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Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
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Bach, Johann Sebastian: Aria: "Ruhet hie, matte Töne" for Woodwind Quartet

Aria: "Ruhet hie, matte Töne" for Woodwind Quartet
BWV 210 No 4
Johann Sebastian Bach




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Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute, Oboe, Clarinet, Bassoon

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210,[a] is a secular cantata by Johann Sebastian Bach. He wrote the solo cantata for soprano in Leipzig for a wedding and first performed it between 1738 and 1746. Bach used material from a "Huldigungskantate" (homage cantata), O angenehme Melodei, BWV 210a, first performed in January 1729
The piece is scored for solo soprano voice, flauto traverso, two violins, viola, and basso continuo.

Bach wrote the cantata for a wedding; scholars suggest different possible events. Werner Neumann mentions the wedding of Anna Regina Bose and Friedrich Heinrich Graf (3 April 1742) and of Christina Sibylla Bose and Johann Zacharias Richter (6 February 1744), Herrmann von Hase suggests the wedding of Johanna Catharina Amalie Schatz and Friedrich Gottlob Zoller (11 August 1746). According to Michael Maul, the cantata celebrated the wedding of the Prussian Court Counsellor Georg E. Stahl (1741). The cantata text of an unknown poet suggests an influential man who esteemed music. The parts for soprano and continuo are written in exquisite calligraphy, probably as a gift for the couple. The words center on the relationship of music and marital love, ending in praise of the bridegroom as a supporter of music.

Bach used material from a "Huldigungskantate" (homage cantata), O angenehme Melodei, BWV 210a, for all the arias, the first recitative and part of the last recitative. Alexander Ferdinand Grychtolik edited a reconstruction of the lost homage cantata based on the wedding cantata, published by Edition Güntersberg. Bach's music is demanding especially for the soprano and the flutist. The movements show different instrumentation, to ensure variety in spite of only one singing voice. The arias show a "decrescendo" (Alfred Dürr), a diminishing of the number of instruments, towards the central Schweigt, ihr Flöten, schweigt, ihr Töne (Silence, you flutes, silence, you tones), in which the voice corresponds with the flute as in a duet. The following arias are scored "crescendo" until the final festive movement. While all other recitatives are secco, the last one is accompanied by figuration in the flute and the oboe d'amore, long chords in the strings.

Bach titled the work Cantata a Voce sola. The cantata is scored for soprano, flauto traverso, oboe d'amore, two violins, viola, violone, and harpsichord continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/O_holder_Tag,_erw%C3%BCn schte_Zeit,_BWV_210).

I created this arrangement of the second Aria: "Ruhet hie, matte Töne" (Rest here, weary notes) for Woodwind Quartet (Flute, Oboe, Bb Clarinet & Bassoon).
Source / Web :MuseScore
Sheet central :O holder Tag, erwünschte Zeit (7 sheet music)
Added by magataganm the 2016-10-01


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This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
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