Format : Sheet music + CD
12 favourite works from the Baroque era, with authentic orchestral backing tracks Instrument : clarinet Type : edition with CD Nombre de Pages : 36 Bring the music of the Baroque era to life! This book contains approachable top line arrangements suitable for grade 3-5 standard. The accompanying CD features 12 orchestral backing tracks arranged authentically to reflect the era, together with complete instrumental performances, played by live musicians. As an additional bonus piano accompaniments are also available for each piece as download. Content : >Albinoni: Adagio - Corelli: Allegro (from: Christmas Concerto) - Handel: The Arrival of the Queen of Sheba - Vivaldi: Allegro (from: The Four Seasons - Autumn) - Vivaldi: Allegro (from: The Four Seasons - Spring) - Pachelbel: Canon - J.S. Bach: Double Violin Concerto - Handel: Hallelujah Chorus (from: Messiah) - Telemann: Les Plaisirs (from Recorder Suite in A minor) - Purcell: Rondo (from: Abdelazer) - J.S. Bach: Toccata and Fugue in D minor - J.S. Bach: Violin Concerto in A minor (1st movt.)
SKU: HL.44002510
ISBN 9789043119627. UPC: 073999484908. 9.0x12.0x0.138 inches. International (more than one language).
For this publication, Robert van Beringen has selected twelve elegant and expressive pieces from the Baroque period and arranged them appropriately for a variety of instruments. The pieces are demonstrated on the accompanying CD which also includes accompaniment-only tracks for each piece. Includes works by Telemann, Purcell, Handel, Bach, Hasse, Rameau, Tartini, and Lully.
SKU: HL.49047174
ISBN 9783795724221. UPC: 196288146971. 9.0x12.0x0.239 inches.
The Easy Concert Pieces series provides a veritable treasure trove of easy repertoire for lessons, concerts and enjoyment, carefullyselected by Rudolph Mauz, in accordance with pedagogical methods. Featuring works from the Baroque to Modern eras, a wide variety ofstyles are covered. Volume 1 contains easy pieces that are playable in the first two years of lessons. The included piano accompaniments are also easy and therefore can be played by another student. Alternatively all accompaniments are available on the play-along Audio-Download.
SKU: CF.CPS239F
ISBN 9781491157848. UPC: 680160916443. 9 x 12 inches.
The energy and drive of this piece uses simple time signatures of 4/4 and 3/4 and mixes groups of three notes and syncopation to the rhythm and the melody. There is also a use of a musical term called hemiola, when groups of two beats are replaced by groups of three beats, creating a shift between duple and triple meter. Syncopation adds a modern, jazzy, popular feel to this exciting concert band composition. Along with syncopation and popular influences are countermelodies to the main theme that are as important as the melody for balance and blend. This adds a feeling of baroque or renaissance style to the texture. Yet the melodies, chords, and structure are recognizable and enjoyable to listen to and perform. The middle 3/4 section is slightly slower featuring brass and saxophones and played legato. Then at the key change, it becomes more articulate and contrapuntal. The a tempo at m. 88 returns to the original thematic material, differing slightly from the beginning, and the coda has some added technical and challenging woodwind passages. The cymbal/triangle part has a lot of directions on choking, hi-hat sound, etc., that will add nice color to the piece if performed as indicated.The energy and drive of this piece uses simple time signatures of 4/4 and 3/4 and mixes groups of three notes and syncopation to the rhythm and the melody. There is also a use of a musical term called hemiola, when groups of two beats are replaced by groups of three beats, creating a shift between duple and triple meter. Syncopation adds a modern, jazzy, popular feel to this exciting concert band composition.Along with syncopation and popular influences are countermelodies to the main theme that are as important as the melody for balance and blend. This adds a feeling of baroque or renaissance style to the texture. Yet the melodies, chords, and structure are recognizable and enjoyable to listen to and perform. The middle 3/4 section is slightly slower featuring brass and saxophones and played legato. Then at the key change, it becomes more articulate and contrapuntal. The a tempo at m. 88 returns to the original thematic material, differing slightly from the beginning, and the coda has some added technical and challenging woodwind passages. The cymbal/triangle part has a lot of directions on choking, hi-hat sound, etc., that will add nice color to the piece if performed as indicated.
