Instrumentation : SSAATTBB Chorus - 0.2.2.2 - 4.2.3.0 (Lat.) 1882 Version. Full Score. New Urtext Edition. (see EP 10915 for vocal score) Duration : 30 min
SKU: AP.36-A258195
ISBN 9798892701884. UPC: 659359625268. English.
Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A258193
ISBN 9798892701860. UPC: 659359564956. English.
SKU: AP.36-A258101
ISBN 9798892701853. UPC: 659359980039. English.
Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.
SKU: AP.36-A258102
UPC: 659359527715. English.
SKU: AP.36-A258196
ISBN 9798892701891. UPC: 659359762505. English.
SKU: AP.36-A258194
ISBN 9798892701877. UPC: 659359823619. English.
SKU: CA.2709309
ISBN M-007-25317-2. Key: E minor. Latin.
In 1866 Anton Bruckner composed his solemn Mass in E minor, which he revised extensively in 1876-1882. Composed for a performance in the open air, the work stands out among Bruckner's Masses and those of his contemporaries because of its scoring, omitting strings and organ in favor of an accompaniment for wind and brass instruments alone (Harmoniemusik). This scholarly-critical new edition of this second version takes into consideration for the first time the surviving parts from the Bruckner Archive at the St. Florian Monastery and the choral parts rediscovered in 2016 in the Linz Cathedral Choir Archive. These have enabled more precise editorial decisions to be made regarding the scoring of individual passages as well as articulation and dynamics. Score and parts available separately - see item CA.27093002x 27.093/21 oboe 1, 2x 27.093/22 oboe 2, 2x 27.093/23 clarinet 1, 2x 27.093/24 clarinet 2, 2x 27.093/25 bassoon 1, 2x 27.093/26 bassoon 2, 1x 27.093/31 horn 1, 1x 27.093/32 horn 2, 1x 27.093/33 horn 3, 1x 27.093/34 horn 4, 1x 27.093/35 trumpet 1, 1x 27.093/36 trumpet 2, 3x 27.093/37 Trombones 1+2+3.
SKU: CA.2709300
ISBN M-007-25077-5. Key: E minor. Latin.
In 1866 Anton Bruckner composed his solemn Mass in E minor, which he revised extensively in 1876-1882. Composed for a performance in the open air, the work stands out among Bruckner's Masses and those of his contemporaries because of its scoring, omitting strings and organ in favor of an accompaniment for wind and brass instruments alone (Harmoniemusik). This scholarly-critical new edition of this second version takes into consideration for the first time the surviving parts from the Bruckner Archive at the St. Florian Monastery and the choral parts rediscovered in 2016 in the Linz Cathedral Choir Archive. These have enabled more precise editorial decisions to be made regarding the scoring of individual passages as well as articulation and dynamics.
SKU: CA.2709303
ISBN M-007-25080-5. Key: E minor. Latin.
In 1866 Anton Bruckner composed his solemn Mass in E minor, which he revised extensively in 1876-1882. Composed for a performance in the open air, the work stands out among Bruckner's Masses and those of his contemporaries because of its scoring, omitting strings and organ in favor of an accompaniment for wind and brass instruments alone (Harmoniemusik). This scholarly-critical new edition of this second version takes into consideration for the first time the surviving parts from the Bruckner Archive at the St. Florian Monastery and the choral parts rediscovered in 2016 in the Linz Cathedral Choir Archive. These have enabled more precise editorial decisions to be made regarding the scoring of individual passages as well as articulation and dynamics. Score available separately - see item CA.2709300.
SKU: CA.2709305
ISBN M-007-25293-9. Key: E minor. Latin.
SKU: CA.2709304
ISBN M-007-24966-3. Key: E minor. Latin.
SKU: HL.49015487
ISBN 9783795702991. German.
Grundlage der von namhaften Musikwissenschaftlern erarbeiteten 35 Werkdarstellungen von Guillaume de Machaut uber Orlando di Lasso, Bach, Schubert und Brahms bis Schonberg und Britten ist die Interpretation der in Wort und Ton fixierten musikalischen Texte, die Erorterung von deren ideengeschichtlichem Zusammenhang und kunstgeschichtlichem Wesen unter vielfaltigen Gesichtspunkten. Mit der Erschliessung der Werkgehalte wird jedem Ausfuhrenden und jedem Horer - Chorleitern und Sangern, Studenten, Komponisten, Wissenschaftlern und Padagogen - der Weg zu einer gleichermassen geistigen und sinnlichen Auffassung der Musik gewiesen. In einem separaten Band sind alle im Text behandelten Kompositionen vollstandig wiedergegeben. Mit diesem Sammelband wird die erstmals 1983 erschienene erfolgreiche Publikation gleichen Titels fortgesetzt und zu einem Abriss der Geschichte der unbegleiteten Chor- und Ensemblemusik von der Ars antiqua bis zur Gegenwart erganzt, der theoretischem Analyseanspruch wie musikpraktischen Erfordernissen gleichermassen gerecht wird.
