Brazilian Rhythms For Guitar - Guitar

of Guitar Solos-Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study.Stylistically his compositions synthesize his classical background Afro-Brazilian rhythms traditional Brazilian music and American jazz. This collection presents Almeida's solos preserving the original left and right handfingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

The essential guide to Brazilian and Afro-Cuban rhythms covering Bossa Nova Samba Partido Alto Baião Bolero Cha Cha Mambo and Nanigo 6/8. Each section includes a number of patterns and riffs for a particularstyle with every example demonstrated on the accompanying audio tracks. Arranged in tablature standard notation and chord boxes.

Extend your guitar playing repertoire and develop essential Rhythm Guitar skills! This Musicians Institute Private Lessons edition is based on the concept that for most popular music styles there are a few basicprogressions and techniques that determine the character and sounds we recognise. Steve Trovato’s comprehensive book contains seven popular music guitar styles: country fingerstyle acoustic blues rock Latin andBrazilian swing jazz and funk. For each one there are written progressions typical of that style. Included in each section are stylistically typical chord voicings progressions rhythms and basic strum or accompanimentpatterns to bring you closer to mastering the style. CD contains full demo tracks and demonstrations of all examples.

A Mass in Celebration of Mother Earth-Originally performed by the Paul Winter Consort Missa Gaia is a contemporary ecumenical and ecological Mass celebrating the Earth. The work features the Consort's trademark lyrical melodies with dynamic rhythms fromAfrican Brazilian and American gospel traditions incorporating Mass and biblical texts and interweaving the voices of wolf whale and harp seals. This publication contains newly edited and revised versions of the choralmovements set for mixed choir and keyboard with optional instrumental accompaniment enabling Missa Gaia to be performed in both liturgical settings and concert halls. Publications available: SATB score Sound Cues CD(animal voices) and Instrumental Score and Parts for Soprano Sax Oboe/English Horn Cello Piano Organ Guitar Bass and Percussion. Total Performance Time: Approx. 36 minutes.