Berlin Music

Featuring Pat Martino, Dennis Chambers And Richard Drexler. Par BERLIN JEFF. Bass legend Jeff Berlin brings his unique teaching philosophies to life on this special DVD. Known throughout the world for his one-of-a-kind bass playing, Jeff started The Players School of Music in Clearwater, Florida and immediately introduced study concepts that go against the grain of the general music education system. Jeff discusses his non-metronome and non-tablature points of views, offering instead different ways to improve your time and develop your bass playing abilities. Harmonic exercises are used that will open doors to bass players wishing to explore new tonalities and melodic possibilities. This is a special DVD full of educational information, live playing demonstrations, and learning philosophies, the kind of which you will find nowhere else. Jeff Berlin plays with an all-star band in the video including Pat Martino (guitar), Dennis Chambers (drums) and Richard Drexler (keyboard). / Niveau : Débutant à Intermédiaire / Jazz - Methods / Méthode / Guitare Basse

Avec une carrière musicale depuis un siècle, le 20ème siècle a été le propriétaire de Irving Berlin et sa musique était la musique de l'Amérique. Medley cordes Cette chorale spectaculaire, bande et facultative de certaines chansons classiques d'Irving Berlin offre une variété d'options de performance divertissante. Comprend: Alexander's Ragtime Band, There's No Business Like Show Business, Puttin' on the Ritz, Always, Blue Skies, God Bless America. Disponible: SATB, SAB, 2-Partie, Concert Band (Gr. 3), String Pak, ShowTrax CD. Temps de Performance: Env. 07:00. / Choeur (Unisson), Voix Hautes Et Voix Egales

Un spectaculaire tour de force de Irving Berlin record a frappé des airs ! Vitrines 18 chansons classiques en quatre sections dynamite : No Business Like Show Business du i. il, II. Ciel bleu, III. Steppin ' avec mon bébé, IV. Que Dieu bénisse l'Amérique. Musique intemporelle pour tous les âges ! / Voix Mixtes

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier) / Musique contemporaine / Répertoire / Chœur Mixte SATB ou Solistes et Orgue

L'Orchestre philharmonique de Berlin a non seulement vu et transporté sa part de l'histoire mouvementée de sa ville natale. L'un des plus importants orchestres de concert du monde, il est, en outre, devenu un excellent Ambassadeur de la culture.Herbert Haffner raconte l'histoire de l'Orchestre philharmonique de Berlin - de leur formation en 1882 de la Kapelle de Bilsesche (bande de Bilse) par le biais de la période d'inflation, deux guerres mondiales, le pont aérien de Berlin et la réunification allemande jusqu'à nos jours. Il ne cache pas les crises économiques et personnelles, montrant que le développement de l'orchestre reflète les circonstances sociales et politiques de l'époque. L'Orchestre philharmonique est presque aussi fort, marquée par la réorientation continue vers ses principaux chefs, de Hans von Bülow via Arthur Nikisch, Wilhelm Furtwängler, Herbert von Karajan, Claudio Abbado à Sir Simon Rattle.This n'est pas seulement un livre sur la musique, mais aussi une contribution divertissante à l'histoire culturelle de l'Allemagne... / Divers

'White Christmas' is a 1942 Irving Berlin song reminiscing about an old-fashioned Christmas setting. The version sung by Bing Crosby is the world's best-selling single with estimated sales in excess of 100 million copies worldwide. Accounts vary as to when and where Berlin wrote the song. One story is that he wrote it in 1940 in warm La Quinta California while staying at the La Quinta Hotel a frequent Hollywood retreat also favored by writer-director-producer Frank Capra although the Arizona Biltmore also claims the song waswritten there. He often stayed up all night writing—he told his secretary 'Grab your pen and take down this song. I just wrote the best song I've ever written—heck I just wrote the best song that anybody's ever written!'

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score

Irving Berlin a écrit des centaines de chansons qui ont résisté à l'épreuve du temps et sont tout aussi aimés et appréciés aujourd'hui comme ils étaient quand ils ont été d'abord effectués. Cette exceptionnelle collection comporte plus de 165 de chansons de Berlin - de spectacles de Broadway à hits de cinéma de Hollywood - et devenue sans doute une référence propre incontournable pour tout musicien ou un fan de Berlin. Toutes les chansons sont définis pour Piano, chant et guitare, mais dans des arrangements suiable pour tout instrument C. / Piano/Vocal/Guitare (PVG)

Ils étaient les plus brillants et les années les plus sombres de l'histoire de la métropole musicale de Berlin : From the years fondateurs via la vingtaine rugissant pour le troisième Reich. Et droit dans le milieu et le ton : les compositeurs Walter et Willi Kollo. Notes de Willi Kollo sur la carrière musicale de son père, un des maîtres de l'opérette de Berlin et sur son propre travaillent comme auteur, compositeur, interprète de la revue et directeur sont un trésor de l'histoire culturelle allemande qui n'a pas encore été soulevée. Avec beaucoup d'humour et de réflexion, Kollo revient sur le Berlin de la période 1890-1946 et pense à des artistes éminents comme Claire Waldoff, des Fritzi, Carl Zuckmayer et d'autres. Une famille chronique et en même temps une grande Biographie musicale et littéraire. Walter Kollo (1878-1940) a étudié aux conservatoires de Sondershausen et de Königsberg. En 1907, il vient à Berlin où il compose plus de 50 opérettes jusqu'à la fin des années 1930.Willi Kollo (1904-1988) avait été une librett... / Divers

Par BERLIN IRVING. Berlin Irving 90 Golden Years Of Irving Berlin Piano Vocal/ Recueil / Chant et Piano

Réunis en un seul volume pour la première fois, Voici toutes les paroles de chanson incomparable de Irving Berlin - les paroles des chansons plus de 1 200, 400 qui ont jamais avant impression sont apparue en - avec commentaire anecdotique, historique et musicologique des dizaines de photographies. Berlin venait d'une famille d'immigrés pauvres et a commencé sa carrière comme serveur chanter, mais au moment où il a dix-neuf ans, il était publiant ses chansons et renommée rapidement trouvée avec ' la Alexander Ragtime Band 'en 1911. Dans l'extraordinaires six décennies qui ont suivi, Berlin a écrit un populaire a frappé après l'autre : / Divers

With a musical career spanning a century the 20th century was Irving Berlin's own and his music was America's music. This spectacular choir band and optional string medley of some of Irving Berlin's classic songs offers a variety of entertaining performance options. Includes: Alexander's Ragtime Band There's No Business Like Show Business Puttin' on the Ritz Always Blue Skies God Bless America. Available: SATB SAB 2-Part Concert Band (Gr. 3) String Pak ShowTrax CD. Performance Time: Approx. 7:00.

A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano

With a musical career spanning a century the 20th century was Irving Berlin's own and his music was America's music. This spectacular choir band and optional string medley of some of Irving Berlin's classic songs offers a variety of entertaining performance options. Includes: Alexander's Ragtime Band There's No Business Like Show Business Puttin' on the Ritz Always Blue Skies God Bless America. Available: SATB SAB 2-Part Concert Band (Gr. 3) String Pak ShowTrax CD. Performance Time: Approx. 7:00.