I have already uploaded the first movement of the
Serenade, Op. 22 for Flute Choir. I have posted the
Tempo di Valse separately for convenience. As with the
Moderato, I have kept the flutes as far as possible to
the pitches of the original, with no unnecessary upping
of octaves. The key of the Trio means that the altos
are playing in G flat, though in practice this is not
quite as formidable as it might appear. As the movement
is quite long, especially if played with the Moderato,
I decided to o...(+)
I have already uploaded the first movement of the
Serenade, Op. 22 for Flute Choir. I have posted the
Tempo di Valse separately for convenience. As with the
Moderato, I have kept the flutes as far as possible to
the pitches of the original, with no unnecessary upping
of octaves. The key of the Trio means that the altos
are playing in G flat, though in practice this is not
quite as formidable as it might appear. As the movement
is quite long, especially if played with the Moderato,
I decided to omit all repeats. These occur, in effect,
at all double bars, so can be readily reintroduced
(except in the repeat of the Valse) if required. If you
can play it, it will be another winner with audiences.
