Three Sonatas for Pianoforte

SKU: ST.MB80

ISBN 9790220220531.

A key figure in the so-called English Musical Renaissance, Parry was a considerable composer of chamber music. His three violin sonatas, the first of which, in d minor, is here published for the first time, along with the Fantasie-sonata and Sonata in D major, date from the 1870s and 80s, and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens. They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.

SKU: FG.55009-532-8

ISBN 979-0-55009-532-8.

Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.

SKU: FG.042-04246-5

ISBN 979-0-042-04246-5.

Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.

SKU: FG.042-04244-1

ISBN 979-0-042-04244-1.

Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.