Matériel : Partition
SKU: MB.96299
ISBN 9780786624669. UPC: 796279039192. 8.75 x 11.75 inches. Slctd and arngd by Peter Spitzer pno accmp Jannette and Laura Spitzer.
The Easy Classics books were written to provide beginning to intermediate instrumenta lists with an enjoyable introduction to some of the greatest classic melodies. The flute, clarinet, alto sax and trumpet parts are fully compatible with this tenor sax edition. They may be played in any combination, with or without piano accompaniment. Selections include: Ode to Joy; Sleeping Beauty Waltz; Jesu, Joy of Man's Desiring; Radetzky March; The Trout plus 10 more by Bizet, Brahms, Mozart, Strauss, Rossini and others. Includes a 32-page pull-out part for the saxophonist.
SKU: BT.MUSAM1010658
ISBN 9781783059829. English.
With the Really Easy Piano Playalong songbook, you can learn 19 Classic Hit Songs with these simplified arrangements for Easy Piano, then use the included download card to hear demonstrations and backing tracks that you can play along to. Featuring a wealth of some of the most famous tunes of all time by the greatest singers and songwriters ever, these Classic Hit Songs are essential playing for all pianists, and the Really Easy Piano Playalong book lets beginners immediately pick up these wonderful melodies. From classic pop songs like All Shook Up, Downtown and Waterloo to those beautiful ballads like Rocket Man, Hallelujah and Fields Of Gold, this collection offersamazing variety of tunes that can be placed right at beginner pianist's fingertips. With the accompanying download card, you will get instant online access to fantastic-sounding demonstration and backing tracks for each tune. This means you'll be able to hear how each Classic Hit Song should sound, then learn them using the easy-to-read sheet music, before playing your own versions along to the backing tracks. With songs by such bestselling artists as Simon & Garfunkel, The Beatles, David Bowie and Louis Armstrong, this is a fantastic book for learning all of those timeless tunes that everyone loves, and with the help of some fingering hints, performance tips, lyrics and fascinating background information, the Really Easy Piano Playalong really is the perfect songbook for pianists who love pop hits. The fantastic selection of brilliant songs from these wonderful musicians places some of the greatest tunes of all time at any beginner pianist's fingertips. Your friends and family will no doubt be wholly impressed with how great each of these songs sound on the Piano, especially when played along with the backing tracks. For a collection of 19 Classic Hit Songs, look no further than the Really Easy Piano Playalong songbook.
SKU: KV.3611242
Handel's greatest melodies are arranged for piano in this beautiful Kevin Mayhew edition. Includes: Air from Water Music; Arrival of the Queen of Sheba; Coro from Water Music and more.
SKU: SP.MP015
ISBN 9781585606146. UPC: 635344000159.
The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. Essential Piano Masters Volume 1 features the works of Johann Sebastian Bach, Wolfegang Amadeus Mozart and Ludwig van Beethoven. Johann Sebastian Bach; Menuet in G Major - Mussette in D Major - Mussette in G Major - Prelude in F Major - Invention No. 8 in F Major - Prelude No. 1 in C Major Wolfegang Amadeus Mozart; Minuet in C Major - Minuet in F Major - Sonata in C Major 1st Movement - Theme and Variations Ludwig van Beethoven; Sonatina in G - Fur Elise - Menuet in G - Landler No. 5 - Sonata Quasi Una Fantasia (Moonlight Sonata).
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceiv ed originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?” THE CREATION already contains a prologue; it’s called “Representation of Chaos”, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos” was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overture”, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres” universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent” until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!”, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.” I love that phrase, and it’s in that spirit that I offer my humble “opener” to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: SP.MP017
ISBN 9781585606160. UPC: 635344000173.
The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. This particular edition features the following works of Claude Debussy; La fille aux cheveux de lin (The Girl with the Flaxen Hair) - Reverie - First Arabesque - Clair de Lune - Golliwogg's Cakewalk.
SKU: SP.MP014
ISBN 9781585606139. UPC: 635344000142.
The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. This particular edition features the following works of Wolfegang Amadeus Mozart; Minuet in C Major - Allegro in Bb Major - Minuet in F Major - Minuet in F Major from Notebook for Nannerl - Kiavierstuck in F Major - Theme and Variations from Twelve Variations on Ah, vous dirai-je, Maman - Sonata in C Major.
SKU: SP.MP013
ISBN 9781585606122. UPC: 635344000135.
The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. This particular edition features the following works of Johann Sebastian Bach; Aria in D Minor - Untitled in F Major - Menuet in G Major - March in D Major - Menuet in D Minor - Menuet in C Minor - Musette in D Major - Menuet in G Major - Polonaise in G Minor - Musette - Prelude in F Major - Prelude in C Major - Prelude in C Minor - Menuet I - Invention No. 8 in C Major - Prelude No. 1 in C Major.
SKU: SP.MP012
ISBN 9781585606115. UPC: 635344000128.
The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. This edition contains the following works of Ludwig van Beethoven; German Dance - Ecossaise - Landler No. 5 - Landler No. 7 - Sonatina in G - Allemande - German Dance No. 2 - German Dance No. 7 - Fur Elise - Menuet in G - Waltz - Sonata Quasi Una Fantasia (Moonlight Sonata).
SKU: SP.TS154
ISBN 9781585602544. UPC: 649571001541.
The Classics to Jazz collection published by Santorella Publications features some of the most popular masterworks from four of the greatest musical geniuses in history. Each piece is first presented in its original form and then on the following page, it is arranged with a Jazz feel. The Classics to Jazz series is a great educational tool for the advancing pianist making the transition from Classical studies to the exciting world of Jazz Piano. These curiously irresistible melodies arranged and edited by Jonathon Robbins will grab you as soon as you begin to play. Fun and exciting, these pieces will become the most played tunes in your library. The Complete Highlights features the works of Carl Czerny, Charles Hanon, Johann Sebastian Bach and Wolfgang Amadeus Mozart. This late intermediate to advanced text is a must have - must study assortment of challenging crossover pieces for those who would like to get some fun back into their practice sessions. The Classics to Jazz * Complete Highlight Edition published by Santorella Publications includes a performance CD. Each classic exercise and jazz piece is played up to tempo by Craig Stevens on an acoustic grand piano. This Craig Stevens performance is truly remarkable! All we can say is Wow and so too, will you! These four fabulous sections include: Johann Sebastian Bach: Bouree in E Minor - Minuet in G - March in D - Corrente - Minuet in G Minor - Little Prelude * (derived from the masterworks of J. S. Bach). Carl Czerny: Exercise No. 1 - 15 - 20 - 22 - 25 - 34 - 37 - 42 - 59 - 63 - 70 * (derived from Czerny's 160 Eight-measure Exercises). Charles L. Hanon: Exercise No. 1 - 2 - 4 - 5 - 6 - 8 * (derived from Hanon's Sixty Exercises for the Virtuoso Pianist). Wolfgang Amadeus Mozart: Andante - Larghetto - Minuet in G - Minuet in D - Minuet in F - Minuet in C * (derived from the masterworks of W. A. Mozart).
SKU: BR.EB-9432
ISBN 9790004189092. 0 x 0 inches.
Duration: full evening Text by the composer basesd on E.T.A. Hoffmann's tale of the same name from Serapionsbrudern Translation: ital. (G. Trampus), La sposa sorteggiata Place and time: Berlin, um 1820 Characters: Der Kommissionsrat Voswinkel (baritone) - Albertine, his daughter (mezzo-soprano) - Thusman, Freier (tenor) - Edmund Lehsen, paintor, Freier (tenor) - Baron Bensch, Freier (tenor) - the goldsmith Leonhard (baritone) - the jew Manasse (bass) - the valet Voswinkels - crowd, a Chancre (silent parts) In Busoni's musical evolution, this work marks an important phase of radical change after works inspired by Brahms and Verdi. The composer's compositional style became increasingly revolutionary between the sketch of the shport score (1908) and the completion of the orchestral score (1911).Busoni took the greatest care in preparing the definitive form of the work. He asserted that there was invention in every bar, and assigned an important role to the use of music from other sources: the Hebrew march from Rossini's Mose, for example, or a German dance by Mozart, military music, American-Indian pentatonic music, Gregorian plainchant, melodies from the synagogue and even quotes from his own works. With these stylistic means, Busoni followed Hoffmann's serapiontic principle and came closer to his idea of a timeless world music without borders.
