SKU: PR.114422320
ISBN 9781491135228. UPC: 680160687336.
In this textural tour de force, a trio of flutes creates unique sound colors and gestures to dramatically depict the archangels Michael (Warrior), Raphael (Healer), and Gabriel (Heralder). Advanced flutists will revel in this remarkable work, an intense and satisfying piece to perform as well as to hear.I have always been fascinated with the concept of archangels – huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the “chief†angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel—the three archangels most commonly referenced.Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons.Raphael is a Hebraic name that translates to “God heals,†and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick.Gabriel is the heralder of news. In Christianity, Gabriel’s purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear.
SKU: PR.114419960
ISBN 9781491135037. UPC: 680160683130.
I have always been fascinated with the concept of archangels - huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the chief angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel - the three archangels most commonly referenced. Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons. Raphael is a Hebraic name that translates to God heals, and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick. Gabriel is the heralder of news. In Christianity, Gabriel's purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear. -S.G.
SKU: HL.48025186
ISBN 9781784545147. UPC: 196288116479. 9.0x12.0x0.28 inches.
A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, “There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture - trumpets, harp, bells, cymbals, tabor, rebec.†These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, “This is an extremely dramatic work which draws the listener into the apocalyptic story line...The ending is cataclysmic.â€.
SKU: FJ.FJH2284
ISBN 9781619282353. UPC: 241444393734. English.
Titles include: O Christmas Tree; God Rest Ye Merry, Gentlemen; Silent Night; Joy to the World; Deck the Halls; Away in a Manger; Jingle Bells; Angels We Have Heard on High; and I Heard the Bells on Christmas Day. Seven activity pages with colorful, holiday themes engage students and reinforce concepts. Includes a music dictionary.
SKU: CF.CM9743IN
ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!
SKU: CF.CM9743
ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
SKU: CF.CM9742
ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.
SKU: PE.EP14445
ISBN 9790014135041. 297 x 420 mm inches. German.
ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.
Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.
Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.
In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).
Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.
In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!
Bernd Franke. Leipzig, 11.10.2019
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano.
AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:
Every flame, every fire, every light, every warmth is AGNI.
AGNI is omnipresent, establishing everything and ending everything.
AGNI is often depicted with seven tongues which represent different aspects of his being.
These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.
Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.
This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.
Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.
The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.
Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.
Score and horn part.
Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.
Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.
to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.
Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.
This product consists of score and parts.
A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano.
for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.
for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.
Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.
Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.
But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.
I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.
The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.
The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.
It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.
Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.
The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.
The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.
Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.
First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.
Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times
SKU: GI.G-5103
For choir and home use, this collection offers original language texts and English translations for most selections. Various voicings are utlized and some instrumental parts and independent keyboard parts are included. CAROLS: A Child Is Born in Bethlehem (Gregorian chant) • Angels from the Realms of Glory • Angels We Have Heard on High • Away in a Manger (Kirkpatrick) • Away in a Manger (Mueller) • Away in a Manger (Scots) • Born Is Jesus • Break Forth, O Beauteous Heavenly Light (Bach) • Bring a Torch, Jeannette, Isabella • Carol of the Bells • Christ Was Born on Christmas Day / Resonet in laudibus • Dear Maker of the Starry Stars / Creator alme siderum (Gregorian chant) • Deck the Halls • Ding Dong, Merrily on High • From Heaven Above (Bach) • Go, Tell It on the Mountain • God Rest You Merry Gentlemen • Good Christian Friends, Rejoice • Good King Wenceslas • Hark! The Herald Angels Sing • He Shall Feed His Flock (Handel) • How Brightly Beams the Morning Star (Bach) • I Heard the Bells on Christmas Day • I Saw Three Ships • I Wonder As I Wander • In the Bleak Midwinter (Holst) • Infant Lowly • It Came upon the Midnight Clear • Jingle Bells • Joy to the World • Lo, How a Rose (Praetorius) • O Christmas Tree • O Come All Ye Faithful • O Come, Little Children • O Come, O Come Emmanuel (Gregorian chant) • O Come, O Come, Emmanuel – accompanied (Gregorian chant) • O Holy Night –Solo • O Holy Night – SATB • O Little Town of Bethlehem • Once in Royal David’s City • Patapan • Personent Hodie (Holst) • Rocking • Silent Night • Sing We Now of Christmas • Susanni • The Boar’s Head Carol • The Cherry Tree Carol • The Coventry Carol • The First Nowell • The Holly and the Ivy • The Seven Joys of Mary • The Sleep of the Child Jesus • The Three Kings • The Twelve Days of Christmas • The Wassail Song • Tu Scendi dalle Stelle • ‘Twas in the Moon of Wintertime • We Three Kings • We Wish You a Merry Christmas • What Child Is This • When Blossoms Flowered (Gesu Bambino) • While Shepherds Watched Their Flocks (attr. Handel) • While Shepherds Watched Their Flocks.  INSTRUMENTAL PARTS: Away in a Manger • Christ Was Born on Christmas Day • Deck the Halls • Good Christian Friends, Rejoice • Good King Wenceslas • Hark! The Herald Angels Sing • I Hear the Bells on Christmas Day • I Saw Three Ships • It Came upon the Midnight Clear • Jingle Bells • Joy to the World • O Christmas Tree • O Come All Ye Faithful • O Come, Little Children • O Little Town of Bethlehem • Once in Royal David’s City • Silent Night • The Coventry Carol • The First Nowell • The Wassail Song • We Three Kings.
