Format : full score
SKU: BR.OB-5658-30
ISBN 9790004344415. 10 x 12.5 inches.
It is the new, young Finland that will be described, and the composer gives us the description in the form of a song, a simple, four-part chorus, peculiar due to certain rhythmic accents [...]. It is a whole new folk song, or more correctly, [...] the song of our democratic Finnish folk. This is how Karl Flodin described his first aural impression of the tone poem Finlandia in 1899. In the aftermath of the February Manifesto implemented on 15 February 1899 by the Russian Emperor Nicholas II, artists expressed their support for the press and the freedom of speech in diverse cultural events arranged in Finland in the beginning of November 1899. A group of artists joined forces in arranging a performance of six historical tableaus. Jean Sibelius composed Music for the Press Celebration Days for this occasion. After several revisions, the music composed for the last tableau, Suomi heraa (Finland Awakes), became known as the tone poem Finlandia op. 26. As an independent work Finlandia quickly became part of the repertoire and is now one of the most frequently played and best known works by Sibelius. Today there are quite a number of arrangements of this popular composition. The original version is now published in our established Urtext-quality based on the complete edition Jean Sibelius Works.Compatible with the study score PB 3318.
SKU: BR.OB-5658-15
ISBN 9790004344361. 10 x 12.5 inches.
SKU: BR.OB-5658-16
ISBN 9790004344378. 10 x 12.5 inches.
SKU: BR.OB-5658-19
ISBN 9790004344385. 10 x 12.5 inches.
SKU: BR.OB-5658-23
ISBN 9790004344392. 10 x 12.5 inches.
SKU: BR.OB-5658-27
ISBN 9790004344408. 10 x 12.5 inches.
SKU: BR.CHB-5371-02
ISBN 9790004413012. 7.5 x 10.5 inches. Finnish.
The hymn from the tone poem Finlandia op. 26 for orchestra, one of the best-known works of Jean Sibelius, became the unofficial national anthem of Finland with the text of Veikko Antero Koskenniemi (1906-1962). In a time of great insecurity after the attack of the Soviet Union in 1939, Koskenniemi managed to capture the rising national consciousness and the hope of the Finns for an imminent solution of the conflict. Sibelius had already written an arrangement of the hymn for male choir on a different text in 1938, but after a suggestion by his publisher Roger Lindberg, he decided to write a version for mixed choir, too, on the by now better known text by Koskenniemi. This version in F major was published in 1949, but at Breitkopf & Hartel only with a German translation by Hellmuth von Hase. The Finlandia-Hymn with the Finnish text by Koskenniemi is therefore now available at Breitkopf & Hartel for the first time, as Urtext of the complete edition Jean Sibelius Works. The edition includes both the version in F major as well as a second version in A flat major, written by Sibelius himself, too, but until now unpublished outside of the complete edition.
SKU: BR.CHB-5371
SKU: CY.CC2772
Finlandia is the best known work of the composer, written in 1899 as a covert protest against Russia's increasing meddling in the affairs of Finland.The 7-8 minute work is stormy, rousing and patriotic in character with a magnificent climax at the ending.The arrangement for Trombone octet by Randall Malmstrom is appropriate for advanced performers.
SKU: HL.49007198
ISBN 9783795750329. UPC: 884088108465. 9.0x12.0x0.096 inches.
Whatever your attitude is towards them, national anthems play an important part in our daily lives and help people to identify with their nation, whether at big sporting events or at international state ceremonies. Our extended new edition presents a selection of the most important anthems. Australia * Austria * Belgium * Brazil * Bulgaria * Canada * Czech Republic * Denmark * Finland * France * Germany * Great Britain * Greece * Hungary * Ireland * Israel * Italy * Japan * Luxembourg * Mexico * the Netherlands * Norway * Poland * Portugal * Spain * Sweden * Switzerland * United States of America.
SKU: AP.6-411621
ISBN 9780486411620. English.
This unique compilation of the best of Sibelius's piano music features a carefully chosen selection of unjustly neglected compositions for piano, including Sonata in F, Op. 12; Three Sonatinas, Op. 67; Kyllikki (Three Lyric Pieces), Op. 41; Two Rondinos, Op. 68; Five Flower Pieces, Op. 88; Romance in D-flat; and many more. 160 pgs.
SKU: HL.841144
ISBN 9780793572489. UPC: 073999018929. 9.0x12.0x0.114 inches.
Tuba parts edited and recorded by Canadian Brass virtuoso Charles Daellenbach, piano parts recorded by Bill Casey. Arrangements by Bill Boyd. Companion audio includes full performances and accompaniments. Contents: Amazing Grace * Canadian Brass Blues * Carnival of Venice * The Cruel War is Raging * Doxology * Finlandia * Give My Regards to Broadway * I Gave My Love a Cherry (The Riddle Song) * Just a Closer Walk with Thee * Marine's Hymn * My Country, 'Tis of Thee (America) * Ode to Joy * The Skaters (Waltz) * Streets of Laredo * Take Me Out to the Ball Game * Volga Boat Song * Yankee Doodle. (for Tuba in B.C.) Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: MN.30-805
UPC: 688670308055.
Beloved FINLANDIA set in flowing eighth note accompaniment. Key change in middle offers fresh tonality. 2 octaves (23 Bells).
SKU: FZ.55268
3 x 6 cm inches.
Life in music with this key ring Treble clef Finlandia. Photos and sizes no-contractual.
SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: FG.55011-829-4
ISBN 9790550118294.
Lara Poe's (b. 1993) good-humoured Contradanse for eight wind instruments employs slightly off-kilter dance rhythms to create a rhythmic background structure to the piece. The melody lines constantly change timbre as they move through different instrumental combinations.Duration: 4'30''Instruments:FluteClarinet in B flat2 Bassoons2 Trumpets in B flatTenor TromboneBass TromboneThis product includes the score and the set of parts.Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra's Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason.
SKU: GH.SK-348
ISBN 9790070015615. 185 x 262 mm inches. Text: Johan Ludvig Runeberg.
Finland's national anthem for mixed chorus a cappella.
SKU: FG.55011-853-9
Lara Poe's (b. 1993) energetic Divergence (2015-2016) for string quartet was conceived cyclically: the four movements explore drifting in and out of focus between different materials. A light ditty of the second movement diverges to the third movement's overtone derived chords.Duration: c. 25'This product includes a set of parts (violin I, violin II, viola, violoncello) and a score.Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra's Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason.