Brazil

2Nd Edition, Bilingual: Portuguese And English. Par NAZARETH ERNESTO. La série ' classiques le Choro brésilien - vous êtes le soliste!' vous permet de découvrir le style Choro grâce à l'expérience incomparable d'effectuer les compositions vous-même, accompagné d'un Ensemble de Choro. Chaque volume de la série comporte un compositeur célèbre de ce style de musique incroyable, y compris ses compositions principales dans un CD audio numérique maîtrisé et un livre de musique imprimée de qualité avec les correspondants scores C, Bb et Eb, ainsi que des entrevues, Biographie et pertinence de l'auteur de l'histoire du Choro. À l'aide du CD, écouter les pistes stéréo complètes (avec les solistes) pour votre référence. Régler votre instrument (flûte, saxophone, clarinette ou mandoline) en utilisant les notes de réglage. Maintenant avoir du plaisir étant le soliste, en utilisant les pistes d'accompagnement mettant en vedette un important Ensemble de Choro du Brésil. Maintenant vous pouvez jouer avec votre propre ' Ensemble de Choro, ' qui toujours seront là pour vous, que ce soit à la maison, sur la route ou à la plage. Ont le plaisir et la bonne formation ! Bilingue : Portugu... / Niveau : Intermédiaire à Avancé / Brazilian - Solos / Recueil / Guitare Classique

Par BELLINATI PAULO. Paulo Bellinati est reconnu comme l'un des meilleurs guitaristes contemporaines du Brésil. Il offre à son public un programme varié de pièces originales rythmique et harmonique sophistiqués plus bon goût arrangements de mélodies folkloriques brésiliens. Inspiré par la tradition riche du Brésil de formes de danse et de rythmes, Bellinati a appliqué des concepts compositionnels modernes et harmonies pour créer un répertoire excitant, vraiment unique. Dans cette Mel Bay artiste série Bellinati, effectue dix compositions originales exquises : Aristocratica, Alvoroco, Sapeca de Choro, Rosto Collado, Um Amor de Valsa, Emboscada, Zenit, Sai do Chao, Pulo do Gato et Jongo. / Brazilian - Concert/Documentary / Accessoire / Guitare Classique

Par MEDEIROS FLAVIO HENRIQUE. La mandoline a été au Brésil par les colons portugais aux XVe et XVIe siècles et finalement a travaillé son chemin dans la musique traditionnelle brésilienne. L'objectif principal de cet ouvrage est de présenter un aperçu des plusieurs visages de la mandoline au Brésil. Dans dix-huit progressivement arrangé études de caractère de cet ouvrage, l'élève de mandoline trouverez, outre un grand nombre d'aspects de la technique idiomatique de l'instrument (c'est-à-dire, les changements de doigté postes double s'arrête, tremolos, Arpèges, legatos, cordes, etc.), pas moins de quatorze différents styles. Toutes les pièces sont présentées tout d'abord en notation seulement comme duos de mandoline/guitare, suivies de la partie de mandoline répétée avec tablature. / Niveau : Débutant à Intermédiaire / Brazilian - Solos / Tablatures / Mandoline Tablatures

Almada Carlos (Arranged). Par ALMADA CARLOS. L'objectif principal de cette anthologie solo de guitare est de mettre plusieurs styles ensemble--le lundu, le polca, le maxixe, le valsinha, le quadrilha, le choro, le xótis et la samba--pour afficher le paysage musical brésilien (surtout de la ville de Rio de Janeiro) de la dernière moitié du XIXe siècle et les premières années du XXe siècle. Les cinq compositeurs choisis pour l'inclusion sont parmi les plus importants de cette période : Francesco Manuel de Silva, Chiquinha Gonzaga, Joaquim Callado, Patápio Silva et Anacleto de Medeiros. Les douze des sélections apparaissent ici en notation et tablature. / Niveau : Intermédiaire / Brazilian - Solos / Tablatures / Guitare Tablatures Classique et Fingerpick

Par CHRISTIANSEN MIKE. Numéro dix dans la collaboration de Mel Bay/Warner contient une collection de début des arrangements intermédiaire pour guitare brésilienne. Tous les morceaux inclus dans la notation standard et tablature est: ' One Note Samba ', ' méditation', ' tranquille nuits des étoiles tranquille ', ' Chega de Saudade', ' comment insensible ', ' The Girl from Ipanema', ' A Day in the Life of a Fool ', ' The Island', ' So Nice ', ' Desafinado', ' A Felicidade ', ' Sabia' et ' douce de pluie '. Tunes arrangés par John Zaradin et Mike Christiansen. Toutes les musiques inclus sur le CD compagnon en solo et rythmique des styles. / Niveau : Intermédiaire à Avancé / Brazilian - Solos / Tablatures / Guitare Tablatures

Par LAURINDO ALMEIDA. Une collection de richesse harmonique et contrapuntique vocal / accords de guitare par le célèbre guitariste et compositeur, Laurindo Almeida. Né à Sao Paulo au Brésil en 1917 et immigrent aux Etats-Unis en 1947, c'était de Almeida, qui a apporté le style de la bossa nova long aux Etats-Unis avant il fut ainsi nommé. Avec les réflexions brésilien, l'Almeida toujours élégant et de bon goût apporte ses compétences en tant que guitariste suprême et arrangeur à supporter dans ces superbes arrangements de chants traditionnels et modernes du Brésil. Ecrit en notation standard avec des paroles portugais. Le CD d'accompagnement inclus avec ce livre présente Almeida accompagnant son épouse, soprano Deltra (Didi) Eamon Almeida, dans les restitutions fougueuse et soulful qui reflètent leur amour de cette musique et leur collaboration personnelle / professionnelle continue. / Niveau : Intermédiaire à Avancé / Brazilian - Chamber / Recueil / Guitare Classique et Fingerpick

Brazil offers a great and luxurious musical variety not only for its large extension of land but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the formingof its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous the European colonizer and the African (those latter brought here as slave workers) resulted a 'Brazility'feeling which is common to every country side despite the distances that separate them: joyous melancholic nostalgic or ritual Brazilian music is always the most authentically expression of its people their happiness andsorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen coming from the country as well as urban areas are part of a repertoire quite familiar to everyBrazilian some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented inthis book was above all a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

Expand the horizons of your Guitar playing with this unique guide to the sounds and styles of Brazil. Explore the wide variety of music and disciplines from the Tango the Samba and the Bossa Nova to the complex and enchanting harmonies of Brazilian folk tunes. The author's authority and expertise lend the title an important level of authenticity and the tutorial material is fully comprehensive in both notation and Tab.An accompanying CD features recordings of all examples so that you can here exactly how these unusual and exciting musical approaches actually sound!

The Brazilian Guitar Book
Samba, Bossa Nova and other Brazilian Styles
by Nelson Faria
A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles ? Samba, Bossa Nova, Frevo
Comes with a CD download of Nelson demonstrating each exercise, plus a tune in each style.
Many variations of basic comping patterns written out, each with complete chord voicings.
Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto
Endorsements
When I think about Brasil, I think about ?Violao? (that's what we call the nylon string guitar in our country). The art of playing ?Violao? looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!?
? Leny Andrade
Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties.?
? Toninho Horta
Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly.?
? Joe Diorio / Partitions jazz

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition

The inspiration for this piece came from an e-mail received by the composer from a friend who was travelling around Brazil. The music depicts the countries great contrasts from the extreme poverty of the street children to the lavish lifestyle of the top footballers and the carnival revellers in Rio de Janeiro. Bring an exotic feel to any concert with the lively Latin American rhythms of E-mail from Brazil.

Samba And Bossa Nova-This book consists of twelve original piano pieces composed by the authors: six sambas and six bossas. The sambas themselves display a varied range of derived styles: samba-de-roda sambão partido alto samba amaxixado and alsothe ?pure? samba in two of the pieces. The pieces reflect the rich musical tradition of Brazil and serve as excellent solo piano pieces.