adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6647 sheet music
7281 MP3
1168 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Aria: "Komm, du süße Todesstunde" for Trumpet & Strings

Aria: "Komm, du süße Todesstunde" for Trumpet & Strings
(BWV 161 No 1)
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 (8.13 Mo)53x 311x ViewDownload PDF : Aria: "Komm, du süße Todesstunde" (BWV 161 No 1) for Trumpet & Strings (5 pages - 216.09 Ko)518x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community





Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Trumpet and String Quartet (2 Violins, 1 Viola, 1 Cello)

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Komm, du süße Todesstunde (Come, o sweet hour of death), BWV 161, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for the 16th Sunday after Trinity and first performed it on 6 October 1715.

On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule, aiming at a complete annual cycle within four years. Bach wrote the cantata in 1715 for the 16th Sunday after Trinity. According to the musicologist Alfred Dürr and other sources it was first performed on 6 October 1715. The text for this and other cantatas of 1715 was written by Salomon Franck, published in Evangelisches Andachts-Opffer in 1715. The prescribed readings for the Sunday were from the Epistle to the Ephesians, praying for the strengthening of faith in the congregation of Ephesus (Ephesians 3:13--21), and from the Gospel of Luke, the raising from the dead of the Young man from Nain (Luke 7:11--17). In Bach's time the story pointed immediately at the resurrection of the dead, expressed in words of desire to die soon. The closing chorale is the fourth verse of Christoph Knoll's "Herzlich tut mich verlangen" (1611).

The first performance is dated as likely to have been 27 September 1716 by the publisher Carus-Verlag and others. The cantata was performed again in Leipzig, also for the feast of the Purification of Mary on 2 February.

The Phrygian chorale melody is the musical theme of the cantata, appearing in movement 1 both in its original form and also in the alto line derived from it. The themes of both other arias (3 and 5) are also derived from the same melody, uniting the music of the cantata. The melody appears five times in chorales of Bach's St Matthew Passion.

The tenor recitative (2) ends in an arioso when the words paraphrase a Bible line of Phil 1:23, "Ich habe Lust abzuscheiden und bei Christo zu sein" (I desire to pasture soon with Christ. I desire to depart from this world). The alto recitative (4) is accompanied by all instruments, creating the images of sleep (in a downward movement, ending in long notes), the waking up (in fast movement upwards), and funeral bells in the recorders and pizzicato of the strings. Movement 5, marked aria by Franck, is set for four parts by Bach, using homophony and like a song. The first part is not repeated da capo, according to the last words "Dieses sei mein letztes Wort" (May this be my last word). The closing chorale is illuminated by a fifth part of the two recorders playing in unison a lively counterpoint.

Although the cantata was originally scored for alto and tenor soloists, a four-part choir, two recorders, two violins, viola, and basso continuo, I created this arrangement for Bb Trumpet & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Komm, du süsse Todesstunde (5 sheet music)
Added by magataganm the 2014-09-01


0 comment





Report problem


This sheet music is part of the collection of magataganm :
Viola Arrangements

Viola Arrangements
Sheet music list :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Viola and Harp
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Viola and Harp
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp
› "Allemanda" from the Partita for Violin No. 2 for Viola - Viola