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Changes of Position and Preparatory Scale Studies op. 8
$12.95
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Composed by Ottakar Sevcik (1852-1934). Edited by Jaroslav Foltyn. For violin. Stapled. Level 3. Performance score. Opus 8. Published by Baerenreiter Verlag
Instrumentation :
Violin
Publisher :
Barenreiter
ISBN 9790260107274. 31 x 24.3 cm inches. Text Language: Czech, English, German. Preface: Jaroslav Foltyn.
Sevcik's oeuvre covers every area of violin technique, from the elementary level to special exercises on individual technical problems all the way to analytical studies of the best-known violin concertos. One of his most important pedagogical works is his opus 8, written between 1892 and 1895.
This volume of exercises is devoted to changes of position and preparatory studies for scales over three octaves (in 3rds, 6ths, octaves and 10ths).
Our new edition is based essentially on the original print, issued in the early 20th century, and on sources from Sevcik's posthumous papers.
The editor, Jaroslav Foltyn, is professor of violin at Prague Conservatory, a position once held by Sevcik himself.
* A fundamental pedagogical work from a superb violin teacher
* With methodological notes by the editor (Cz/Eng/Ger)
* Moderate level of difficulty
Seller information:
Sheetmusicplus
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USA
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except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Sevcik Cello Studies: Changes Of Position And Preparatory Scale Studies Op. 8
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By Ottakar Sevcik. Arranged by Haidee Boyd And Helen Boyd. For Cello. Sevcik Cel...
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By Ottakar Sevcik. Arranged by Haidee Boyd And Helen Boyd. For Cello. Sevcik Cello Studies. Level: Intermediate-Advanced. Sheet Music. Text language: English / French / German. 28 pages. Published by Bosworth. (
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Otakar Sevcik: Studies For Violin Op. 8
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By Ottakar Sevcik. For Violin. Theory. Sheet Music. 56 pages. Published by Bosworth.
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Otakar Sevcik: Changes Of Position & Preparatory Scale Studies: Viola: Study
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Sevcik Viola Studies-Exercises in position changes and scales throughout 3 octav...
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Sevcik Viola Studies-Exercises in position changes and scales throughout 3 octaves for relatively advanced pupils. Tbhe Sevcik Viola Studies are a superb collection of exercises to help develop a students' bowing style accuracy rhythms and wrist speed/strength.
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Damiani Andrea - Method For Renaissance Lute (english Version)
Lute
Ut Orpheus
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Public...
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Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament
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Otakar Sevcik: Violin Studies Opus 8: Violin: Study
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Bosworth
Changes of Position and Preparatory Scale Studies-A compendium of studies for ch...
(+)
Changes of Position and Preparatory Scale Studies-A compendium of studies for changes of positions with preparatory scale studies. One of the unique advantages of the shifting exercises in Sevcik's Op.8 is that they provide a musical framework within which to place each shift.
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Otakar Sevcik: Prepatory Trill Studies and the Development of: Violin:
Violin
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Intermediate
Barenreiter
Double-Stopping Op.7-?evc k?s complete works cover every area of Violin techniqu...
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Double-Stopping Op.7-?evc k?s complete works cover every area of Violin technique from the elementary level and special exercises on individual technical problems all the way to analytical studies of the standard Violin concertos.His ?Preparatory Trill Studies? deal with the placement of the fingers their pressure on the strings and their action on the fingerboard in elementary positions proceeding from slow movements to trills.This edition is essentially based on the original print published at the outset of the 20th century along with other sources from ?evc k?s posthumous papers. The editor Jaroslav Foltýn is a professor ofViolin at Prague Conservatory as was ?evc k himself.Fundamental pedagogical work by a leading Violin teacherWith methodological notes by the editor (Cz/Eng/Ger)Moderate to advanced level of difficultyAlso available:School of Violin Technique Op.1Book 1: BA 9552Book 2: BA 9553Book 3: BA 9554Book 4: BA 9555School of Bowing Technique Op. 2Book 1: BA 9591Book 2: BA 9592Book 3: BA 9593Changes of Position and Preparatory Scale Studies Op.8 for Violin: BA9557
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Otakar Sevcik: Violin Studies Opus 8: Violin: Instrumental Work
Violin
Barenreiter
Studies Op. 8-A fundamental pedagogical work from a superb Violin teacherWith me...
(+)
Studies Op. 8-A fundamental pedagogical work from a superb Violin teacherWith methodological notes by the editor (Cz/Eng/Ger)Moderate level of difficulty.Šev k’s œuvre covers every area of Violin technique from the elementary level to special exercises on individual technical problems all the way to analytical studies of the best-known Violin concertos. One of his most important pedagogical works is his opus 8 written between 1892 and 1895.This volume of exercises is devoted to changes of position and preparatory studies for scales over three octaves (in 3rds 6ths octaves and 10ths). Our new edition is based essentially on the original print issued in the early 20th century and on sources from Šev k’s posthumous papers. The editor Jaroslav Foltýn is professor of Violin at Prague Conservatory a position once held by Šev k himself.Already published:Otakar Šev kSchool of Violin Technique Op.1Book 1: BA 9552Book 2: BA 9553Book 3: BA 9554Book 4: BA 9555School of Bowing Technique Op. 2Book 1: BA 9591Book 2: BA 9592Book 3: BA 9593
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D. Alexanian: Complete Cello Technique: Violin & Cello: Instrumental Tutor
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The Classic Treatise on Cello Theory and Practice. An unabridged republication o...
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The Classic Treatise on Cello Theory and Practice. An unabridged republication of Diran Alexanian's 1922 classic Traite Theorique et Pratique du Violoncelle this volume represents one of the most thorough explorations of cello playing and technique in the literature. It reprints the orginal dual-language edition featuring French and English instruction side by side on the page complemented by numerous photographs diagrams and music examples. Student and growing professionals alike will find it superb compendium of instruction.
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