Arrangements of Works by other Composers

Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B-flat major K.319Symphony No.34 in C major K.338Symphony No.35 in D major ('Haffner-Symphony') K.385 Wolfgang Amadeus Mozart (1756–1791) - New Edition of the Complete Works edited by the International Mozarteum Foundation Salzburg in cooperation with the Mozart cities of Augsburg Salzburg and Vienna The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At thesame time it also serves as an aid to authentic performances. The principal Series I to IX containing Mozart's actual œuvre appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work such as his activities as a teacher or as an arranger of other composer's works.

Volume 1-Works for Male Choir / Works for Equal Voices Volume 1Niels W. Gade. Werks Volume IV/10Niels Wilhelm Gade (1817?1890) WorksEdited by the Foundation for the Publication of the Works of Niels W. Gade CopenhagenNiels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers.This edition will contain all of Gade's completed compositions and separate movements as wellas the arrangements he made of his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English).

An amazingly inexpensive study edition presenting all of Bach's clavier music in four large handy volumes containing the definitive »Urtext« from the New Bach Edition. This unique edition was prepared by internationally recognized scholars on the basis of all known sources and the latest research findings. Besides familiar versions of many pieces the reader will also discover widely divergent and heavily ornamented variants from Bach's immediate circle. Many of these variants appear here for the first time in print. Generally the contrasting versions faithfully reflect the state of the sources: hybrid versions of the sort often found elsewhere have beenstrictly avoided. An indispensable and reliable edition for all admirers of Bach's clavier music.Contents:Vol. 1: The Well-Tempered Clavier I & IIVol. 2: Clavier Übung I - IV The Art of Fugue RicercariVol. 3: English Suites French Suites Inventions and Sinfonias Notebook for Wilhelm Friedemann Bach The Notebooks for Anna Magdalena BachVol. 4: Preludes Individual Piano Works Toccatas Arrangements of Works by Other Composers

Arrangements for piano two hands or piano left hand - With Critical report. Par BRAHMS JOHANNES. / Répertoire / Piano

The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.

The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.

The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.

12 Pieces from the Baroque era in easy swing arrangements-Rediscover 12 masterworks from the Baroque era with these fun jazzy arrangements. Easy arrangements by Alexander L'Estrange give an exciting new angle on Handel Purcell J. S. Bach and other composers. Complete with accompanying CD containing demonstration versions and live jazz trio backing tracks. The CD also contains piano accompaniments as printable PDF files and are the same for each 'Swinging Baroque Play-Along' publication for other instruments making it ideal for ensemble or solo playing

An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, canción and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio.

This collection of sheet music by the great Finnish composer Jean Sibelius features 24 of his most enjoyable and influential pieces all newly-arranged especially for this volume. The tonal innovations and idiosyncraticcompositional style of this hugely ?prolific composer truly does illustrate the genuine?Joy Of Sibelius. The pieces by Sibelius?included in this collection exhibit the influencesthat he absorbed as well as his own stylistic developments. Sibelius' music was highly individual finding influence in nature and poetry as well as other composers such as Wagner Bruckner and Tchaikovsky. Many of hismost famous works are included here featuring Danse Élégiaque the 5 Morceaux Romantiques Op.101?and the finale of his Symphony No.5 Op.82. Other pieces like selectionsfrom the 13 Morceaux Impromptu Op.78 No.1 Romance Op.78 No.2 Suite Caractèristique Op.100 and The Fiddler?brilliantly?encapsulate what makes Sibelius' compositions so wonderful.His tone poems ideas about the thematic nature of symphonies and his musical contributions to the Finnish national identity have made him one of the most popular 20th century composers with time and retrospect dismissing somecontemporary critics' opinions of him. With 2015 coinciding with Sibelius' 150th birthday now is the perfect time to discover one of the giants of symphonic music or to rediscover a favourite of manypianists. The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Originally compiled by the editorial hand ofrenowned teacher arranger and musicologist Denes Agay the series continues to reflect his influence and covers a wide variety of musical genres including the classics folk jazz blues ragtime and children?s music. New titles

Arranged For Classical Guitar-These selected works by Giovanni Antonio Terzi expertly arranged by 2011 GFA Winner Vladimir Gorbach represent a last flowering of the lute fantasia in a motet-imitative style. They stand at ahalfway point between being dependent upon vocal forms and being a product of pure instrumental fantasy.Of the sixteen pieces with 'fantasia' in the title eleven are of Terzi's own invention. Fivefantasias are attributed to other composers (nos. 13-17) as indicated in their titles and adopted for solo lute by Terzi.When arranged for guitar something special about the character of these fantasiasemerges through the instrument. In addition they are all wonderful works that offer many musical and technical lessons for guitarists.

Jean-Baptiste Bréval (1753 1823) was a member of the orchestra at the Paris Opéra and also a prolific composer. His works include concertos for cello string quartets comic operas and a violoncello tutor.However he is best-known for the Sonata in C major which has become a standard work for teaching purposes even in arrangements for other instruments. The two movements (Allegro and Rondo Grazioso) can also be performed independently from one another. This sonata belongs to the basic repertoire of every young cellist.Ideal for the first ?proper? recitalOf moderate technical difficulty but with brilliant impactDuration: approx. 8 minutes

Transcriptions-Eleven pieces for piano. Two composed by Rachmaninov and nine arranged by him from works by other composers.