Voi che sapete

In Classics sélectionnés vous ferez un voyage musical à travers plusieurs siècles. Douze points saillants de la littérature musicale - à partir du début du 17ème au 19ème siècle - sont explorés tour à tour, y compris Berceuse (Brahms), Voi che sapete (Mozart), Träumerei (Schumann), Ständchen (Schubert) et O pour les ailes de une colombe (Mendelssohn). Les parties de piano sont bien sûr fournis, ainsi que le CD - avec pistes démo complète, mais aussi jouer le long des voies, avec seulement l'accompagnement de piano. / Clarinette Et Piano / 36 pages / niveau : Facile - Elémentaire / Partition + Cd

From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content :
IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366
Ilia's recitative and aria, Act I
[1] Quando avran fine omai'Padre, germani, addio!
Elettra's aria, Act I
[2] Tutte nel cor vi sento
Ilia's aria, Act II
[3] Se il padre perdei
Elettra's aria and marcia, Act II
[4] Idol mio, se ritroso altro amante'Odo da lunge armonioso suono
Ilia's aria, Act III
[5] Zeffiretti lusinghieri
Elettra's aria, Act III
[6] D'Oreste, d'Ajace
DIE ENTFÃœHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384
Konstanze's aria, Act I
[7] ach ich liebte
Blonde's aria, Act II
[8] Durch Zärtlichkeit und Schmeicheln
Konstanze's recitative and aria, Act II
[9] Welcher Wechsel herrscht in meiner Seele'Traurigkeit
Konstanze's aria, Act II
[10] Martern aller Arten
Blonde's rondo, Act II
[11] Welche Wonne, welche Lust
LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492
Cherubino's aria, Act I
[12] Non sò più cosa son, cosa faccio
Countess Almaviva's aria, Act II
[13] Porgi, amor
Cherubino's arietta, Act II
[14] Voi che sapete
Susanna's aria, Act II
[15] Venite, inginocchiatevi!
Countess Almaviva's recitative and aria, Act III
[16] E Susanna non vien''Dove sono'Ah! Se almen la mia costanza
Barbarina's cavatina, Act IV
[17] L'ho perduta! Me mechina!
Susanna's recitative and aria, Act IV
[18] Giunse al fin il momento'Deh vieni, non tardar
DON GIOVANNI K527
Donna Elvira's aria, Act I
[19] Ah! Fuggi il traditor!
Donna Anna's aria, Act I
[20] Or sai chi l'onore
Zerlina's aria, Act I
[21] Batti, batti
Zerlina's aria, Act II
[22] Vedrai, carino
Donna Elvira's recitative and aria, Act II
[23] In quali eccessi Mi tradì
Donna Anna's recitative and aria (rondò), Act II
[24] Crudele''Troppo mi spiace'Non mi dir
COSÌ FAN TUTTE K588
Dorabella's recitative and aria, Act I / Scene 3
[25] Ah scostati'Smanie implacabili
Despina's aria, Act I / Scene 3
[26] In uomini, in soldati
Fiordiligi's recitative and aria, Act I / Scene 3
[27] Temerari, sortite'Come scoglio'Rispettate, anime ingrate
Despina's aria, At II / Scene 1
[28] Una donna a quindici anni'Dee in un momento
Fiordiligi's rondò, Act II / Sce
[29] Per pietà, ben mio, perdona'A chi mai mancò
Dorabella's aria, Act II / Scene 3
[30] È amore un ladroncello
DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620
The Queen of the Night's recitative and aria, Act I
[31] O zitt're nicht, mein lieber Sohn!'Zum Leiden bin ich auserkoren
The Queen of the Night's aria
[32] Der Hölle Rache
Pamina's aria, Act II
[33] Ach, ich fühl's
LA CLEMENZA DI TITO K621
Vitellia's aria, Act I
[34] Deh se piacer mi vuoi'Che ceicamente crede
Servilia's aria-minuet, Act II
[35] S'altro che lagrime
Vitellia's recitative obbligato and rondò, Act II
[36] Ecco il punto, O Vitellia'Non più di fiori vaghe catene

Description Includes music from 'Mitridate, Re Di Ponto', 'Le Nozze Di Figaro', 'Cosi Fan Tutte' and 'La Clemenza Di Tito'. Some songs in this book are travesti roles - male characters played by females. Edited by Robert L. Larson & Richard Walters, and including an accompaniment CD performed by Robert L. Larson. Songlist Deh Per Questo Istante Solo (From La Clemenza Di Tito) E Amore Un Ladroncello (Cosi Fan Tutte) Il Capro E La Capretta (From Le Nozze Di Figaro) Non So Piu Cosa Son (From Le Nozze Di Figaro) Parto, Parto (From La Clemenza Di Tito) Smanie Implacabili (From Cosi Fan Tutte) Son Reo L'error Confesso (From Mitridate, Re Di Ponto) Torna Di Tito A Lato (From La Clemenza Di Tito) Va, L'error Mio Palesa (From Mitridate, Re Di Ponto) Voi Che Sapete (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus]

An Introduction to Repertoire. This series of five book/online audio access packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert and Sullivan. Each book includes a unique code for access to professionally-recorded pronunciation lessons and piano accompaniments. Contents: ARNE: When daisies pied · DOWLAND: Come again, sweet love · Flow my tears · Weep you no more, sad fountains · PURCELL: If music be the food of love · Nymphs and Shepherds · QUILTER: Fair House of Joy · It was a lover and his lass · Love's Philosophy · VAUGHAN WILLIAMS: Silent Noon · BIZET: Ouvre ton coeur · FAURE: Clair de lune · Mandoline · MARTINI: Plaisir d'amour · BRAHMS: Immer leiser wird mein Schlummer · MOZART: Als Luise die Briefe ihres · Ungetreuen Liebhabers verbrannte · SCHUBERT: An die Nachtigall · SCHUMANN: Du Ring an meinem Finger · RICHARD STRAUSS: Zueignung · BELLINI: Dolente immagine di Fille mia · DONAUDY: O del mio amato ben · SCARLATTI: Cara e dolce · STRADELLA: Se nel ben sempre incostante · DE FALLA: El pano moruno · GRANADOS: La maja dolorosa (2) · MOZART: Voi che sapete · GLUCK: Che faro senza Euridice · SULLIVAN: When Frederic Was a Little Lad · VIVALDI: Qui sedes ad dextram Patris

Arrangement: Edwards James. Par EDWARDS JAMES. Beaux airs opéra de Puccini, Bizet, Mozart, Verdi et d'autres avec goût arrangé pour intermédiaire à avancé de performance de la guitare classique. Comprend les mélodies splendides: O mio babbino caro, Habanera, Voi sapete che, Plaisir d'amour, Marta et autres favoris. Audio disponible en ligne. / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare

Eleanor Steber was one of the greatest interpreters of Mozart ever to grace the opera stage. In this unique aria collection she has given intricate editings that convey her ideas about vocal style in Mozart. All of Miss Steber'seditings are printed in gray giving them clarity against the black of the music. A plot synopsis character analysis translation and musical coaching precedes each aria. Ample prefatory material discusses Mozartean performancepractices. This volume is a must for any soprano. Contents: Batti Batti ? Non mi dir ? Porgi amor ? Dove sono ? Deh vieni non tardar ? Non so più ? Voi che sapete ? Ach ichfühl's.

La plupart des arias de cette collection font partie du répertoire standard de solistes de renom, et c'est vraiment grâce à eux que les opéras auxquels ils appartiennent sont devenus célèbres. C'est sans doute vrai des airs tels que Lascia ch'io pianga, Ombra mai fu et Caro Mio Ben. Dans Coro Mio Ben, Gwyn Arch a créé de nouveaux arrangements d'oeuvres et ces plus de Haendel, Mozart, Verdi et d'autres compositeurs, et donc ouvert ce genre musical à un public entièrement nouveau. Les accompagnements de piano sont largement tournée vers les originaux. Comprend 2 CD avec 18 enregistrements complets chorales et 10 pistes d'accompagnement de piano. / Choeur Mixte (SATB)

Voici 60 favoris à feuilles persistantes pour vous livrer la marchandise lorsque la situation l'exige some­­thing avec large appel permettre. / Orgue Sans Pédale

Capturez la grandeur et la force des meilleurs thèmes d'opéra dans cet ensemble de piano solos spécialement sélectionnés. Des premières oeuvres de concert de Haendel et Purcell, aux productions amusantes et exotiques de Mozart et Rossini, en passant par les innovations spectaculaires et captivantes de Wagner, Tchaikovsky, cet ensemble de mouvements spécialement sélectionnés, a été arrangé avec soin en piano solos. Une collection essentielle pour tout amoureux de l'opéra et une superbe source de répertoire pour piano inhabituel. / Classique / Partition /

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano