Catalonia

SKU: FJ.ST6309

UPC: 674398231270. English.

This beautiful, traditional Catalonian song, also titled El Noi de la Mere (The Mother's Child), has been sung as a Christmas carol; however, it is also quite popular with classical guitarists. Folk-like melodies weave through unexpected harmonies to give this piece a joyous, yet sophisticated mood. Strings play pizzicato throughout to honor its guitar roots. Perfect as a change of pace for a winter program, or at any time of year!

About FJH Developing Strings

Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

SKU: AP.29444S

UPC: 038081322179. English.

Catalina March, an original composition by Steve Hodges, contains elements of both traditional and contemporary marches. The spirited opening theme features a playful give-and-take between the brass and the upper woodwinds. A contrasting minor trio section is presented by the clarinets, saxophones and horns before returning to a charming woodwind variation of the initial presentation. Following an effective modulation, the piece finishes with a powerful restatement of the opening theme with woodwind countermelodies complementing the strong brass and percussion. This exciting march would be an excellent way to begin a concert! (2:35).

SKU: AP.29444

UPC: 038081322162. English.

Catalina March, an original composition by Steve Hodges, contains elements of both traditional and contemporary marches. The spirited opening theme features a playful give-and-take between the brass and the upper woodwinds. A contrasting minor trio section is presented by the clarinets, saxophones and horns before returning to a charming woodwind variation of the initial presentation. Following an effective modulation, the piece finishes with a powerful restatement of the opening theme with woodwind countermelodies complementing the strong brass and percussion. This exciting march would be an excellent way to begin a concert! (2:35).

SKU: UT.SC-10

ISBN 9790215305496. 8.26 x 11.69 inches.

4 Valses par I. Trombetta; 14 Valses Allemandes par différents Auteurs; 2 Galoppes; 2 Galoppes [par] Trombetta; 2 Ecossaises par I. Brunelli; 2 Ecossaises [par] Trombetta; 6 Contredances par M. Perelli (La Montecchi, La Bellini, La Muta de Portici, La Auber, La Comte Ory, Figures des contredances); Cotillon sur les motifs de la Muette de Portici

SKU: HL.50488658

UPC: 073999886580. 8.25x11.75x0.19 inches.

Contents: Bellini: Norma * Boito: Mefistofele * Catalani: La Wally * Donizetti: L'Elisir d'amore, Linda di Chamounix * Mascagni: Iris * Meyerbeer: Roberto il Diavolo * Mozart: Don Giovanni * Puccini: Madama Butterfly, Tosca, Turandot * Rossini: Il Barbiere di Siviglia (Cavatina: Una voce poco fa) * Verdi: Aida, La Traviata * Wagner: Tannhauser.

SKU: CF.FE189S

ISBN 9780825877520. UPC: 798408077525. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium”, a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

SKU: BO.B.3429

English comments: In 2003, I wrote Introspeccion for solo clarinet and, although I had already used the clarinet many years ago (in 1963 with a Duo for clarinet and piano), I felt the need to return to that instrument again: malleable, dynamic, with a considerable tessitura and an expressive and effective timbre both in pianissimo and fortissimo.

Apart from the Piano concerto I wrote in 2003, over the last four years I have preferred to work with chamber music. In 2005 I used the clarinet again, this time alongside the classic string quartet, a combination that has always caught my attention. So this is how the Quinteto de la Sala de Llevant arose, as a work designed in a single tempo that I think follows along the same lines marked by my compositions in recent years, in the sense that all superfluous elements are removed to leave a strict musical discourse that I hope can be considered markedly expressive.

The Quinteto de la Sala de Llevant was first performed on 29 June 2005 at the Sala de Llevant in the Library of Catalonia, when I loaned my musical archives to this institution. It was played by Josep Fuster (to whom the work is dedicated) on the clarinet and the Glinka Quartet (Ala Voronkova, Guerassim Voronkov, violins, Bernat Bofarull, viola, Nabi Cabestany).
--The author

Comentarios del Espanol: En el ano 2003, escribo Introspeccion para clarinete solo y, si bien ya habia usado el clarinete hace muchos anos (en 1963 con un Duo para clarinete y piano) senti la necesidad de volver al mismo instrumento: ductil, agil, de una tesitura considerable y de un timbre expresivo y eficaz tanto en el pianissimo como en el fortisimo.

Exceptuando el Concierto para piano del 2003, en estos ultimos cuatro anos he trabajado preferentemente la musica de camara. En el 2005 vuelvo a usar el clarinete, ahora junto al clasico cuarteto de cuerda, conjuncion que siempre me habia llamado la atencion. Nace, pues, el Quinteto de la Sala de Llevant, obra concebida en un solo tiempo y que creo que continua con la linea marcada por el autor durante estos ultimos anos, en el sentido de eliminar todo elemento superfluo para seguir un discurso musical riguroso y que querria marcadamente expresivo.

El estreno del Quinteto de la Sala de Llevant tuvo lugar el 29 de junio del 2005 en la Sala de Llevant de la Biblioteca de Catalunya, en ocasion de la cesion de mi archivo musical a esta misma institucion. Josep Fuster (a quien la obra esta dedicada), clarinete, y el Cuarteto Glinka (Ala Voronkova, Guerassim Voronkov, violines, Bernat Bofarull, viola, Nabi Cabestany) fueron sus interpretes.
--El autor

SKU: TI.TR00539

ISBN 9790692046639.

SKU: HL.49015263

ISBN 9790001075176. German.

Das vorliegende Rock-Chorus-Buch mit 23 Titeln wendet sich an alle Melodie- oder Harmonieinstrumentalisten im Rock-, Jazz- und- Pop-Bereich, die zur Improvisation oder Begleitung - aber auch als Grundlage fur Arrangements - haufig auf die Harmonienfolgen von bekannten Stucke zuruckgreifen. Die gewahlten Akkordverbindungen wurden so weit wie moglich einfach gehalten, um auch weniger Geubten den Einstieg in dieses Genre zu ermoglichen. Die Einspielung der Titel auf der Cassette entspricht professionellen Massstaben, was das Spiel-Mit-Erlebnis sicher noch attraktiver macht. Die Griffzusammenstellungen auf der jeweils rechten Seite der Beispiele sind fur Gitarre bestimmt.

SKU: AP.49442S

ISBN 9781470650513. UPC: 038081571294. English.

Fum, Fum, Fum is a popular 16th- or 17th-century Christmas carol from Catalonia, which is located in northeast Spain. This well-crafted arrangement by Michael Story includes a series of variations that conclude with an energetic flourish. Perfect for your holiday concert! (2:00) This title is available in MakeMusic Cloud.