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Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
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Bach, Johann Sebastian: "Cum Sancto Spiritu" from the Mass in G Minor for Winds & Strings

"Cum Sancto Spiritu" from the Mass in G Minor for Winds & Strings
BWV 235 No. 6
Johann Sebastian Bach




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Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Winds & String Orchestra

  2 other versions
Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Church music in Latin by Johann Sebastian Bach comprises about ten compositions, all composed during his Leipzig period. As a Lutheran church musician, Bach was more devoted to the composition of sacred music in German, writing hundreds of liturgical compositions in that language, and for instance also producing a German version of Pergolesi's Stabat Mater. Compared to Lutheran practice elsewhere, an uncharacteristic amount of Latin was however used in church services in Leipzig: it included music on Latin texts being performed on ordinary Sundays, on high holidays (Christmas, Easter, Pentecost), and the Magnificat also on Marian feasts (Annunciation, Visitation, Purification).

In Lutheran service, a Missa was a setting of only Kyrie and Gloria. Such a mass consisting of only Kyrie and Gloria is for that time period sometimes indicated as Missa brevis (literally: "short mass"). In 1733 Bach composed such a Missa brevis for the Catholic court in Dresden, however in an extended setting. In the late 1730s he again composed four Missae breves, mostly parodies of earlier cantata movements. At the end of his life he expanded the Missa for Dresden to his only setting of the complete Mass ordinary, the Mass in B minor.

Bach wrote four other settings of Kyrie and Gloria, sometimes called Missa brevis. The attribute brevis in this case means short in words, unlike the Missa brevis of the classical period which is short in duration. Sometimes the works are termed Lutheran mass, because the combination of only Kyrie and Gloria was used more frequently in the Lutheran liturgy.

They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count Franz Anton von Sporck or performed by him in Lysá.

Each Missa is in six movements, the Kyrie one choral movement in three sections, the Gloria in five movements. The first and last movement of the Gloria are also choral, framing three arias for different voice types. The music consists mostly of parodies of cantata movements. He changed the music slightly to adjust to the Latin words, but kept the original instrumentation. The opening chorus of Es wartet alles auf dich, BWV 187, became the final movement of the Missa in G minor, Cum sancto spiritu. Occasionally he switched a voice part, for example he asked for a tenor in the Quoniam of that Missa, a parody of the soprano aria Halt ich nur fest an ihm of that cantata.

For the Missa in G minor, BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.

Source: Wikipedia (https://en.wikipedia.org/wiki/Bach's_church_music_in_L atin#Settings_of_.28parts_of.29_the_Latin_mass_liturgy) .

I created this arrangement of the "Cum Sancto Spiritu in gloria Dei Patris" (With the Holy Spirit in the glory of God the Father) for Winds (Flute, Oboe, Bb Clarinet, English Horn, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Messe en sol mineur (7 sheet music)
Added by magataganm the 2016-08-08


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This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
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