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Cumant, Micheline Micheline Cumant
France France, Courbevoie
Composer Arranger Contributor
48 sheet music
40 MP3
26 MIDI

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FLUTE



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Special favourites
of Micheline Cumant
Adagio Lamentoso
Miranda, Bruno (String orchestra)
Terra di Sicilia
Aloisio, Gullo (Piano, Violin, Cello)
60 Roses in a Roe
Gitlitz, Paul ()
Romance for Violin, Cello & Orchestra
Miranda, Bruno (Orchestra)
miserere mei
Miskiewicz, Grzegorz (Choir SATB (div.))
Ave Maria Sopran - Alt Duett with Orgel
Erik Imre Nagy ()
Brumaire
Bergeron, Guy (violin, 2 flutes, clarinet, 5 saxophones, 2 trumpets, 2 trombones, piano, bass, drums)



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1 sheets found

Remember Scarborough Fair
Micheline Cumant
Flute, Viola and Cello / Easy / 1 PDF / 1 MP3
(2)

Added the 01-28-2015

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Mon dernier roman

Mozart -Deux Petites Sonates K46 d-e pour violon et violoncelle
Mozart -Deux  Petites Sonates K46 d-e pour violon et violoncelleWritten on 2017-07-16 by michelineTwo small sonatas written originally for violin and cello. Mozart was 12 years old.
Editor : Books On Demand.

Deux petites Sonates en duo pour violon et violoncelle

Dédicace au salon Livre Paris
Dédicace au salon Livre ParisWritten on 2017-03-20 by michelineLe Dimanche 26 Mars à partir de 14 heures, je dédicacerai mon roman
policier "La Mort dans les Cromlechs" sur le Stand de Books on Demand
(E61).
Un inspecteur de Scotland Yard amateur de musique classique, des voitures
anglaises, des chevaux de courses et les alignements de Cromlechs dans la
région de Stonehenge. Un meurtre rituel ?

https://michelinecumant.blogsp ot.fr/

Méthode de Violoncelle 1 & 2
Méthode de Violoncelle 1 & 2Written on 2016-11-02 by michelineRecently published : "Cahiers du Jeune Violoncelliste" de Micheline Cumant. Volume 1 : First position without extensions, Volume 2 : First Position with extensions.
Editor : Books On Demand www.bod.com
For sale : Amazon, Chapitre, Fnac and editor.
Exists in english version, edition Create Space Independent Publishers. Sell by Amazon.

Editions Books On Demand

Mon blog
Written on 2016-11-02 by michelineMy blog, my opinions in litterature and music :
https://michelinecumant.blogsp ot.fr/

https://michelinecumant.blogsp ot.fr/

Michel Corrette
Michel CorretteWritten on 2016-01-17 by michelineSonata for 2 violoncellos in C Major by Michel Corrette (1707-1795) edited byMicheline Cumant.
Editor Books On Demand.

http://www.bod.fr/livre/michel ine-cumant/sonate-pour-2-violo ncelles/9782322044153.html

LA Musique Classique-Petit Guide des Compositeurs
LA Musique Classique-Petit Guide des CompositeursWritten on 2015-03-02 by micheline"I like this music ! But who is this composer ? When did he live ?" For all persones who want to have a very small dictionary on Tablet, PC, reader, smartphone, iPhone ... and who don't want to carry always a big dictionary ...
On "Kindle" by Amazon.
Exists in french and in English.
Exists as paperbook, edited by Amazon Create Space.

Amazon - Oeuvres de Micheline Cumant - Kindle

Le Violon au 18ème siècle
Le Violon au 18ème siècleWritten on 2015-02-01 by michelineThis score contains the method by Michel Corrette and pièces extracts from studies by the composers of the same period. The pupils may learn the style of the barock and classic music during the first years.
www.bod.com

Publication ebook Pavanes de Purcell
Publication ebook Pavanes de PurcellWritten on 2014-06-21 by michelineHenry Purcell (1659-1695) leaves a very important work whose five entitled "Pavanes" above for 2 or 3 treble and bass. They follow a particular pattern, analyzed here. In addition, their performance must obey the rules of interpretation of baroque music, which should not be played as it is written, the notation is not really fixed. Rhythms and ornamentation obey rules but are not immutable: the musical sense prevails.
This ebook (€ 2.68) can be downloaded and read on Kindle reading light, or odinateur, tablet, iPhone or smartphone using the free app "Kindle" to download to Amazon.

Musicien et professeur de musique au 18ème siècle
Musicien et professeur de musique au 18ème siècleWritten on 2014-02-23 by michelineHow we learned music before? With shots on the wrist ? Or we sought to develop ear, musical meaning and culture? Were there similar to our current "Methods" works ?
In addition, we do not play Bach or Vivaldi as Chopin and Brahms ! The interpretation of music from the Baroque period subject to certain criteria , the main one being the freedom given to the performer to ornament the melodic line to his liking. Do not forget that " the baroque abhors a vacuum " , it is music as architecture. But this ornamentation obeys certain rules that can be learned , and the work described here mention , the main one being " you have to play as they sing " argument .
Besides a description of the educational works of the time , the book discusses the status of musicians and how the teacher was considered . Do not forget that the 18th century is that of Diderot and D'Alembert and Rousseau's Emile : teaching , learning and the dissemination of knowledge become important concepts . We do not yet speak of "advertising" , but it is the germ during the "Siècle des Lumières".

www.bod.fr

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