Volume 35 - Cedar Walton

Get yourself — or your beginning jazz combo — sounding good right away with the first fake book ever designed for the beginning improviser.This book contains: Easy, but classic jazz tunes to give thestudent a good start in learning the jazz repertoire. Sample Piano voicings, Guitar chord diagrams, sample Bass lines and useful scales for improvisation included with each tune, for easy reference. Each song willsound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos.With The Real Easy Book Volume 1 you'll learntheeasiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery and more.Bags' GrooveBig BerthaBlue SevenBlues By FiveBlues In The ClosetCold Duck TimeContemplationDoxyEdward LeeEquinoxFreedom Jazz DanceGingerbread BoyGroove MerchantJive SambaJo Jo CalypsoKiller JoeListen HereLittle SunflowerMercy, Mercy, MercyMidnight WaltzMr. P.C.One For Daddy-ORed's Good GrooveRevelationRoad SongShort StuffShoshanaSir JohnSister SadieSo Danco SambaSong For My FatherSonnymoon For TwoSt. James InfirmarySt. ThomasStraight LifeTenor MadnessTrail DustWhen The Saints Go Marching InWork SongYardbird SuiteZ's Blues / Instrument en mib / Sher Music

Real Easy Book 2 - Bb Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals. From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling. The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.