Edition : Playing Score; Urtext Edition Editor : von Dadelsen, Georg Binding : paperbound Instrumentation : Harpsichord/ Piano Vorwort Spezielle Anmerkungen Faksimile: Anfang der 1. Invention aus dem Autograph Aufrichtige Anleitung Inventio 1 C-dur, BWV 772 und triolierte Fassung, BWV 772a Inventio 2 c-moll, BWV 773 Inventio 3 D-dur, BWV 774 Inventio 4 d-moll, BWV 775 Inventio 5 Es-dur, BWV 776 Inventio 6 E-dur, BWV 777 Inventio 7 e-moll, BWV 778 Inventio 8 F-dur, BWV 779 Inventio 9 f-moll, BWV 780 Inventio 10 G-dur, BWV 781 Inventio 11 g-moll, BWV 782 Inventio 12 A-dur, BWV 783 Inventio 13 a-moll BWV 784 Inventio 14 B-dur, BWV 785 Inventio 15 h-moll, BWV 786 Sinfonia 1 C-dur, BWV 787 Sinfonia 2 c-moll, BWV 788 Sinfonia 3 D-dur, BWV 789 Sinfonia 4 d-moll, BWV 790 Sinfonia 5 Es-dur, BWV 791 einfache und verzierte Fassung Sinfonia 6 E-dur, BWV 792 Sinfonia 7 e-moll, BWV 793 Sinfonia 8 F-dur, BWV 794 Sinfonia 9 f-moll, BWV 795 Sinfonia 10 G-dur, BWV 796 Sinfonia 11 g-moll, BWV 797 Sinfonia 12 A-dur, BWV 798 Sinfonia 13 a-moll, BWV 799 Sinfonia 14 B-dur, BWV 800 Sinfonia 15 h-moll, BWV 801 Faksimile: Ornamententabelle aus dem Klavierbüchlein für W.F. Bach Faksimile: Anfang der 3. Invention aus dem Autograph Anhang: Verzierte Fassungen der Schülerhandschrift P 219 und Heinrich Nikolaus Gerbers Kopie: Sinfonia 4 d-moll, BWV 790 Sinfonia 7 e-moll, BWV 793 Sinfonia 9 f-moll, BWV 795 Sinfonia 11 g-moll, BWV 797 Sinfonia 13 a-moll, BWV 799 Sinfonia 5 Es-dur, BWV 791: Konkordanz der verzierten Fassungen P 219, H.N. Gerbers Kopie undJ.S. Bachs Reinschrift P 610
SKU: PR.510076960
1. Choral: An improbably superimposing of Beethoven and Brahms. At the end of the first performance of the latter's 1st Symphony, someone asked the composer: Don't you find that your main theme remin ds one of the Ode to Joy? To which he retorted: Even an idiot would have noticed it! 2. Fugue: in the last exposition, the subject of Fugue I from volume 1 of Bach's Well-Tempered Keyboard is super imposed on the theme from Mozart's so-called easy sonata. 3. Passion: In his Violin Concerto, Mendelssohn, to whom we owe the rediscovery of Bach's Passions, seems to have borrowed a theme from a lost Passion. 4. Recitativo: Tribute to Franck's tribute to Bach in his Sonata for violin and piano. 5. Invention: A private revenge, after a bitter failure. Debussy's Toccata was on the compulsory list for the Conservatory piano class entrance exam. 6. Arpeggione: In which the listener realizes the similarity in the introduction to Schubert's Unfinished Symphony and Arpeggione Sonata. 7. Sarabande: The most iconoclastic, for Bach's 5th Cello Suite is already suffused with harmony. There might be an evocatioin of a Brahms-like overarching structure, though... 8. Variation: The slowest variation ever written on Paganini's 24th Caprice. 9. Scene: Schumann's Reverie as a Prelude. 10. Finale: In order to capture the elusive harmony of the Finale of Chopin's Sonate Funebre. 11. Fugue on Au clair de la lune: Our greatest nursery rhymes, fugue fitted and choralized. 12. Fugue de Noel (Christmas fugue): Quite appropriate. 13. Fugue on J'ai du bon tabac: Prohibited counterpoint. 14. Fugue on La Marseillaise: Franco-German reconciliation. 15. Pedal - Exercitium: Realization and conclusion of Bach's organ pedal exercies.