adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6537 sheet music
7173 MP3
1122 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Aria: "Ich esse mit Freuden mein weniges Brot" for String Quartet

Aria: "Ich esse mit Freuden mein weniges Brot" for String Quartet
BWV 84 No 3
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 : Aria: "Ich esse mit Freuden mein weniges Brot" (BWV 84 No 3) for String Quartet 30x 142x ViewDownload PDF : Aria: "Ich esse mit Freuden mein weniges Brot" (BWV 84 No 3) for String Quartet (11 pages - 272.11 Ko)231x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community





Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

String Quartet

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Ich bin vergnügt mit meinem Glücke (I am content in my good fortune), BWV 84, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for soprano in Leipzig in 1727 for the Sunday Septuagesima and first performed it on 9 February 1727.

Bach wrote the solo cantata in Leipzig for the third Sunday before Lent, called Septuagesima. It is one of the few works called cantata today which Bach called "Cantata" himself. He had already composed two cantatas for the occasion in earlier years, Nimm, was dein ist, und gehe hin, BWV 144, in 1724 and the chorale cantata Ich hab in Gottes Herz und Sinn, BWV 92, in 1725. The prescribed readings for the Sunday were taken from the First Epistle to the Corinthians, "race for victory" (1 Corinthians 9:24–10:5), and from the Gospel of Matthew, the parable of the Workers in the Vineyard (Matthew 20:1–16).

As in the earlier years, the cantata text is related to the Gospel in the general way that the Christian should be content with his share of good fortune, without envy of others who may seem more fortunate. The title and the text show similarities to Picander's Ich bin vergnügt mit meinem Stande ("I am content with my position"), published in 1728. It is unclear if both texts are by Picander, or if Picander based his on a former one, or if Picander's was already available at the time of the composition but was changed. As Klaus Hofmann observes, the thoughts are in the spirit of the beginning Enlightenment, "praise of frugality, of modesty with that which God has allocated to us, of satisfaction, of lack of envy towards others". The language is no longer the "rhetorical pathos of baroque poetry", but "radicality and artistry of the imagery. The language is simple and terse; it is rational rather than figurative."

The closing chorale is the 12th stanza of the hymn "Wer weiß, wie nahe mir mein Ende" by Ämilie Juliane von Schwarzburg-Rudolstadt (1686). Bach had used its first stanza in his cantatas Wo gehest du hin? BWV 166 (1724) and in Wer weiß, wie nahe mir mein Ende? BWV 27 (1726). He first performed the cantata on 9 February 1727.

The movements show different instrumentation and character. The first aria is slow and pensive, accompanied by all instruments, reminiscent of the slow movement of an oboe concerto. The first recitative is secco, the other one accompanied by the strings. The second aria is dancing and accompanied by two obbligato parts, oboe and violin. They express in vivid figuration in the violin and a slightly simplified version in the oboe the text "ein fröhlicher Geist, ein dankbares Herze, das lobet und preist" (a happy spirit, a thankful heart, that gives praise). Hofmann observes that the aria depicts a "pastoral idyll with a rustic musical scene – a tribute to the Enlightenment utopia of simple, happy country life." The violin's figuration suggests the drone of bagpipes or hurdy-gurdy. The voice leaps in upward sixths, in "folk-like character" and conveying "contented tranquillity".

The cantata in five movements is scored for a soprano soloist, a four-part choir only in the closing chorale, oboe, two violins, viola, and basso continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/Ich_bin_vergn%C3%BCgt_mi t_meinem_Gl%C3%BCc...).

I created this arrangement of the second Aria: "Ich esse mit Freuden mein weniges Brot" (I eat my little bit of bread with joy) for String Quartet (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Ich bin vergnügt mit meinem Glücke (4 sheet music)
Added by magataganm the 2015-11-11


0 comment





Report problem


This sheet music is part of the collection of magataganm :
Viola Arrangements

Viola Arrangements
Sheet music list :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Viola and Harp
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Viola and Harp
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp
› "Allemanda" from the Partita for Violin No. 2 for Viola - Viola
› "Alma Redemptoris Mater" for String Quartet
› "Am Tage Aller Seelen" for Viola & Harp