At The Jazz Band Ball

Voici la ballade de belle amour de Titanic enregistrées par Céline Dion. Graphique sensible de Roger comporte un solo de Saxophone Alto à la notation haut et habile dans l'ensemble. Ce n'est un must pour votre prochain concert ! / Jazz Band

This ballad is ideal for a change of pace in your program. Thelonious Monk's jazz classic, carefully scored here by Victor Lopez, showcases your trumpet or flugelhorn player. Because Lopez made this chart very accessible, with ranges for solo trumpet to A-flat and trombone to F, and because Monk wrote interesting chord changes, the band will sound great and enjoy playing it. Perfect for festivals or concerts, 'ROUND MIDNIGHT is one of those jazz standards all students of jazz should learn and play. Here's a perfect opportunity to teach phrasing, style and blend with this fine chart.

A vocal solo with jazz ensemble, this arrangement of the gorgeous ballad by Gershwin® tells a story. Arranged by Dave Wolpe, the chart is in the key of C with the vocal range from G below middle C to third line B. Along with a tenor saxophone solo, Dave writes a very clever modulation in this chart. A superb vocal ballad.

This is a must-have solo feature for alto saxophone! Dave Wolpe is one of the finest writers ever and this chart is one of his very best. With a Kenton-esque rubato introduction, Dave proceeds with a ballad style but hold on to your reeds, the double time tempo swings hard. With some great ensemble writing, Dave sends the alto soloist off in grand style. After some solo space the chart returns to the ballad tempo leading into two fermatas creating a dramatic ending. This is an outstanding chart! (4:07)

Paul Cook brings us this rich, slow ballad setting of the classic tune from The Wizard of Oz. It's easy to play and sounds delightful. Players and audiences will all want to hear this one often. A great chart to introduce phrasing and style to younger players. Very Easy (4:11)

Jazz Play-Along Volume 87-For use with all Bb Eb C and bass clef instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY each tune includes a split track with: • Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. FOR PERFORMANCE each tune also has: • An additional full stereo accompaniment track (no melody) • Additional choruses forsoloing.Includes 10 traditional songs: Alexander's Ragtime Band • Ballin' the Jack • Bill Bailey Won't You Please Come Home • The Darktown Strutters Ball • A Good Man Is Hard to Find • Royal Garden Blues • That's a Plenty • Tiger Rag (Hold That Tiger) • Toot Toot Tootsie! (Good-Bye!) • When the Saints Go Marching In.

Professional Editions – Grade 5Few big band standards have a recognizable hook as strong as this time–tested Woody Herman theme song. Here's the authentic edition opening with the famous ensemble riff followedby a parade of soloists. The full ensemble closes it out with the trademark half-step modulations. The swing era at its best!

Alt sax feature-Few jazz ballads have been performed as consistently as this Thelonious Monk gem. Mike's version is a solo vehicle for alto sax and includes a double time feel that alternates with the traditional ballad tempo. Beautiful lines andstriking harmonies help create a real standout arrangement.

The definitive recording of this jazz classic is by Bill Evans with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin style on the head then switches toswing on the bridge. Includes very effective writing for all sections of the band as well as solo space for alto sax.

Enregistré par le renommé Cannonball Adderley Quintet dans les années 1960 Jive Samba devint un des standards les plus connus de Nat Adderley. Arrangé ici pour petit big band et dans un style moderne de cha-cha ce numéro contient un duo de trompette et saxophone alto et plus tard un innovant refrain crié aux mesures qui changent.

For a man who quit an established recording career in order to study the fine art of making violins David Bromberg sure knows how to work a room. A veteran sideman to Dylan Ringo Starr and Jerry Jeff Walker as well as a solo performer and bandleader of more than 40 years standing the bearded and bespectacled Bromberg may have kept a low profile through the so-called MTV era. But he didn't sleep through the more recent recording industry implosion and its attendant rise of the Pod People. Rather he took his boundary busting energy back to the live stage with the Count Basie Theatre in Red Bank New Jersey playing a big role in this master entertainer's gameplan.The multi-instrumentalist and musicologist has made the Count Basie Theatre a crucial pit stop in his annual tour schedule for each of the last four years ... While Bromberg may take the spotlight for an unaccompanied number or two it's his role as bandleader and raconteur that prompted the New York Times to brand him 'electrifying.' A performance by the 12-piece David Bromberg Big Band fireballs forward like a bull in a used record shop tracing its own musical logic - Bob Wills to Bob Dylan to Bo Diddley to Dave Dudley - with station stops anywhere from Sam Cooke to 'a bluegrass tribute to Ethel Merman.' Not to mention some fondly remembered originals from his vintage albums and a lot of things that you thought had been written by the Grateful Dead Patsy Cline Cab Calloway or even the Clash.Titles include: Sloppy Drunk I'll Take You Back Dark Hollow Make Me A Pallet On Your Floor Who's Lovin' You Tonight This Love Affair Tongue It Takes A Lot To Laugh It Takes A Train To Cry If You Don't Want Me Nobody's Sharon and Driving Wheel

Composed in the 1940s here is a magnificent rhapsodic treatment of this classic jazz ballad. Mike skillfully features all sections of the band in this lush and flowing arrangement.

A study in contrasts this dynamic chart features a blazingly fast swing tempo that alternates with sections in a very slow ballad style. The flexible solo section allows you customize this chart to fit the needs of your band. Recorded live by the Mingus Big Band

A study in contrasts this dynamic chart features a blazingly fast swing tempo that alternates with sections in a very slow ballad style. The flexible solo section allows you customize this chart to fit the needs of your band.