Blues And R And B Bass Technics

It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse

The purpose of this method is to bring you back to the golden age of bass the 60’s and 70’s and the musical styles that really made it shine: Rhythm ‘n’ Blues Soul and Funk. These styles deeply influenced modern music especially in the way the bass was used giving it a prominent and even key role. At the menu of this method certainly a must-have for any serious bass player here are 25 bass lines... to have fun above all but also to let you make progress musically as well as technically. To give you the keys to these major styles a preliminary chapter will describe their distinctive features (sound scales and arpeggios influential bassists...). The accompanyingdisc contains audio and video files. The videos (mp4) show all the bass grooves as they should be played at normal tempo then at slow tempo. The audio recordings (mp3) contain the corresponding play-along tracks in two different tempos too. You will then be able to practise the featured grooves and maybe even develop your own ideas... in the Old School style ! The purpose of this method is to bring you back to the golden age of bass the 60’s and 70’s and the musical styles that really made it shine: Rhythm ‘n’ Blues Soul and Funk. These styles deeply influenced modern music especially in the way the bass was used giving it a prominent and even key role. At the menu of this method certainly a must-have for any serious bass player here are 25 bass lines... to have fun above all but also to let youmake progress musically as well as technically. To give you the keys to these major styles a preliminary chapter will describe their distinctive features (sound scales and arpeggios influential bassists...). The accompanyingdisc contains audio and video files. The videos (MP4) show all the bass grooves as they should be played at normal tempo then at slow tempo. The audio recordings (MP3) contain the corresponding play-along tracks in two differenttempos too. You will then be able to practise the featured grooves and maybe even develop your own ideas... in the Old School style !

For the development of technical skills and improved intonation this A Scale In Time - Double Bass edition features a full collection of scales chorales etudes and an expanded alternative styles section all in one book!A Scale In Time features:One and two octave scale patterns Major natural minor and melodic minor Improvisation loops studies and tunes for training in alternative styles Blues mixolydian and lydian scales Etudes Chorales Rhythm Studies

Advanced Blues Reharmonizations And Melodic Ideas For Guitar. Par SAUNDERS BRUCE. Blues moderne est intermédiaire à avancé joueurs souhaitant élargir leur vocabulaire mélodique et harmonique. La musique est en notation standard ainsi que tablature et un CD est inclus dans lequel exercices les plus difficiles sont joués à un rythme plus lent mais aussi plus rapide. Le CD a été enregistré avec batterie, basse et guitare. Tous les exercices sont inclus sur le CD ainsi que de nombreuses pistes de pratique qui permettent à l'étudiant de jouer avec une section rythmique. Le livre couvre des sujets tels que reharmonization, combinaisons de corde/échelle exotiques, exercices intervalles et triadiques, remplaçante suggestions pentatonique et exercices et nombreux autres sujets. / Niveau : Intermédiaire à Avancé / Jazz - Technic / Tablatures / Guitare Tablatures

16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano

Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe Pass have set a very high standard for solo fingerstyle jazz guitar and it is from this vantage point that the solo flights of Taylor Crook Nichols Baker and Mann take wing. Each player has developed a distinctly different approach to interpreting and writing jazz for solo guitar by listening intently to numerous other musicians and composers - pianists horn players bassists and singers as well as many guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz guitarists (who more or less function in a linear voice in an ensemble) is their abilityto play (or imply) all aspects of music - rhythm chords bass and melody - without accompaniment. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz guitar in its current evolution as a major instrumental force in American music.Martin Taylor: Shining Stockings My funny Valentine Just Squeeze Me Tommy Crook: Melody Of Birdland All The Things You Are It Had To Be You Wave Jim Nichols: Can't Take That Away From Me East Of The Sun Taste Of Honey Here's That Rainy Day Duck Baker: Back Home in Indiana Forty Ton Parachute Out Of The Past Seven Point One Woody Mann: Mr. Guitar Uptown Tales Gypsy Girl Cat Burglar