Third Day - Worship Offerings

SKU: HP.8984

UPC: 763628189846.

Twelv e contemporary songs This collection of solo piano settings is the third volume of well-known contemporary titles arranged by the skillful hand of Marianne Kim. Each arrangement contains a perfect balance of nuanced harmonies along with a slight touch of jazz that Marianne is so adept at composing. Ideal for worship, these settings are of moderate difficulty.

SKU: WD.080689515170

UPC: 080689515170.

Word Music presents the third volume in The Worship Choir Collection Series, The Worship Choir Collection, Volume III, featuring 20 proven arrangements from some of your favorite award-winning arrangers and songwriters. Compiled from a list of top-selling anthems from Word Music, this series showcases them in an “all-in-one” comprehensive collection for your Worship Choir!


With 20 unique arrangements from some of your favorite arrangers (Russell Mauldin, Cliff Duren, Lari Goss, Richard Kingsmore, Camp Kirkland, Marty Parks, Gary Rhodes, Daniel Semsen, Robert Sterling, Dave Williamson, and David Wise), this dynamic new choral collection features songs for every worship style and need—including select seasonal offerings along with its main menu of titles—designed to be used for Sunday worship services all throughout the year.


The Worship Choir Collection, Volume III…a must-have addition for your choral library!

SKU: BP.BP2292

6.875 x 10.5 inches.

Now available for SSAA voices! The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody, which is one large-scale arc, is stated twice, creating a simple, sincere message of peace and rest. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for SSAA choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.
Church
S cripture reference: Numbers.

SKU: BP.BP2295

6.875 x 10.5 inches.

Now available for TTBB voices! The third movement of Craig Courtney’s trilogy, Divine Encounter, The Blessing is a newly-composed benediction based on Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the offering we bring to Him. The melody, which is one large-scale arc, is stated twice, creating a simple, sincere message of peace and rest. Suitable for use on its own, or as part of the three-movement work; effective in both worship and concert settings. Scored for TTBB choir and organ (in choral score) or piano (available separately) with optional brass sextet, or string quartet, or full orchestra. An accompaniment track (brass and organ) is also available.
Church
S cripture reference: Numbers.

SKU: HL.14021749

ISBN 9788759889817. Danish.

Poul Ruders' MONODRAMA, dedicated to percussion virtuoso Gert Sorensen and commissioned by The Danish Radio, was written in New York in the early winter 1988 and makes the centre as well as the middle of the tri-part opus called The Drama Trilogy. All three works employ the word Drama in their title, Drama in the original meaning of the word: event. No specified event, but a premonition or omen rather, that something is afoot, a free Drama-offer from which anyone may populate the stage of his private, inner theatre.The first piece of the series DRAMAPHONIA for piano and chamber ensemble was premiered in London in the spring of 1988 by Lontano and Poul Rosenbaum. This piece is emotionally and rhythmically unstable as opposed to MONODRAMA (single-event) which is modelled from the archetypal idea of obtaining accomplishment from nothingness. The 31 instruments of the orchestra (no flutes and no violins or violas) are more or less wrapped around the solo-part to become one with that and thus emerge as one, gigantic percussion instrument. The rhythmical patterns of the orchestral part more or less follow those of the percussionpart, a single-event also on the rhythmical level.After 20 minutes climbing toward the peak of rage, the composition casts its slough and is reborn into a chorale-like march and the struggle between totally depopulated sound-scapes and ferociously roaring sub-oceanic storms begin and the piece paces toward the abyss; rage becomes despondency, New Rage as opposed to New Age, the spineless worshipper of beauty without pain.The third instalment of the DRAMA TRILOGY, the cello concerto POLYDRAMA will be premiered in Stockholm May 1990.MONODRAMA lasts aprox. 32 minutes.Poul Ruders.