BACH Flute Sonata No. 1 in B minor, BWV1030/KUHLAU Two Duets (2 CD set)

(Flötensonaten - Band 1)-Johann Sebastian Bach's?Flute Sonatas - Volume 1?includes three sonatas for Flute and Piano accompaniment. Sontatas included are Flute Sonata No. 1 in B minor BWV1030 Flute Sonata No. 2 in E flat major BWV1031 and Flute Sonata No. 3 in A major BWV1032.

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

The Flute sonata in G minor BWV 1020 one of the gems of 18th century Flute literature has been passed down to us over the years as a work of Johann Sebastian Bach but its authenticity is disputed. Recent research suggests that the composition most probably came from the pen of Bach’s oldest son Carl Philipp Emanuel. This new edition is an extract from the Bärenreiter edition BA 5220 which also includes the two Flute sonatas BWV 1033 in C major and BWV 1031 in E-flat major which are of similarly doubtful authenticity. The sonata in G minor has been edited by the renowned Bachscholar Alfred Dürr using the editorial guidelines of the New Bach Edition as a basis and it appears now for the first time as a separate performing edition.

Sonata in a minor Wq 132 for Flute Solo-There are many unanswered questions surrounding Carl Philipp Emanuel Bach's Flute Sonata A Minor Wq. 132. For whom was this solo work written? The addressee of the sonata is frequently thoughtto be King Friedrich II of Prussia yet Bach would not have made music that was exclusively intended for the king available for all. The intrigue is heightened by the fact that this sonata for Flute solo was published twice in the1760s.The riddle is not to be solved. Today this three-movement work is one of the solo pieces that all flautists have to have played once it is truly regal music. This Henle Urtext edition features informedcomments on performance practice by the flautist Karl Kaiser.

About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach

This volume contains Johann Sebastian Bach's Sonata in B minor for Flute and Harpsichord BWV 1030. The work belongs to the newly created genre of sonata with melody instrument and obbligato harpsichord in which the harpsichord functions as an equal partner rather than simply filling in the figured bass. This is a completely revised volume with an updated DOWANI 3 Tempi Play Along recording of the harpsichord accompaniment at all three tempi. Flute and Harpsichord. 2CDs

Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.

Compilation. A compendium of classic solos for the flute. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite flute solos with full piano accompaniment and a separate matching solo part for the flautist. Carefully selected to provide a lifetime of playing pleasure for every performer. Spiral bound. / Rép Classique / Recueil / Flûte Traversière

Pieces by nine baroque composers including John Stanley Telemann and C.P.E Bach. Edited for the ABRSM by Richard Jones. Continuo part provided.

?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)

The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.

- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /

for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegro, BWV 1048 - Jesu, Joy of Man's Desiring - Sheep May Safely Graze - Toccata and Fugue, BWV 565 · BEETHOVEN: Theme from Piano Concerto No. 5 (Emperor) - Theme from Symphony No. 3 (Eroica) - Theme from Symphony No. 5 - Theme from Symphony No. 7 - Theme from Symphony No. 9 · BIZET: Habanera from Carmen · BOCCHERINI: Minuet from String Quintet, Op. 11, No. 5 · BORODIN: Nocturne from String Quartet No. 2 · BRAHMS: Hungarian Dance, WoO 1, No. 5 - Lullaby, Op. 49, No. 4 · CLARKE: Trumpet Voluntary · DVORÁK: Theme from Symphony No. 9 (From the New World) · ELGAR: Nimrod from Enigma Variations - Pomp and Circumstance · FAURÉ: Après un rêve, Op. 7, No. 1 - Pavane, Op. 50 · FRANCK: Panis angelicus · GLUCK: Dance of the Blessed Spirits from Orfeo ed Euridice · GOUNOD: Ave Maria adapted from Prelude in C Major, BWV 846 by JS Bach · GREIG: Anitra's Dance from Peer Gynt Suite No. 1 - Morning from Peer Gynt Suite No. 1 - Norwegian Dance, Op. 35, No. 2 · HANDEL: Air from Water Music, HWV 348 - Allegro from Water Music, HWV 349 - Allegro from Water Music, HWV 348 - The Arrival of the Queen of Sheba from Solomon - Bourrée from Flute Sonata, HWV 363b - Hallelujah Chorus from Messiah - Largo from Serses · HAYDN: Theme from String Quartet, Op. 3, No. 5 - Theme from Symphony No. 94, Hob I:94 (Surprise) · LEHAR: Waltz from The Merry Widow · MASSENET: Meditation from Thaïs · MENDELSSOHN: Nocturne from A Midsummer Night's Dream - Wedding March from A Midsummer Night's Dream · MOZART: Ave Verum Corpus - Theme from Clarinet Concerto - Theme from Eine kleine Nachtmusik - Lacrimosa from Requiem - Theme from Piano Concerto No. 21 - Theme from Symphony No. 40 - Theme from Symphony No. 41 · Offenbach: Barcarolle from The Tales of Hoffmann - Can-Can from Orpheus in the Underworld · PACHELBEL: Canon in D · PARRY: Jerusalem · PUCCINI: Musetta's Waltz from La bohème - Un bel dì vedremo from Madame Butterfly - Vissi d'arte from Tosca · RACHMANINOFF: Theme from Piano Concerto No. 2 · RIMSKY-KORSAKOV: Flight of the Bumblebee - Song of India - The Young Prince and the Young Prince from Scheherazade · SAINT-SAËNS: Danse macabre - The Swan from The Carnival of the Animals · SCHUBERT: Ave Maria - Serenade · SOUSA: The Stars and Stripes

This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.

Music Minus One Flute-Julius Baker of the New York Philharmonic takes you further into the broadening repertoire for advanced flutists. Includes additional slow-tempo practice version of the Bach sonata Allegro Moderato. Includes a high-quality printed solo part annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Julius Baker flute Accompaniment: Martha Rearick piano

Volume 2 of Bach's Sonatas for Flute. This book contains the sonatas in G Minor E Major C major and E Minor. They are edited with a realisation of the figured bass by Louis Moyse.

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.