I did like this piece and how the syncopation gave the impression of a near constant, fluid motion. I liked the use of c major as the contrast to the other minor chords since it's not the most obvious choice when g minor opens the first phrase! It was nice. Like I said, a constant flow of music, until the coda where a bit of contrast comes in; almost a stand-still compared to the earlier rhythms, as if something was impeding the other melodies' rhythms. However, right at the end, the rhythmic flow begins once again, as if an image of Japan itself continuing after a great standstill that impeded it. I'm not sure if that's what you intended, but I think that it gives great effect. The rhythmic change there in the first half of the coda was striking to me just because of that reason. I liked this a lot. I felt that there were some really great programmatic features hidden within the context. Excellent work!
Thank you Sylvain. I totally agree with your definition of Japan as Exemplary country. And it was Exemplary, too, to commemorate that people with this wondeful composition. Thanks again and all the best ! Ernesto
Written on 2019-08-01 by sylvain-guinet 24th November 2019, piano
recital to bechstein Hall
Singapore. For any information
read the poster. https://sylvainguinet.fr/
Piano recital in Japan 2018
Written on 2018-09-30 by sylvain-guinet On August 29, 2018, a concert
titled "Piano Recital of
Sylvain Guinet's Healing
World at Tokyo by Kijiko
Kikaku" was performed at
Sumida Triphony Hall in Tokyo.
23 pieces of my solo piano
pieces have been performed.
I went on stage to play my
last composition
"Children's
World" written for the
French association
"Arc-en-ciel" who
realizes the dream of sick
children. Thank you for making
a donation for this
association. https://www.youtube.com/user/s
ylsof
very very nice
I like it so much
thank you
yamen from Syria
Ernesto
God Bless Japan.
Claudio