adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6592 sheet music
7221 MP3
1144 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Aria: "Ach, unaussprechlich ist die Not" for Flute & Harp

Aria: "Ach, unaussprechlich ist die Not" for Flute & Harp
BWV 116 No. 2
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 : Aria: "Ach, unaussprechlich ist die Not" (BWV 116 No. 2) for Flute & Harp 31x 151x ViewDownload PDF : Aria: "Ach, unaussprechlich ist die Not" (BWV 116 No. 2) for Flute & Harp (4 pages - 143.58 Ko)129x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community





Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute and Harp

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Du Friedefürst, Herr Jesu Christ (Thou Prince of Peace, Lord Jesus Christ), BWV 116, is a church cantata written by Johann Sebastian Bach in 1724 in Leipzig for the 25th Sunday after Trinity. It was first performed on 26 November 1724. The cantata is based on the hymn by Jakob Ebert (1601).

Bach wrote the cantata in 1724 for the 25th Sunday after Trinity as part of his second annual cycle of mostly chorale cantatas. The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, the coming of the Lord (1 Thessalonians 4:13–18), and from the Gospel of Matthew, the Tribulation (Matthew 24:25–28). The cantata text of an unknown author is based exclusively on the chorale in seven verses of Jakob Ebert (1601). The first and last verse in their original wording are movements 1 and 6 of the cantata, verses 2 to 4 were transformed to movements 2 to 4 of the cantata, and verses 5 and 6 were reworded for movement 5. The chorale is in a general way related to the gospel.

Bach first performed the cantata on 26 November 1724, which was that year the last Sunday of the liturgical year.

The opening chorus is a chorale fantasia, the soprano singing the cantus firmus and a horn playing the melody. It is embedded in an orchestral concerto with ritornells and interludes, dominated by the concertante solo violin. The treatment of the lower voices differs within the movement. In lines 1 and 2 and the final 7 they are set in homophonic block chords, in lines 3 and 4 they show vivid imitation, in lines 5 and 6 their faster movement contrasts to the melody.

The alto aria is accompanied by an oboe d'amore, equal to the voice part, expressing the soul's terror imagining the judgement. The following recitative begins as a secco, but the idea "Gedenke doch, o Jesu, daß du noch ein Fürst des Friedens heißest!" (Yet consider, o Jesus, that you are still called a Prince of Peace!), close to the theme of the cantata, is accompanied by a quote of the chorale melody in the continuo.

Rare in Bach's cantatas, three voices sing a trio, illustrating the "wir" (we) of the text "Ach, wir bekennen unsre Schuld" (Ah, we recognize our guilt), confessing and asking forgiveness together. It is accompanied only by the continuo. The following recitative is a prayer for lasting peace, accompanied by the strings and ending as an arioso.

The closing chorale is a four-part setting for the choir, horn, oboes and strings.

Bach structured the cantata in six movements. The text and tune of the hymn are kept in the outer choral movements, a chorale fantasia and a four-part closing chorale, which frame a sequence of alternating arias and recitatives. Bach scored the work for four vocal soloists (soprano, alto, tenor, bass), a four-part choir and a Baroque instrumental ensemble of natural horn (Co) enforcing the soprano in the hymn tune, two oboes d'amore (Oa), two violins (Vl), viola (Va) and basso continuo. The title page of the autograph score reads: "Dom: 25 post Trinit. / Du Friede Fürst Herr Jesu / Christ ect. / à / 4 Voc: / Tromba / 2 Hautb: d'Amour / 2 Violini / viola / con / Continuo / di / Sign: / J.S.Bach".

Source: Wikipedia (https://en.wikipedia.org/wiki/Du_Friedef%C3%BCrst,_Her r_Jesu_Christ,_BWV...).

I created this arrangement of the first Aria: "Ach, unaussprechlich ist die Not" (Alas, the agony is unspeakable) for Flute & Concert (Pedal) Harp.
Source / Web :MuseScore
Sheet central :Du Friedefürst, Herr Jesu Christ (5 sheet music)
Added by magataganm the 2016-04-28


0 comment





Report problem


This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
Sheet music list :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp
› "A Swiss Melody" for Flute Quartet - Flute Quartet
› "Abendlied" for Woodwind Quartet - Wind quartet
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Winds & String Orchestra