très belle pièce, mon cher Alain. Très classique XVIIIe. Très mozartienne donc. Opposition et silence, ravissement et calme comme du Bergman, nostalgique aussi. Raffinement extrême. Les notes s'égrènent comme des pluies d'orage, sans fièvre, tranquille, en un contrepoint magnifique.
La seconde partie interrogative. Surprenante. Très ?basse d'Alberti?. Du blanc, du silence encore. Magnifique et bravo. Cordialement. François.
beautiful room, my dear Alain. Very classic eighteenth. So very Mozartian. Opposition and silence, calm and delight as the Bergman also nostalgic. Refinement. The notes are strung like rainstorms, without fever, quiet, in a wonderful counterpoint.
The second part interrogative. Surprising. Very "Alberti bass". White, silent still. Beautiful and well done. Cordially. François.
PARTITION
La seconde partie interrogative. Surprenante. Très ?basse d'Alberti?. Du blanc, du silence encore. Magnifique et bravo. Cordialement. François.
beautiful room, my dear Alain. Very classic eighteenth. So very Mozartian. Opposition and silence, calm and delight as the Bergman also nostalgic. Refinement. The notes are strung like rainstorms, without fever, quiet, in a wonderful counterpoint.
The second part interrogative. Surprising. Very "Alberti bass". White, silent still. Beautiful and well done. Cordially. François.