Improvisation 101 : Major, Minor And Blues

Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysâ'a challenge for harmonica players, but less difficult in 3rd Position. In this book we'll explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and movingaround the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning 'study” songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what's technically going on. (This is at the end of the book, so it's not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You'll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio. / Niveau : Facile / Pédagogie / Etude / Harmonica Diatonique

Essential Tools for Jazz Improvisation. Sher Music Co.?s highly-regarded book, The Blues Scales: Essential Tools for Jazz Improvisation is now available in bass clef. As Michael Brecker said, ?This is an excellent addition to the growing number of books dedicated to mastering the art of jazz improvisation. Useful to beginners as well as advanced players, The Blues Scales admirably addresses the vocabulary of the blues ? the ?root of jazz.? ? Step-by-step exercises to get beginning students able to quickly solo using the two basic Blues Scales. ? Extensive dictionary of classic Major and Minor Blues Scale phrases. ? Help with transposing the ideas learned into other keys. ? Numerous ways to expand the Blues Scales to make them even more useful. ? Appendices for advanced players showing how the masters of jazz use the Blues Scales in their own playing.

Paul Musso's Improvising With Mini-Arpeggios offers a unique simplified approach to using arpeggios when improvising. This book and the accompanying online audio tracks are perfect for guitarists whowant to improve their technique and improvisation skills. This method makes it possible to seamlessly incorporate arpeggios into jazz improvisation. This book features over thirty arpeggio-based licks spanning major minor dominant blues and ii-V-I categories. The book also presents straightforward methods for using arpeggios creatively. Most guitarists view arpeggios and scales as separate entities - this book solves this problem byillustrating the relationship between eight simple arpeggio fingerings and scales/modes. Several simple etudes in the form of mini arpeggios are included. These exercises will provide the student with an entire world of musicalpossibilities.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

This volume is a step-by-step approach to improvisation in jazz, rock and pop music. Based on an easy music which can be practised together with a band on the play-along CD, each chapter comes with brief explanations as to which notes sound best when improvising and why. Solos by experienced musicians serve as examples for the player's own attempts at improvisation.The textbook can also be used by a band at schools or music schools (for pupils with at least 2 years of instrumental lessons). / Instruments En C

The 28 performance pieces in this volume are based on the harmonies of popular jazz songs by Miles Davis, Chet Baker and Duke Ellington. They help you to get to know the structure of typical jazz solos. The CD contains full versions and play-along tracks for practising and for your own improvisations. / Piano