Matériel : Conducteur et Parties séparées
SKU: CF.MXE19
ISBN 9780825872945. UPC: 798408072940. 9 x 12 inches.
Winner of the 2009 MTNA Composition Competition, promising young composer Joshua Green gives us a striking new work for clarinet, cello and piano, borne of an unlikely muse. According to the composer: For the better part of three months I fought an exasperating battle. While trying to compose a piece for clarinet, cello, and piano, a plethora of distractions had consumed my mind. This frustration seemed to amplify with the amount of time that passed. It was then that the following quotation came to my attention: Life does not consist mainly, or even largely of facts and happenings. It consists mainly of the storm of thoughts that is forever flowing through one’s head.-Mark Twain. And so The Muse of Distraction was born. Rather than trying to fight the storm of thoughts, I allowed myself to compose a piece that embraced the frustration and irritation of those previous three months. Eventually these distractions were no longer my adversary. They became my muse. For advanced players.For the better part of three months I fought an exasperating battle. While trying to composea piece for clarinet, cello, and piano, a plethora of distractions had consumed my mind.This frustration seemed to amplify with the amount of time that passed. It was then that thefollowing quotation came to my attention:“Life does not consist mainly, or even largely of facts and happenings. It consists mainly of thestorm of thoughts that is forever flowing through one’s head.” —Mark TwainAnd so The Muse of Distraction was born.Rather than trying to fight the “storm of thoughts,” I allowed myself to compose a piecethat embraced the frustration and irritation of those previous three months. Eventually thesedistractions were no longer my adversary.They became my muse.
SKU: AP.74-1594487224
ISBN 9781594487224. English.
Can a song change a nation? In 1964, Marvin Gaye, record producer William Mickey Stevenson, and Motown songwriter Ivy Jo Hunter wrote Dancing in the Street. The song was recorded at Motown's Hitville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording---a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.