adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6590 sheet music
7220 MP3
1143 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Sonata in A Major for Woodwind Trio

Sonata in A Major for Woodwind Trio
BWV 1015
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 : Sonata in A Major (BWV 1015) for Woodwind Trio 18x 140x ViewDownload PDF : Sonata in A Major (BWV 1015) for Woodwind Trio (13 pages - 364.59 Ko)70x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community





Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute, Oboe, Bassoon

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Key :A major
Copyright :Public Domain
Johann Sebastian Bach (1685 – 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his mastery of counterpoint, harmonic and motivic organization, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which approximately two hundred survive.His music is revered for its technical command, artistic beauty, and intellectual depth. While Bach's abilities as an organist were highly respected during his lifetime, he was not widely recognised as an important composer until a revival of interest in his music during the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.

Although Bach's Sonata No. 2 in A major for violin and harpsichord, BWV 1015, may seem virtually identical to the first of the set in terms of general structure and movement layout, a closer listen reveals that it is really quite individual in shape, content, and -- most significantly -- character. In the new realm of the duo sonata, it is every bit as warm and ingratiating a piece as its immediate predecessor is stern and, at times, lean.

BWV 1015 in A major is, like each of the other five unquestionably authentic violin/harpsichord sonatas, a work whose four movements follow the traditional slow-fast-slow-fast plan of the Baroque sonata da chiesa. The liquid melody that opens the 6/8 time first movement (which has no tempo indication) may be sweetness itself, but Bach still treats it as a subject for imitation in the opening bars; within just a few bars the movement has become a cascade of inviting sixteenth-note gestures in three voices. The Allegro assai second movement is, like the second movement of the Sonata No. 1 in B minor, BWV 1014, a semi-fugal vessel in three sections (ABA'), but there the similarity ends. Its exuberantly arched subject is the antithesis of the compact, Corellian subject used in BWV 1014, and a subsidiary strain that pits leggiero eighth-note arpeggios in the violin against brilliantly scalloped sixteenths in the harpsichord right-hand has no parallel at all in the B minor Sonata movement. The third movement of the Sonata No. 2 in A major, Andante un poco in F sharp minor, is a famous one; it is a strict two-voice canon (with bass accompaniment, of course) from start to finish. But for all its academic contrivance, it is as rich and songful as one might ever hope. The Presto finale is a binary operation, fugal at the start but abandoning that subject for a new idea at the start of the second half (this new idea is actually a derivative of a secondary idea in the first half). Only at the very end does the original subject return -- in flashy, stretto fashion.

Source: AllMusic (http://www.allmusic.com/composition/sonata-for-violin- keyboard-no-2-in-a-major-bwv-1015-mc0002365159).

Although originally written for Violin & Harpsichord, I created this Arrangement of the Sonata No. 2 in A Major (BWV 1015) for Woodwind Trio (Flute, Oboe & Bassoon).
Source / Web :MuseScore
Sheet central :6 Sonates pour violon et clavier (14 sheet music)
Added by magataganm the 2017-08-06


0 comment





Report problem


This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
Sheet music list :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp
› "A Swiss Melody" for Flute Quartet - Flute Quartet
› "Abendlied" for Woodwind Quartet - Wind quartet
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Winds & String Orchestra




Cookies allow us to personalize content and ads, to provide social media-related features and analyze our traffic. We also share information on the use of our site with our social media partners, advertising and analytics, which can combine them with other information you have provided to them or collected in your use of their services.
Learn more and set cookiesClose