Format : Sheet music
SKU: HL.44005298
UPC: 073999334722. 8.25x11.75x0.01 inches.
In 1725 J.S. Bach composed the cantata BWV79 'Gott, der Herr, is Sonn' und Schild for the celebration of the Reformation. Originally written for 3 vocal soloists, choir and orchestra Cantata No.79 is partially based on the well known hymn Now Thank We All Our God, the melody of which is attributed to Martin Rinckart. This arrangement for concert band by Robert van Beringen combines part of the first movement (Coro) with and ensemble from the third movement (Choral).In 2007 is het zogenaamde Lutherdecennium begonnen, de tien jaar waarin wordt voorbereid op het jubileumjaar 2017. In dat jaar is het vijfhonderd geleden dat Luther zijn 95 stellingen publiceerde. Het jaar 2012 heeft 'Muziek en Reformatie'als thema. Naast muziek van Luther zelf staan componisten als J. S. Bach en Heinrich Schutz in het middelpunt. Met deze bewerking van de melodie Nun danket alle Gott, die Bach als basis nam voor zijn cantateGott, der Herr, ist Sonn' und Schild (BWV 79), kunt u in 2012 op gepaste wijze stilstaan bij 'Muziek en Reformatie'.Seit 2007 lauft die so genannte Luther-Dekade, eine Veranstaltungsreihe, die auf das Reformationsjubilaum 2017 vorbereitet. Das Jahr 2012 ist innerhalb dieser Dekade dem Thema Musik und Reformation gewidmet. Neben Musik von Luther selbst, stehen da Komponisten wie J. S. Bach oder Heinrich Schütz im Mittelpunkt. Mit dieser Bearbeitung der Melodie von Nun danket alle Gott, die Bach als Grundlage seiner Kantate Gott, der Herr, ist Sonn' und Schild (BWV 79) verwendete, im Repertoire, konnen Sie Ihren Beitrag zum Jahr Musik und Reformation leisten.En 1725, Jean-Sebastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn' und Schild. La En 1725, Jean-Sebastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn' und Schild. La Cantate 79 est partiellement basee sur la celebre hymne chretienne Nun danket alle Gott. L'arrangement realise par Robert van Beringen integre une partie du premier mouvement (Coro) et l'ensemble du troisieme mouvement (Choral) de la cantate. Choral from Cantata Ndeg 79 est une piece instrumentale mais peut egalement etre interpretee avec un choeur mixte. Les parties pour choeur (en allemand) sont disponibles separement.Nel 1725, J.S. Bach compose la Cantata BWV79 Gott, der Herr, ist Sonn' und Schild. La Cantata 79 e in parte basata sul popolare inno cristiano Nun danket Alle Gott. L'arrangiamento di Robert van Beringen incorpora parte del primo movimento (Coro) e l'intero terzo movimento (Choral) della cantata. Chorale from Cantata No. 79 e un pezzo strumentale ma puo anche essere eseguito con un coro misto. Le parti per coro (in tedesco) sono disponibili separatamente.
SKU: BT.DHP-1063977-070
9x12 inches. English-German-French-Dutch.
The melody of the chorale Nun danket alle Gott (Now Thank We All Our God) was originally written in 1636 by the German clergyman and musician Martin Rinckart . Its international fame is due to the fact that in 1725 Johann Sebastian Bach based his cantata Gott, der Herr, ist Sonn’ und Schild (BWV 79) on this melody. The five-part arrangement by Roland Kernen that lies before you is suitable for a variable brass line-up. After a short introduction, the chorale follows, first in four-part harmony, and later with an added counterpart. A middle section, which sounds refreshing and rhythmic because of the time changes and articulation used, finally leads to a repeat of thechorale with an agile upper part. This arrangement also contains an organ part ad libitum. De melodie van het koraal Nun danket alle Gott (Now Thank We All Our God/Dankt, dankt nu allen God) werd oorspronkelijk in de eerste helft van de zeventiende eeuw geschreven. De internationale bekendheid ervan is tedanken aan het feit dat Johann Sebastian Bach in 1725 zijn cantate Gott, der Herr, ist Sonn’ und Schild (BWV 79) op deze melodie baseerde. De bewerking van Roland Kernen voor een variabele koperbezetting is voorzien van eenorgelpartij ad libitum.Sir Hubert Parry (1848-1918) vertonte ein Gedicht aus dem Vorwort der Gedichtsammlung Milton von William Blake. Seit der Orchesterbearbeitung von Sir Edward Elgar ist es eine beliebte nationale Hymne, die heute traditionell die Last Night of the Proms“ in der Londoner Albert Hall beschließt. Der Text spielt die Überlieferung an, die besagt, dass Jesus in seiner Jugend mit Joseph aus Arimathia nach Britannien kam. Philip Sparke machte die traditionsreiche, würdevolle Musik dem Blasorchester zugänglich.La mélodie originale de l’hymne chrétienne Nun danket alle Gott (Remercions tous notre Seigneur) est datée de la première moitié du XVIIe siècle. Elle deviendra mondialement célèbre en 1725, lorsque Jean-Sébastien Bach s’en inspire pour composer la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. Cet arrangement pour Quintette de Cuivres contient également une partie pour orgue ad. lib.Instrumentation : 2 Trompettes Sib, Cor en Fa/Mib, Trombone/ Euphonium en Ut BC ou Trombone/Euphonium Sib TC,Tuba en Ut BC ou Basse Mib TC ou Euphonium/Basse Sib TC, Orgue ad lib.La melodia della corale Nun danket alle Gott fu scritta nel XVII secolo e deve la sua notoriet al fatto che Johann Sebastian Bach la utlizzò come base della sua cantata Gott, der Herr, ist Sonn’ und Schild (BWV 79). L’arrangiamento di Roland Kernen è pensato per un quintetto di ottoni a strumentazione variabile. La parte dell’organo, è opzionale (inclusa al libro).
SKU: CA.3601619
ISBN 9790007144388. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.
SKU: CA.3601605
ISBN 9790007112578. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score available separately - see item CA.3601600.
SKU: CA.3601614
ISBN 9790007213787. Language: German.
This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and part available separately - see item CA.3601600.
SKU: CA.3601611
ISBN 9790007213756. Language: German.
SKU: CA.3601613
ISBN 9790007213770. Language: German.
SKU: CA.3601612
ISBN 9790007213763. Language: German.
SKU: CA.3601609
ISBN 9790007213749. Language: German.
SKU: CA.3910909
ISBN 9790007215422. Language: German/English.
Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.
SKU: CA.3910911
ISBN 9790007215439. Language: German/English.
Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.
SKU: CA.3119249
ISBN 9790007210298. Language: German/English.
The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.
SKU: CA.3910949
ISBN 9790007215477. Language: German/English.
SKU: CA.3119213
ISBN 9790007210267. Text language: German/English.
SKU: CA.3119207
ISBN 9790007242398. Language: German/English.
The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score available separately - see item CA.3119200.
SKU: CA.3119212
ISBN 9790007210250. Text language: German/English.
SKU: CA.3119205
ISBN 9790007181376. Language: German/English.
SKU: CA.3910912
ISBN 9790007215446. Language: German/English.
SKU: CA.3910919
ISBN 9790007139278. Language: German/English.
SKU: CA.3119219
ISBN 9790007210281. Language: German/English.
The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and parts available separately - see item CA.3119200.
SKU: CA.3910914
ISBN 9790007215460. Language: German/English.
SKU: CA.3119209
ISBN 9790007210236. Language: German/English.
SKU: CA.3910913
ISBN 9790007215453. Language: German/English.
SKU: CA.3119214
ISBN 9790007210274. Text language: German/English.
SKU: CA.3119211
ISBN 9790007210243. Text language: German/English.
SKU: CA.632700
ISBN 9790007012649. Key: F major. Language: German.