Ballet And Its Music

SKU: HL.14010177

ISBN 9780711994836. 0.357 inches.

Written at the height of Elgar's powers in 1917, The Sanguine Fan was inspired by a scene depicting Pan and Echo that a local artist had drawn in sanguine on a fan. The ballet was originally composed as part of a matinee performance in March 1917 in aid of wartime charities. This study score edition is the ideal choice for both academic study and performance preparation.

SKU: HL.49047140

ISBN 9783795724597. UPC: 196288130925.

The ballets of Paul Hindemith are not that well-known in his musical compositions. Nevertheless, this book intends to attract more attention to the composer's dance works by providing in-depth information on his ballets from the 1930s, namely Nobilissima Visione (1938) and Der Kinderkreuzzug (1939). By showing the origins, developments, and how these two pieces originally came from the same inception, the results of this research impart a deeper understanding and appreciation of these ballets. In Nobilissima Visione, theartistic collaboration and theatrical interpretations of both Hindemith and choreographer Léonide Massine on the life of St. Francisof Assisi are likewise compared and evaluated. In addition, the close study of the music sketches in Nobilissima Visione reveals howthis ballet was possibly composed. Nobilissima Visione and Der Kinderkreuzzug further share another common feature: both have detailed scenarios by Hindemith containing the composer's indications as to where the actions in the text correspond to his music. Because of this text-tomusic connection, it is possible to explore Hindemith’s ideals and visualization of his dance works. This approach similarly emphasizes the significance of incorporating both musical and dance aspects in these investigations. Including Hindemith's last two ballet scenarios, namely Gefühlvolles Ende einer ruhmreichen Laufbahn (1939) and Das Gleichnis von den Blinden (1940), further provided valuable information on how the ballet scenarios from Hindemith had evolved, starting with his Nobilissima Visione drafts. Altogether, these ballet scenarios consistently demonstrate specific features and artistic inclinations.In particular, the composer's personal goal to instruct the audience appears to be of primary importance.

SKU: HL.50494833

PER VIOLINO, VIOLONCELLO E PIANOFORTE.

SKU: CF.PPS52F

ISBN 9781491152645. UPC: 680160910144.

Ballet of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

SKU: TM.12116SC

Substitute version (from the Appendix) for No. 5 Black Swan in the original ballet. Sold separately from the complete ballet #07206. See #11861 for the original ballet No. 5 Black Swan Version.

SKU: CF.PPS52

ISBN 9781491151969. UPC: 680160909469.

Ballet of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.