SKU: FZ.5751
ISBN 9790230657518. 24.00 x 32.00 cm inches.
This facsimile of the manuscript by Georg Friedrich Haendel is part of our Dominantes collection. Presentation by Philippe Lescat: Georg Friedrich Handel's Italian sojourn - bibliography - comprehension of the score - corrections and suggestions - restoration - index. Cantatas for solo voice and continuo bass. Autograph manuscript. Manuscript R. M. 20. d. 11. The manuscript R. M. 20. d. 12 is published by Fuzeau under the reference 5799. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BT.WA-7009-401
ISBN 9789043160049. English.
This delightful melody from Cantata 208 was originally scored for solo voice, two flutes and continuo. The pastoral subject was played by the flutes in thirds and sixths and it is this melody that has been faithfully retained in this arrangement for piano duet.
SKU: FZ.5799
ISBN 9790230657990. 24.00 x 32.00 cm inches.
This facsimile of the manuscript by Georg Friedrich Haendel is part of our Dominantes collection. Facsimile edition in six volumes of the holographs of Handel's Italian cantatas. This publication at last makes these very fine works available to all. Presentation by Philippe Lescat: Comprehension of the score - corrections and suggestions - the revisions of the cantatas - restoration - index to this volume. Cantatas for solo voice and continuo. Facsimile of Handel's autograph manuscript. Volume II. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HH.HH500-FSP
ISBN 9790708185109.
The eighteenth century saw a great increase in secular music for solo voice and continuo set to texts in Venetian, which was then a recognized literary language, not a mere dialect of Italian. Most of these compositions are short gondola songs or canzonettas, but a few are cantatas in several movements indistinguishable from their counterparts with Italian texts except in language and subject matter, which favours contemporary themes treated in a comic manner. The two Venetian cantatas for soprano and continuo by Diogenio Bigaglia (1678–1745) published here for the first time – they are probably the first of their type ever to appear in a modern edition – are excellently crafted examples of their type, revealing an unexpectedly racy side of their composer, a Benedictine monk. One is a set of instructions for a shopping trip given by a nun to her aged servant, and the other is a woman’s catty description of the rise from rags to riches of one of her neighbours through prostitution. The editions come with translations of the texts and a brief note on the pronunciation of Venetian.
SKU: FZ.5668
ISBN 9790230656689. 23.50 x 31.50 cm inches.
This facsimile of an original by Jean-Baptiste Stuck is part of our French classical music collection. Edition : Paris, C. Ballard, 1708. The introduction is by Bertrand Porot, a speciaslit of Jean-Baptiste Stuck. Preface by Bertrand Porot: the cantatas of Stuck. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France).
SKU: FZ.5667
ISBN 9790230656672. 23.50 x 32.50 cm inches.
This facsimile of an original by Jean-Baptiste Stuck is part of our French classical music collection. Edition : Paris, l'Auteur, Foucault, 1706. The preface to this first book of remarkable French cantatas includes a catalogue of the works of Stuck and a biography based on partially unpublished archival documents. Preface by Bertrand Porot: biography of J. B. Stuck - catalogue of the works of J. B. Stuck. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.44006254
UPC: 884088047245. English.
SKU: CA.3119619
ISBN 9790007210496. Text language: German/English.
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score and parts available separately - see item CA.3119600.
SKU: CA.3119605
ISBN 9790007210434. Language: German/English.
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score available separately - see item CA.3119600.
SKU: BA.TP01039
ISBN 9790006205295. 22.5 x 16.5 cm inches. Language: German. Preface: Antje Wissemann.
This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church, Leipzig. In its alternating scoring for oboes, recorders and strings, the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists, alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simple chorus.- Urtext edition based on theNew Bach Edition- Richly coloured scoring using recorders and oboes- Vocal score (Ger/Eng), foreword (Ger/Eng)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3119607
ISBN 9790007242411. Language: German/English.
SKU: CA.3910412
ISBN 9790007055172. Language: German/English.
Interestingly scored Christmas music from the Fortsetzung des Harmonischen Gottesdienstes. With the solo voice part (d1-f2 or d-f1) Telemann again demonstrates his ability to write suitably for all throats.. Score and part available separately - see item CA.3910400.