob. This edition: Hardback/Hard Cover. Book. Edition Schott. Kinder brauchen Marchen (Bruno Bettelheim) - und musikalische Marchen ganz besonders!Fur Kinder ab 6 Jahren. Classical. 173 pages. Schott Music #ED 9426. Published by Schott Music (HL.49015635). ISBN 9783795704469. 7.0x9.75x0.659 inches. German. Renate Seelig. Dieses Buch weiss Marchen aus vielen Landern der Welt zu erzahlen. Die Geschichten handeln von Tonen und Stimmen, von Trommeln, Glocken, Floten, Lauten, Harfen und von allerlei musikalischem Spielzeug.Musik kann man durch Horen und Spielen naher kommen - aber auch durch Vorlesen und Erzahlen von Musikmarchen. Uber Jahrhunderte hinweg haben sie etwas von den alten Wurzeln der Musik bewahrt. In ihrer Bildersprache geben sie die geheimnisvolle Klangsprache der Musik wieder. Den nach Instrumentengruppen zusammengefassten Kapiteln hat die Autorin einfuhrende Texte vorangestellt. Am Schluss des Buches sind die in der Sammlung erwahnten Instrumente abgebildet und beschrieben. $23.99 - See more - Buy online Similar items

Details Details	PreTime Piano Music from China Piano solo - Beginner Faber Music Limited Primer Level. Arranged by Nancy Faber and Randall Faber. Faber Piano Adventur...(+) Primer Level. Arranged by Nancy Faber and Randall Faber. Faber Piano Adventures. Chinese. Softcover. 22 pages. Faber Piano Adventures #FF3056. Published by Faber Piano Adventures $6.99 - See more - Buy online Pre-shipment lead time: 24 hours - In Stock Similar items

Details Details	Sousa's Marches - As He Performed Them GIA Publications SKU: GI.G-287972 Composed by John Philip Sousa and Kieth Brion. Music Edu...(+) SKU: GI.G-287972 Composed by John Philip Sousa and Kieth Brion. Music Education. 168 pages. GIA Publications #287972. Published by GIA Publications (GI.G-287972). ISBN 9781574634914. UPC: 888680909567. The performing style that created the Sousa Sound and made his music pre-eminent in the golden age of bands is revealed in this thought-provoking exploration by Keith Brion, founder and conductor of his own New Sousa Band. The band was formed in 1986 for a nationally televised PBS special, The New Sousa Band on Stage at Wolf Trap. It has since toured in every section of the United States and performed overseas tours in Japan and China. Since 1980, Mr. Brion has conducted his popular Sousa at the Symphony concerts with nearly every American major and regional symphony orchestra, often in repeat performances. Brion's insight into the musical depth of Sousa marches will enlighten any serious reader. Includes: Â· Sousa'a Marches As He Conducted Them Â· Parts of a Sousa March Â· Articulations, Dynamics, Phrasing, Harmony and Counterpoint Â· Blend, Color, Balance and Tempo Â· The Importance of After-Beats and Bass Lines Â· Instruments and Instrumentations Â· Percussion in Sousa's Marches Â· Patterns for Conducting Marches Â· Background and Analysis of The Stars and Stripes Forever - 2/2 Â· Background and Analysis of The Invincible Eagle - 6/8 Â· A Summary of Sousa Performance Techniques Â· Performance Suggestions Â· New Sousa Band Style Sheet and Guidelines Â· A List of References: Books and Recordings Â· Facts and Misconceptions About Sousa and His Concerts. $24.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

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Details Details	The Ides of March - Intermediate Carl Fischer Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, China Cymbal, Clarinet 1,...(+) Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS142F Composed by Sean O'Loughlin. Concert Performcnace Series. Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS142F. Published by Carl Fischer Music (CF.CPS142F). ISBN 9780825892899. UPC: 798408092894. 9 x 12 inches. Key: Eb minor. Sean O'Loughlin's The Ides of March is pulse-pounding and haunting; a dramatic composition for band. This work celebrates the composer's love of modern film music and is an exercise in economy of musical material while remaining wonderfully melodic and elegant. Pulse-pounding and haunting are two very distinct characteristics in The Ides of March. This dramatic compo- sition for string orchestra celebrates my love of modern film music and is an exercise in economy of musical material. This economy is often referred to as minimalism, although I would not go so far as to include this composition in that world. The Ides of March is a phrase that first appeared in the play Julius Caesar by William Shakespeare and rep- resented the time when a coup detat happened in the Roman government. Et tu, Brute? is the famous line recited by Julius Caesar at the climactic scene. The music reflects this heart pounding pace and the events leading to the coup detat or overthrow of the government in power. The music starts with a three note idea that permeates the entire composition. The first section of the piece from mm. 1-35 is essentially one big crescendo. Different elements get added to the core three-note idea to increase its complexity. The swells in the low strings provide a grounding element to the rhythm above. The rhythm starts to break away from itself at m. 13 with the addition of a counterrhythm in the first violin. This counterrhythm becomes the main driving force at m. 21 with some melodic material introduced in the lower strings. The two eighth-note rhythmic ideas unite once again at m. 29 with a third rhythmic idea brought into the lower strings to provide the final push into m. 35. The rhythmic cycle starts up again at m. 36, but this time it welcomes a lyrical line in the first violins. The piz- zicato notes in the celli and basses should have a light and spirited quality to them. A counterline joins the lyrical line at m. 46 with several intriguing moments of dissonance. The rhythm lets up a touch at m. 54, but quickly returns at m. 62 with the same three note rhythm displaced by one beat between the violins and the viola and celli. A build-up follows that releases into the big lyrical and haunting moment of the piece at m. 74. The sound here should be broad, rich and triumphant. Bring out the eighth notes at mm. 80-81 while hav- ing the sustained notes pull back a bit. The soft dynamic at m. 90 signals a return to the rhythmic cycle. As before, layers of rhythms keep being added to increase the intensity of the moment. This crescendo finally releases itself at the end. Be mindful of the two beats of tutti rest in m. 117 that sets up the final climactic gesture in the following measure. $13.00 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

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