Arie der Elisabeth WWV 70

Par SACHSEN-MEININGEN VON MARIE ELISABETH. Voici une très jolie Romance de la Princesse Marie-Elisabeth von Sachsen-Meiningen (1853-1923). Pianiste douée, elle est également compositrice et c'est en 1892 qu'elle écrit cette Romance en Fa Majeur qui sera interprétée par Richard Mühlfeld le dédicataire des oeuvres pour clarinette de Brahms. Cette pièce est une belle approche de la musique romantique. - Renaud ESCRIVA / Niveau : Avancé / Répertoire / Clarinette et Piano

Arrangeur: Elizabeth Walker. Par LECLAIR JEAN-MARIE. Elizabeth Walker has previously arranged four songs for flute and piano by Richard Strauss for ALRY Publications, as well as four 'Songs Without Words' by Felix Mendelssohn for two flutes and piano. This 'Chaconne' by Jean-Marie Leclair is taken from his 'Deuxième récréation de musique', opus 8, originally composed for two flutes or two violins, and basso continuo. It is a long, involved movement lasting approximately 8 minutes: with contrasting major and minor sections, multiple rhythmical, rhetoric and emotional changes. The piece shows influences of flamboyant artistry seen in Italian baroque pieces, but also the formal structures of the French dance form. Elizabeth has addedphrasings, articulations and written out some of the French baroque ornaments to aid a historically informed, stylistic interpretation on modern flutes./ Répertoire / 2 Flûtes Traversières et Piano

Par . Learn some of Berklee's favorite, most popular guitar music. This collection includes some of the most popular songs and repertoire taught by the Berklee Guitar Department faculty. The music is taught and performed in their Guitar Sessions summer programs, global initiatives, online, and on campus. By learning this music, you will experience a diversity of styles: classic rock, blues, country, singer/songwriter, jazz, jam band, funk, progressive rock, funk, classical, and contemporary improvisation/microtonal music. Each piece is selected and introduced by some of Berklee's most popular faculty members. This collection will help you become a well-rounded player and prepare you to participate in Berklee's guitar programs. Notation varies, depending on the style of the selection, and may include traditional notation, tablature, and chord diagrams. 20 songs, including: Apache (Jerry Lorden) · Freight Train (Elizabeth Cotten) · Hey Hey (Big Bill Broonzy) · Two Bones and a Pick (T-Bone Walker) · We Gather Together (16th Century Dutch song) · The Weight (Robbie Robertson) · Wildwood Flower (Maybelle Carter) · You've Got to Hide Your Love Away (Lennon/McCartney) · and more. / Date parution : 2023-08-12/ Recueil / Guitare

The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin.The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.

A Graded Anthology for Piano. This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. Suitable for early intermediate players, volume 2 of Melanie Spanswick's series explores a variety of musical styles and genres, written by both renowned historical composers and leading contemporary composers.

'Five Sketches' was commissioned by Nicholas Logie and first performed by him on 31 May 1984 at the Wigmore Hall.Quoting Maconchy: I have always had a particular affection for the viola with its darktone-colour and its unlimited expressive range.I have tried in these pieces to explore that range and to make them well varied in rhythm and content.The note E which the work begins and endsserves as a sort of “point d’appui” all through.'

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano

All 66 works from the 10 sets of little mood pictures created for piano by the Norwegian composer from 1867 to 1901, reprinted from the authoritative C. F. Peters edition. Technically uncomplicated and reasonably easy to master, these popular works have been favorites of generations of pianists, both amateur and professional. Content : 8 Lyric Pieces, Op. 12 (dedicated to Betty Egeberg) 1: Arietta 2: Waltz 3: Watchman's Song 4: Elves' Dance 5: Folk Melody 6: Norwegian Melody 7: Album Leaf 8: National Song 8 Lyric Pieces, Op. 38 1: Berceuse 2: Folk Melody 3: Melody 4: Halling 5: Leaping Dance 6: Elegy 7: Waltz 8: Canon 6 Lyric Pieces, Op. 43 (dedicated to Isidor Seiss) 1: Butterfly 2: Lonely Wanderer 3: In My Homeland 4: Little Bird 5: Erotic Piece 6: To Spring 7 Lyric Pieces, Op. 47 (dedicated to Elisabeth Hornemann) 1: Valse-Impromptu 2: Album Leaf 3: Melody 4: Halling 5: Melancholy 6: Leaping Dance 7: Elegy 6 Lyric Pieces, Op. 54 (dedicated to Julius Röntgen) 1: Shepherd Boy 2: Peasants' March 3: March of the Trolls 4: Notturno 5: Scherzo 6: Bell-Ringing 6 Lyric Pieces, Op. 57 (dedicated Herrmann Scholtz) 1: Vanished Days 2: Gade 3: Illusion 4: Secret 5: She Dances 6: Homesickness 6 Lyric Pieces, Op. 62 1: Sylph 2: Thanks 3: French Serenade 4: The Brook 5: Phantom 6: Homeward 6 Lyric Pieces, Op. 65 1: From Days of Youth 2: Peasant's Song 3: Sadness 4: Salon 5: In Ballad Style 6: Wedding Day at Troldhaugen 6 Lyric Pieces, Op. 68 1: Sailors' Song 2: Grandmother's Minuet 3: At Your Feet 4: Evening in the Mountains 5: Cradle Song 6: Valse mélancolique 7 Lyric Pieces, Op. 71 (dedicated to Mrs. Mien Röntgen) 1: Once upon a Time 2: Summer Evening 3: Little Troll 4: Woodland Peace 5: Halling 6: Gone 7: Remembrances

LULLABY from The Unicorns (1967/82/86) 'The Lullaby from ‘The Unicorns’ arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six movement suite from it called The Unicorns. There arethree songs and three instrumental numbers and the first performance was given with Elisabeth Söderström and Solna Brass under Lars-Gunnar Björklund at Ekensbergskyrkan Solna Sweden on 31 October 1982. This version was recorded (Albany TROY 760) and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith (Albany TROY365). The career of the Lullaby continued with a version for clarinet and piano which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis and Duke Dobing and I have recorded it for flute and piano (Naxos 8.572287). Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo which I have recorded.' - Peter Dickinson

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953 when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey being preceded the evening before by the premiere of 'Silence and Music' fourth of ten partsongs of A Garland for the Queen commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch.Long unavailable except as separate items from individual publishers this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and in 2013 the 60th anniversary of the Coronation itself.In addition to VW's contribution A Garland for the Queen includes important settings by Bax Berkeley Bliss Finzi Howells Ireland Rawsthorne Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax Edmund Blunden Paul Dehn Christopher Fry Christopher Hassall James Kirkup Louis MacNeice Walter de la Mare Henry Reed and Ursula Wood.Intended as a counterpart to The Triumphs of Oriana of 1601 the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration from the airy five-part ensemble of Bax's 'What is it like to be young and fair?' and the soprano solo with SATB of Rawsthorne's Canzonet to the lustrous contrasting of male and female timbres in Bliss's Aubade and the rapturous eight-part setting of

Contenu - A. Steffen: Schwer ist’s, das Schöne zu lassen - A. Steffen: Sechs Lieder - I „An Himmelfahrt“ (An Himmelfahrt im Vogelbau) • II „Drei Blumen“ (Uchtblume blüht im Herbst, zeitlos für Tote) • III „Dreierlei Schutzgeister“ (Pilinko, Tilinko, fröhliche Flötisten) • IV „Es schleppt mein Schuh sich schwer im Schnee“ • V „Wie ist die Nacht so weich und warm“ • VI „Aus dem Häuschen in den Garten“ Ricarda Huch: Fünf Liebeslieder - I „Wo hast du all die Schönheit hergenommen“ • II „Am Klavier“ (Die laß mich hören, alte Töne, die duften Erinnerungen) • III „Sturmlied“ (O Brausen des Meers und Stimme des Sturms) • IV „Wenn je ein Schönes mir zu bilden glückte“ • V „O schöne Hand, Kelch, dessen Duft Musik“ Geistliche Lieder I „Um Mitternacht, im Schlafe schon“. Text von Albert Steffen • II „Die arme Seele“ (Im Himmel, im Himmel sind der Freuden so viel). Nach einem alten Schweizer Volkslied • III „Leis’ auf zarten Füßen“ (Christian Morgenstern) • IV „Marienlied“ (Ich sehe dich in tausend Bildern, Maria, lieblich ausgedrückt). Text von Novalis • V „First Meeting“ (I have seen you long ago) – „Erste Begegnung“ (Hab gesehn dich irgendwo) (Text von Percy MacKaye. Deutsche Übersetzung von Albert Steffen) • VI „Christmas Morning in Dornach“ (I met God walking leisurely) – „Weihnachtsmorgen in Dornach“ (Gottvater sah gemach ich gehn) (Percy MacKaye. Deutsche Übersetzung von Albert Steffen) - Drei Sonette aus dem Portugiesischen von Elizabeth Barett-Browning, übertragen von Rainer Maria Rilke - I „Briefe, nun mein! Tot, bleich und lautlos dauernd!“ • II „Sag immer wieder und noch einmal sag, daß du mich liebst.“ • III „Sein erster Kuß berührte nur die Finger, womit ich schreibe“ - Liederbuch des Hafis. Vier Lieder in der Nachdichtung von Hans Bethge - I „Vorausbestimmung“ (Alles ist vorausbestimmt durch die große Güte Allahs) • II „Betrunken“ (Hafis, du bist betrunken, ich sehs an deinen Schatten) • III „Unwiderstehliche Schönheit“ (Durch deine schönen Locken) • IV „Lob des Weines“ (Gebt meinen Becher! Seht, er überstrahlt die blasse Lampe der Vernunft) - Six Sonnets de Louïze Labé - I Sonnet V „Clere Venus“ (Clere Venus, qui eres par les Cieus) • II Sonnet VII „On voit mourir“ (On voit mourir toute chose animee) • III Sonnet VIII „Je vis, ie meurs“ (Je vis, ie meurs: ie me brule et me noye) • IV Sonnet XII „Lut, compagnon“ (Lut, compagnon de ma calamité) • V Sonnet XVIII „Baise m’encore, rebaise moy et baise.“ • VI Sonnet XIII „Oh si i’estois“ (Oh si i’estois en ce beau sein rauie) Der Mensch und sein Tag. 12 Bilder von Hans Günther - I „Gang in den Morgen“ (Der Blick. Die Hände vor die Brauen) • II „Gesang“ (So viel. So viel und immer mehr) • III „Heimat“ (Im Grund, im kühlen Grund – so bunt) • IV „ Der Liebsten“ (Bei dir in Lachen und in Thränen) • V „Blüten“ (Innig, warm und dicht verschlungen) • VI „In der Stube“ (Zueinander, dicht gestaut) • VII „Der Nachbar“ (Gut ist Hilfe. Hand an Hand) • VIII „Gebete“ (In frommen Schalen ausgestreut das reife Korn) • IX „Im Walde“ (Gesprenkelt, dicht und weit und Duft) • X „Verdämmern“ (Hinab, hinab. Die Glocke stimmt) • XI „Nacht“ (Komm, weicher Schlaf! Komm, süße Nacht!) • XII „Stille“ (Ruhe. Schweigen. Schauen und Beachten) Friedrich Hölderlin: Abendphantasie - „Abendphantasie“ (Vor seiner Hütte ruhig im Schatten sitzt der Pflüger) - Hölderlin-Lieder - I „Sonnenuntergang“ (Wo bist du? Trunken dämmert die Seele mir von all deiner Wonne) • II „Der Frühling“ (Wenn auf Gefilden neues Entzücken keimt ) - Drei chinesische Lieder (I/II) - I „Wanderer erwacht in der Herberge“ (Ich erwache leicht geblendet, ungewohnt eines fremden Lagers). Text von Li-tai-pe in der Nachdichtung von Klabund • II „Der müde Soldat“ (Ein kahles Mädchen. Heckenblaß entlaubt). Text aus: Dumpfe Trommel und berauschtes Gong. Nachdichtungen chinesischer Kriegslyrik von Klabund [Das dritte Lied ist nicht überliefert] - Conrad Ferdinand Meyer: Drei Lieder - I „Schnitterlied“ (Wir schnitten die Saaten, wir Buben und Dirnen) • II „Säerspruch“ (Bemesst den Schritt, bemesst den Schwung) • III „Die Schweizer“ (Sie kommen mit dröhnenden Schritten entlang) - Immer inmitten. Solo-Kantate nach Gedichten von Hans Günther Adler - I „Immer inmitten“ (Immer inmitten durch alle Wunderbezirke geschritten) • II „Vor der Ewigkeit“ (Was sind die Dinge dieser Welt? Was sind die Sachen?) [Die auf dem Titelblatt des Autographen aufgeführten weiteren Titel „Abschied“ und „Es ist Zeit“ sind nicht ausgeführt.] - Little Cakewalk (Chanson des enfants français I) - „Lundi, mardi fête, mercredie peutêtre“ - Frank Wedekind: Wendla im Garten („Warum hast du dich in den Garten geschlichen?“)

Jean-Michel Defaye’s Suite Marine is a really nice set of six pieces portraying sea animals. Written for Bb Saxhorn Bass Tuba or Euphonium with Piano accompaniment these six pieces are of medium/high difficulty. Each piece tries to re-create the main characteristics of the animal depicted such as their weight using the low range of the instruments and their speed with the Dolphin being faster and lighter than the Sea Lion for example. The Piano accompaniment also uses numerous atonal chords. It features: 1. L’otarie - The Sea Lion 1’35” 2. Le cachalot - The Sperm Whale 1’30” 3. Le requin - The Shark 1’20” 4. L’éléphant de mer - The Elephant Seal 1’20” 5. Le baleineau – The Whale Calf 0’53” 6. Le dauphin – The Dolphin 1’20” The book includes an insert with the instrument-only parts. As a pianist composer producer and arranger Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. O Saving Victim was completed on 16th March, 2003, and was premiered by the choir of St Mary's Church, Goochland, VA, directed by Hope Armstrong Erb. The solo lines in this piece should blend with the rest of the chorus as much as possible. In large choirs, the solo lines in bars 21-22 and 26-30 may be sung by a pair or small group of people to preserve balance. This does not apply to the unaccompanied solos in bar 30-35. Zachary Wadsworth's 'vivid, vital, and prisimatic' music has established him as one of the leading composers of his generation, especially among those writing vocal, choral and operatic works. As winner of the 2011 King James Bible Composition Award, Wadsworth's anthem Out of the South Cometh the Whirlwind was performed by the choir of Westminster Abbey in the presence of Queen Elizabeth II. Other recent honours include awards from the American Academy of Arts and Letters, ASCAP, and the American Composers Forum, and performances by the Washington National Opera Chorus, Boston Metro Opera, Long Leaf Opera, the Buffalo Philharmonic Orchestra, and the Atlanta Philharmonic Orchestra. Wadsworth's music is widely broadcast and distributed, with a recent commission from Choir and Organ magazine, and frequent airings on the BBC, NPR and CBC. / Choeur SATB

An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.O Saving Victim was completed on 16th March 2003 and was premiered by the choir of St Mary's Church Goochland VA directed by Hope Armstrong Erb.The solo lines in this piece should blend with the rest of the chorus as much as possible. In large choirs the solo lines in bars 21-22 and 26-30 may be sung by a pair or small group of people to preservebalance. This does not apply to the unaccompanied solos in bar 30-35.Zachary Wadsworth's 'vivid vital and prisimatic' music has established him as one of the leading composers of his generation especially among those writing vocal choral and operatic works. As winner of the 2011 King James Bible Composition Award Wadsworth's anthem Out of the South Cometh the Whirlwind was performed by the choir of Westminster Abbey in the presence of Queen Elizabeth II. Other recent honours include awards from the American Academy of Arts and Letters ASCAP and the American Composers Forum and performances by the Washington National Opera Chorus Boston Metro Opera Long Leaf Opera the Buffalo Philharmonic Orchestra and the Atlanta Philharmonic Orchestra. Wadsworth's music is widely broadcast and distributed with a recent commission from Choir and Organ magazine and frequent airings on the BBC NPR and CBC.