Free sheet music
My account (login)


Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6635 sheet music
7263 MP3
1159 MIDI

"For 18 years we provide a free and legal service for free sheet music.

If you use and like, thank you to consider support donation.

About / Member testimonies

Bach, Johann Sebastian: Chorale: "Und was der ewig gütig Gott" for Piccolo, Tubular Bells, Marimba & Cello

Chorale: "Und was der ewig gütig Gott" for Piccolo, Tubular Bells, Marimba & Cello
BWV 86 No 3
Johann Sebastian Bach

Annotate this sheet music
Note the level :
Note the interest :

ListenDownload MP3 : Chorale: "Und was der ewig gütig Gott" (BWV 86 No 3) for Piccolo, Tubular Bells, Marimba & Cello 160x 416x ViewDownload PDF : Chorale: "Und was der ewig gütig Gott" (BWV 86 No 3) for Piccolo, Tubular Bells, Marimba & Cello (5 pages - 291.67 Ko)216x

Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :

leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation

Log in or sign up for free
and participate in the community

Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Wind quartet

Style :


Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Wahrlich, wahrlich, ich sage euch (Truly, truly I say to you), BWV 86, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Rogate, the fifth Sunday after Easter, and first performed it on 14 May 1724.

Bach composed the cantata in Leipzig in his first annual cycle for the fifth Sunday after Easter, called Rogate. The prescribed readings for the Sunday were from the Epistle of James, "doers of the word, not only listeners" (James 1:22–27) and from the Gospel of John, from the farewell discourses of Jesus, prayers will be fulfilled (John 16:23–30). The theme of the cantata is a quotation from the gospel, beginning the cantata with the promise of Jesus "Verily, verily, I say unto you, whatsoever ye shall ask the Father in my name, he will give you". An unknown poet used as movement 3 the 16th stanza of Georg Grünwald's hymn "Kommt her zu mir, spricht Gottes Sohn" (1530), and as the closing chorale the eleventh stanza of "Es ist das Heil uns kommen her" by Paul Speratus (1524). The poet hints at the question how the promise can be understood looking the reality of life. In movement 2 he uses the image of a rose with thorns to illustrate two conflicting aspects. In movements 3 and 4 he confirms the promise which has to be seen in the perspective of time. Movement 5 refers to the waiting for a promise being kept, and the closing chorale assures that God knows the right time. The structure of the six movements – a gospel quotation in the beginning, chorales as movements 3 and 6, the sequence of recitative and arias – is similar to Wo gehest du hin? BWV 166, first performed one week earlier.

The gospel quotation is given to the bass as the vox Christi, the voice of Jesus. The instruments, strings probably doubled by oboe d'amore, introduce vocal motifs which the voice picks up. The bass sings the text three times, while the instruments continue playing the same motifs. Julian Mincham observes: "The richness of the text, the unobtrusive nature of the melodic ideas and the gently flowing rhythms combine to create an appropriate atmosphere of dignified restraint".

In movement 2, the alto is accompanied by the strings and a violin obbligato in virtuoso figuration, which may illustrate the heavenly light promised as the final fulfillment. In the chorale of movement 3, the unadorned cantus firmus in the soprano is embedded in a trio of the two oboes d'amore and the continuo. In movement 5, the last aria, a motif of five notes is first introduced by the violin and then picked up by the tenor on the words "Gott hilft gewiß" (God's help is sure). The motif is repeated in the violin again and again. The closing chorale is set for four parts.

Although originally written for three vocal soloists (alto, tenor and bass), a four-part choir only for the closing chorale, two oboes d'amore, two violins, viola and basso continuo, I created this arrangement for Piccolo, Tubular Bells, Marimba & Cello.
Source / Web :MuseScore
Sheet central :Wahrlich, wahrlich, ich sage euch (6 sheet music)
Added by magataganm the 2015-04-15

0 comment

Equipment & Sheet music
Music Stands
The largest choice of in stock music stands on the web! Orchestra Music Stand, table, folding, wooden, special, accessories ...

Report problem

This sheet music is part of the collection of magataganm :
Flute Arrangements
Sheet music list :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp
› "A Swiss Melody" for Flute Quartet - Flute Quartet
› "Abendlied" for Woodwind Quartet - Wind quartet
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Winds & String Orchestra