SKU: WD.080689684326
UPC: 080689684326.
SKU: CL.074-2351-39
The Command Performance For Beginning Band book contains 14 complete band arrangements designed to be playable by students who have completed the first few lessons of their beginning band method book, and are written using the first 6 notes learned. Inside the conductor score book is a CD accompaniment for all 14 arrangements. Each of the background accompaniments has been created using MIDI technology. The use of synthesizer voices and programmed drum patterns allows the student the opportunity to perform along with sounds and rhythms they are familiar with, but which are not generally associated with young band music. Because many of the background parts necessary for more advanced music is handled by the accompaniment recording, all instruments have the chance to play melodic and interesting material. The recordings also provides a mature pitch to match which is extremely helpful in developing listening skills. We are sure you will discover many great advantages each time you have your students pull out their books. CONTENTS: * Big Beat Boogie * Starship Journey * Brave New World * Buena Suerte * Sir Lancelot * Rock Out * America * When the Saints Go Marchin' In * A Christmas Medley * Two Favorite Carols * Folk Song Rhapsody * Kum Ba Yah * Jingle Bells * Rock Star *.
SKU: CL.074-2351-28
SKU: WD.080689260476
UPC: 080689260476.
SKU: BT.EMBZ12021
English-German-French.
It was the Paris premiere in 1981 of Messages of the Late R. V. Troussova that brought the world's attention to the music of György Kurtág (born 1926). The spectrum of these feminine poems in Russian with their cruel sincerity ranges from nostalgia to rebellion, from melancholy to despair, and these extremes are fully conveyed by Kurtág's music. The score published in 1982 is now issued in a revised edition, with a fresh engraving. Péter Eötvös said about the essence of Kurtág's musical notation: ''Kurtág's scores are special because the performing instructions regarding tempo, tone-color, note-hierarchy and dynamics appear in them as if they were precise comments on aninterpretation existing in his imagination. Kurtág's idiosyncratic notation is unusually brave even today, or rather it indicates that he has found the most appropriate method of notation for his own musical style which, in a certain sense, forces performers to accommodate to his music and to that end widen their repertoire of expression. The powerful effect of Kurtág's art unfolds of its own accord when his works are played with sensitivity and openness to their special demands, and a musician who senses this becomes a dedicated performer of this music.''.
