Andante et Minuetto

Conducteur + Parties Séparées. Par DE LHOYER ANTOINE. Ces Six sérénades sont belles, exigeantes, vivantes et pas aussi faciles que le titre le laisse entendre. Elles deviendront vite des incontournables du répertoire de duo, des élèves de fin de 2e ou début 3e cycle. À des tempi enjoués, elles seront de très jolies pièces de concert. Les thèmes chantants ou dansants sont toujours sobres ou élégants, répartis entre les 2 guitares, ils se spatialisent, se colorent selon le jeu de chacun, avec des articulations similaires cependant. Chez de Lhoyer, l'harmonie est toujours fine et intelligente. Ma préférence va à la sérénade no5 dite L'Orage, qui dépeint au pastel une atmosphère contrastée inquiétante (introduction en sol mineur), électrique (triples croches tumultueuses en homorythmie sur une pédale de mi) puis apaisée (andante grazioso). Les élèves guitaristes développeront leur vélocité, leur écoute du jeu en duo si particulier, affineront leurs phrasés... Le parcours harmonique toujours clair chez De Lhoyer soutiendra l'interprétation passionnante de ces sérénades. / Niveau : Facile / Recueil / 2 Guitares

Par BOULESTREAU GEORGES. Voici une pièce en quatre mouvements, inspirée de quelques airs traditionnels klezmers, et qui donnera l'occasion aux musiciens d'aborder ce répertoire très particulier dans un ensemble classique : la forme sonate permet des variations, modulations et développements qui permettent à ces mélodies extraordinaires de s'exprimer pleinement : Allegro, andante, menuetto allegro, trio andante espressivo, puis vivace. / Date parution : 2013-07-01/ Recueil / Flûte, Hautbois, Clarinette et Piano

The large and technically demanding G major Sonata was composed two years before Schubert?s death in October 1826 and is one of only three piano sonatas that appeared in print during his lifetime. The unusual title of the first edition ?Fantasie, Andante, Menuetto und Allegretto? stems from the publisher Haslinger and is probably due to the dreamy-melancholy underlying mood of the first movement which corresponded little to the traditional concepts of a sonata?s first movement. It is hardly surprising that the ?Fantasy-Sonata?, as it is often still called today, later inspired artists such as Franz Liszt and Robert Schumann with its free and romantic nature, who described it as being consummate ?in form and spirit?. For the present Urtext edition a thorough re-examination of all known sources was undertaken, including the autograph in the British Library, and the edition now presents itself with the usual crystal clear Henle music engraving. The preface by Schubert expert Andrea Lindmayr-Brandl and the detailed commentary section provide comprehensive information about the genesis of the work, the sources and their readings. A further highlight are the fingerings by pianist Martin Helmchen.

Franz Schubert
Sonate pour piano en Sol majeur op. 78 D 894
Dominik Rahmer (Editeur)
Martin Helmchen (Doigtés)
Andrea Lindmayr-Brandl (Préface)
Edition Urtext, reliure paperback
édition révisée
remplace HN 726
La Sonate en Sol majeur, de vastes dimensions et exigeante techniquement, a vu le jour en octobre 1826, deux ans avant la disparition de Schubert. Elle fait partie des trois seules sonates pour piano qui parurent encore sous forme imprimée du vivant du compositeur. Le titre inhabituel de la première édition ? Fantasie, Andante, Menuetto et Allegretto ? est dû à l?éditeur Haslinger. Il fait référence à l?atmosphère rêveuse et mélancolique du 1er mouvement, qui ne correspondait pas vraiment à la conception traditionnelle d?un mouvement initial de sonate. Il est ainsi peu surprenant que la «Fantaisie-sonate», comme on l?appelle encore souvent de nos jours, ait, par son caractère libre et romantique, enthousiasmé des artistes tels Franz Liszt ou Robert Schumann, qui l?a qualifiée de «totalement accomplie, tant par la forme que par l?esprit». La présente édition urtext se base sur un réexamen approfondi de toutes les sources connues, notamment l?autographe de la British Library. Elle est réalisée dans la brillante gravure caractéristique des productions Henle. L?avant-propos de la spécialiste de Schubert, Andrea Lindmayr-Brandl, ainsi qu?une section de notes très développée, fournissent des informations exhaustives sur l?origine de l??uvre, les sources et leurs variantes. Autre point fort, les doigtés du pianiste Martin Helmchen. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

Par SOLER PADRE ANTONIO. Publication du manuscrit original, en parties séparées : violon I - violon II - alto - violoncelle - clavecin. Présentation par Jean-Patrice Brosse : contexte historique et culturel de la vie du Padre Soler - les quintettes du Padre Soler - l'oeuvre du Padre Soler - table des matières. - / Niveau : Facile / Répertoire / Instruments Divers dont L'Alto, Clavecin et plusie

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).

111 short and very easy original classical piano pieces Piano Piccolo has been designed as a beginner?s introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Piano Piccolo has been designed as a beginner?s introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Contenu - M. Praetorius: Old German Dance C major- J. Krieger: Minuet A minor - J. Krieger: Bourrée A minor - H. Purcell: Air D minor - G. Böhm: Minuet G major - C. Graupner: Bourrée E minor GWV 827 - J.S. Bach: Aria D minor BWV 515 - G.F. Händel: Minuet G major - G.F. Händel: Passepied C major HWV 559 - Anon.: Minuet F major No. 2 - Anon.: Minuet F major No. 6 - L. Mozart: Minuet D minor - J. Haydn: German Dance D major Hob.IX:22/2 - J. Haydn: German Dance G major Hob.IX:22/3 - W. Duncombe: Minuet C major - W. Duncombe: Gavot C major - S. Arnold: Gavot C major S. Arnold: Giga C major - J. Hook: Minuet D major - J. Hook: Gavotta D major - J.W. Häßler: Poco Allegro, op. 38/3 - J.W. Häßler: Tempo di Minuetto, op. 38/4 - J.W. Häßler: Moderato, op. 38/12 - D.G. Türk: Carefree Jack - D.G. Türk: Lullaby - D.G. Türk: I feel so sick and faint - D.G. Türk: Arioso - J.G. Witthauer: Dance C major - J.G. Witthauer: Allegretto F major - J.G. Witthauer: Gavotte A minor - M. Clementi: Arietta C major, op. 42/5 - A. Reinagle: Allegro, op. 1/4 - A. Reinagle: Allegretto, op. 1/5 - A. Reinagle: Allegretto, op. 1/9 - A. Reinagle: Allegretto op. 1/11 - W.A. Mozart: Allegro KV 1b - W.A. Mozart: Allegro DV 1c - N.-J. Hüllmandel: Minuetto, op. 5/1 - N.-J. Hüllmandel: Allegro, op. 5/5 - C.H. Wilton: Little Sonata C major - J.J. Ryba: Two Little Inventions No. 1 C major, No. 2 A minor - D.G. Steibelt: Adagio A minor - A.E. Müller: Andantino, Handstück No. 5 - A.E. Müller: Andante, Handstück No. 9 - L.v. Beethoven: German Dance WoO 8/1 - L.v. Beethoven: Russian Folk Song, op. 107/3 - A. Diabelli: Allegretto, op. 125/3 - A. Diabelli: Vivace, op. 125/7 - C.M.v. Weber: Allemande, op. 4/2 - M. Szymanowska: Mazurka - C. Czerny: Allegro, op. 777/3 - C. Czerny: Allegretto, op. 823/7 - C.T. Brunner: Andante, op. 487/38 - C.T. Brunner: Andantino, op. 487/41 - H. Wohlfahrt: Moderato A minor - F. Schubert: Ländler B-flat major D 378/2 - R. Schumann: Little Piece, op. 68/5 - F.de Couppey: Melody No. 14 - F. de Couppey: Arabian Air - F. Spindler: Song without Words - L. Kühler: Piano Piece, op. 190/27 - L. Köhler: Piano Piece, op. 190/30 - L. Köhler: Piano Piece, op. 190/31 - C. Gurlitt: Going to School, op. 117/14 - C. Gurlitt: Consolation, op. 179/12 - C. Gurlitt: Waltz, op. 179/17 - C. Gurlitt: Gavotte, op. 210/9 - I. Bartalus: Two Hungarian Melodies No. 1 and No. 2 - H. Henkel: Piano Piece No. 13 - C. Reinecke: Scherzino, op. 136/1 - C. Reinecke: Elegy E minor op. 183/2 - E. Breslaur: Cuckoo, op. 46/21 - E. Breslaur: Waltz, op. 46/25 - O. Bolck: Sonatine C major op. 30/4, 1st movement - F. Scotson Clark: Tarantella - M.W. Vogel: Brave Knight - M.W. Vogel: Waltz - R. Fuchs: Proud Horseman, op. 47/2 - R. Fuchs: Sad at Heart, op. 47/5 - A. Sartorio: On Tip-Toe, op. 783/8 - A. Gretchaninoff: Farewell, op. 98/4 - A. Gretchaninoff: Elephant's Dance - E. Satie: Menus propos enfantins No. 2 - E. Satie: Enfantillages pittoresques No. 2- E. Satie: Peccadilles importunes No. 3 - C. Scott: Teddy-bear's Headache - I. Strawinsky: Andantino - G.F. Humbert: The Chocolate Automat - G.F. Humbert: Tarantella - G.F. Humbert: The Music Box - G.F. Humbert: Sad Song - G.F. Humbert: Walzer - P. Hindemith: Song - C. Orff: Two Pieces from the Piano Exercises No. 1 and No. 2 - D. Kabalevsky: Dance, op. 39/9 - D. Kabalevsky: Waltz, op. 39/13 - D. Shostakovich: March, op. 69/1 - D. Shostakovich: Waltz, op. 69/2 - H. Badings: Sarabande - H. Badings: Country Dance - G. Kretschmer: Little Waltz - G. Kretschmer: Little Minuet - G. Kretschmer: Little Prelude - B. Heller: The Melody in the Box - B. Heller: Waves - H.-G. Heumann: PreludeC major - H.-G. Heumann: Mazurka D minor - H.-G. Heumann: Minuet G major

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass

Partition pour Violon et basse continue ou 2 violons et basse continue. X Sonate, VI à violino solo è basso, è IV a trè. Opera Ottava. Edition : Amsterdam, l’Auteur, s.d. (=1744) Présentation de Nicolas Fromageot : Bibliographie – Comparaison des première et seconde éditions – Lecture de la partition. Exemplaire déposé par le compositeur à l'Université de Leiden. La préface apporte la comparaison avec la seconde édition hollandaise et avec l'édition française. Fac-similé de l'exemplaire conservé à la bibliothèque de l'université de Leiden. Edition en parties séparées : partie de premier violon, avec la basse, en partition, pour les six premières sonates et sans la basse pour les sonates VII à X – partie de second violon (sonates VII à X) – basse continue (sonates VII à X) Compositeur : LOCATELLI Pietro Antonio Auteur : FROMAGEOT Nicolas Collection : Dominantes Titres : Sonata I, en Fa Majeur : largo – allegro – allegro - Sonata II, en Ré Majeur : adagio – allegro – presto - Sonata III, en sol mineur : adagio – allegro – vivace – allegro - Sonata IV, en Ut Majeur : cantabile – allegro – vivace – allegro molto - Sonate V, en Sol Majeur : largo – allegro – andante – allegro - Sonata VI, en Mi b Majeur : adagio – allegro – aria di minuetto (avec 8 variations) - Sonata VII (à 3), en La Majeur : andante – [C barré] – adagio – cantabile – allegro - Sonata VIII (à 3), en Ré Majeur : largo andante – vivace – cantabile – allegro molto - Sonata IX (à 3), en fa mineur : largo andante – [C barré] – grave – allegro - Sonata X (à 3), en la mineur : cantabile – allegro – vivace Nombre de pages : 84 Format : 24 x 33 Parution : 06/1997

25 Guitar and Lute Pieces-The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta Falkenhagen Gallot and Weiss amongst others it offers a wide stylistic range of works many of which are rarely available. The collection is accompanied by a CD recording of all pieces performed by Jens Franke and is suitable for students of c.4-5 years of playing experience or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.Content - Reusner: Aria - deRichée: Aria - Daube: Menuet I - Menuet II - Richée: Sarabande - Richée: Menuet - Corbetta: Prelude - Matteis: Prelude - Anon. (Rosani Lautenbuch): Minuetto - Anon. (Rosani Lautenbuch): Air Gracieux - Daube: Arioso - Conradi: Menuet - Gallot: Sarabande 'La Pièce de Huit Heures' - Hagen: Aria - Hagen: Andante - de Visée: Chaconne transposé du théorbe - de Visée: La Montfermeil Rondeau transposé du théorbe - de Visée: Allemande - Mesangeau: Sarabande - Bittner: Courante - Falckenhagen: Cantabile - Kellner: Pastorel - Hagen: Minuetto - Anon. (Rosani Lautenbuch): Allegro - Weiss: Minuet - Weiss: Minuet

Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de : Philippe Lescat : Biographie de Jean-Baptiste Janson Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste Auteur : LESCAT Philippe - SAINT-ARROMAN Jean Collection : Musique Française classique de 1650 à 1800 Titres : Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38 Format : 24,5 x 33,5 Parution : 02/2000

Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata