Matériel : Partie séparée
SKU: SU.00220530
This CD Sheet Music™ collection brings together nearly 100 works by Wolfgang Amadeus Mozart for solo piano, piano duo, and piano four-hands (excluding the concertos). Works include: Sonatas (Nos. 1-19), Fantasies, German Dances, Minuets, Rondos, Variations, and more; plus The London Chelsea Notebooks (43 short pieces) Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 700+ pages Mozart: The Piano Concertos (#00220563)
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: AP.12-MPT300307
English.
Theory of Music Made Easy, Grade 7 by Loh Phaik Kheung takes students through the topics required for the ABRSM Grade 7 exam by consolidating information covered in the preceding books and tackling new subjects in an organized and logical way. It introduces the topics of melodic decorations, writing for keyboard, harmonizing and writing melodies, and writing for orchestral instruments. Topics include: Suspensions and retardations * harmonizing a melody by figuring a given bass line * rewriting a chorale passage in the style of J.S. Bach * rewriting a passage in the style of Corelli's Trio sonatas * continuation of a given solo instrumental part above a given keyboard accompaniment * melodic compositions in more modern styles * writing a melody based on the given chord progression * general exercises.
SKU: UT.QC-4
ISBN 9788881094783. 6.5 x 9.5 inches.
Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner LottThe career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys. The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition. This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.
SKU: UT.QC-3
ISBN 9788881094639. 6.5 x 9.5 inches. Performed by Arthur Schoonderwoerd.
Saggi di Rudolf Angermüller, Bianca Maria Antolini, Luca Aversano, Otto Biba, Ala Botti Caselli, Anik Devriès-Lesure, Arnfried Edler, Markus Engelhardt, Christoph Flamm, Anselm Gerhard, Rudolf Hopfner, Roberto Illiano, Janina Klassen, Laurence Libin, Elena Previdi, Rudolf Rasch, Massimiliano Sala, Guido Salvetti, Duane White, Christian Witt-Dörring This volume offers the reader a journey into the highways and byways of the culture of the pianoforte, covering certain new aspects. The range of themes treated is vast, proof of the central nature of the instrument in European musical life on the cusp of the eighteenth and nineteenth centuries. On the basis of original research, investigations have been made into the different ways in which the spread of instruments and printed music occurred; into the movements of musicians circulating from one end of Europe to the other; into the circulation of genres, forms, musical styles and stylistic elements conveyed including through the teaching of the instrument; into the presence of the pianoforte in the European literature and the arrangements for instruments at the beginning of the nineteenth century; into the role of the pianoforte in certain important centres in Europe and the United States. A rich period for European music, therefore, in which the opportunities for contact and mutual exchange among the musicians were particularly intense and in which the pianoforte acted as a catalyst in private and public musical life in all the cities of Europe.The volume comes with the bonus of a CD, appositely providing pianoforte sonatas by Cramer, Hummel, Eberl and Beethoven.
SKU: HL.48185463
UPC: 888680834968. 9.0x12.0x0.147 inches.
Famous pieces by G. F. Handel for Eb Alto Saxophone and Piano ? Vol. 2 is an anthology of four pieces arranged for Alto Saxophone and Piano by Marcel Mule. This second book features four sonatas, all composed initially by G. F. Handel and part of the collection ?Saxophone Classics? by Mule. - First sonata: Flute and Piano - Second sonata: Violin and Piano - Fourth sonata: Flute and Piano - Sixth sonata: Violin and Piano Each sonata should be played separately and their level of difficulty is quite challenging, which would match the abilities of upper intermediate / advanced players who have mastered their breathing. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Dix-huit Exercices ou Etudes', 'Exercices Journaliers d?apres Terschack' or '30 Grands Exercices ou Etudes d?apres Soussmann' (in two books), among others..
SKU: HL.48010941
UPC: 073999814699. 9.0x12.0x0.195 inches.
Piano Score and Parts.