The Glowworm

Commissioned by Furman University for the inauguration of its 12th president Jay Bocook's Gloriana is based on The Faerie Queene an incomplete English epic poem written by Edmund Spenser and dedicated to Queen Elizabeth I. In the poem Queen Elizabeth is represented as the faerie queene herself Gloriana. This stately work for winds and percussion has a regal quality enhanced by soaring melodies and punctuated with fanfare-like brass figures. The optional organ part provides an added dimension to the overall uplifting effect. Dur: 3:20 (Recorded by the Furman University Wind Ensemble - Leslie Hicken conductor)

Dans ce volume, Guillermo Rios présente la forme de flamenco quintessence de Soleares et son cousin, Alegrias. Il étudie et explique la structure rythmique, structure harmonique et possibilités de compositionnels. À l'aide d'un spécialement programmé drum machine et l'aide visuelle d'un écran de télévision de split. Guillermo explique comment la syncope est généralement utilisée, certains choix possibles dans l'élaboration d'une ligne mélodique solide soutenue par l'harmonie logique. Il vise à éduquer et à inspirer et réussit à rendre Soleares et Alegrias accessibles aux débutants et professionnels. Il effectue ses propres arrangements belles ici aussi bien. Une brochure est également incluse. / Guitare Classique / 76 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

Guillermo Diego's Album Pieces for Solo Guitar Volume I embody a collection of original works conceived by this recognized Mexican composer for classical guitar. These pieces have being written with different musical languagesthat goes from the inspiration in Mexican styles to free pieces that use contemporary and different resources that belongs to the guitar concerto style. This works are plenty of musical colors and offers different challenges tothe guitarist. The writing is completely idiomatic very natural for the guitar; it is music in which one the professional finds an artistic meaning but also the students will find the elements to improve his technical and willnear them to original works that have being composed recently and inspired in Mexican and Latin American music. The publication of this book is a premiere and will give to the guitarist part of the knowledge of what it is happencurrently in Mexican classical guitar. Guillermo Diego is a well-known composer into the sphere of classical guitar who has being recognized for his contributions to the art of the guitar.

Voici 16 séances expliquant et montrant comment la pratique et de maîtriser les techniques de la guitare flamenco essentiels. Vous apprendrez à développer vos réflexes naturels et à former vos doigts pour déplacer avec la rapidité, la précision et la touche parfaite pour la musique. Techniquesfor Alegrias, Tangos, Bulerias, Siguiryas et autres formes sont inclus : Relaxations et à vos réflexes naturels - détente de la main droite - détente poignet et pouce - Alzapua le pouce technique - vitesse sans tension - cohérence d'accent et tempo - développement de la force et l'endurance - le compas de 12-beat - en utilisant le compas de 12-beat en Alegrias-' Zapateado Elegante ' - une pièce difficile pour votre répertoire - Tremolo et les lignes de basse efficaces - étude de trémolo - The Juan Maya ' Marote 'rasqueado - The Guillermo Rios rasqueado - The Pepe Habichuela rasqueado et 3 les doits picado et conclusion. / Guitare Classique / 95 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

from Gloriana-Gloriana Britten's sixth opera was commissioned by Covent Garden to celebrate the Coronation of Queen Elizabeth II in June 1953. The libretto was by William Plomer.The Courtly Dances appear in the third scene of Act II.From the Opera's music Britten subsequently compiled a Symphonic Suite Op.53A. Published by Boosey & Hawkes the full score score and parts and piano conductor score are available now.

Great Band Transcriptions QMB 566-Gloriana Britten's sixth opera was commissioned by Covent Garden to celebrate the Coronation of Queen Elizabeth II in June 1953. The libretto was by William Plomer.The Courtly Dances appear in the third scene of Act II.From the Opera's music Britten subsequently compiled a Symphonic Suite Op.53A published by Boosey & Hawkes the full score and set of parts are available now.

Par COLETTI / SPIRO. The first serious study of the masters of Latin percussion. The Language of the Masters will help percussionists find their own voice as they become more fluent in the language of Latin Percussion improvisation. Perfect for intermediate to advanced level players to learn Afro-Cuban music by studying the work of the originators of the genre, including Armando Peraza, Ray Barretto, Tata Guines, Johnny Rodriguez, Mongo Santamaria, Tito Puente,  Manny Oquendo, Guillermo Barreto, Yeyito, Orestes Vilato and Giovanni Hidalgo. Features include: Three transcribed, classic solos from each one of the featured artists’ recordings 20 easily downloadable audio tracks A written etude summarizing the essence of each percussionist’s style Play-along tracks for each etude—first with the solo performed and then with accompaniment only. 16-page overview of how to study these transcriptions and incorporate them into your own playing. The ideal book for academic and job auditions—absolutely the first of its kind! / Methods & Tutors / Etude / Percussion

Lorsque j'eu l'idée de créer le Trio SAMARKAND avec Philippe PLANCON à la flûte et Guillermo LEFEVER au violoncelle, moi-même tenant la guitare, l'absence de répertoire pour cette formation m'a amené à faire des transcriptions, le plus évident était de commencer par les magnifiques inventions à 3 voix de Jean Sébastien BACH. Lors d'une répétition, à la fin de la 2e invention, au lieu de conclure sur l'accord écrit, j'ai plaqué un accord mineur de 9e en le traitant en rythme de Bossa Nova et nous avons improvisé là-dessus. L'idée de composer une suite afin de prolonger la pièce vint naturellement, et j'ai écrit un thème sur la rythmique brésilienne, mais où l'on retrouve le sujet original de l'invention de manière à ce qu'après une grosse surprise à la transition, le public retrouve une continuité dans l'écoute de l'oeuvre. / Flûte, Guitare Et Violoncelle

Choral Dances-Choral Dances from Act II of Benjamin Britten's opera Gloriana op. 53. Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Six movements are featured for mixed choir with piano accompaniment for rehearsal only.

Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina

Tenor. Véritable référence parmi les recueils d'airs lyriques, voici des airs et des extraits de rôles tirés des opéras de John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss et beaucoup d'autres édités par Boosey and Hawkes. Ce volume propose des indications détaillées sur le déroulement des oeuvres, ainsi, le cas échéant, que des traductions (en anglais). / Niveau : Difficile / Recueil / Tenor et Piano

Soprano. Véritable référence parmi les recueils d'airs lyriques, voici des airs et des extraits de rôles tirés des opéras de John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss et beaucoup d'autres édités par Boosey and Hawkes. Ce volume propose des indications détaillées sur le déroulement des oeuvres, ainsi, le cas échéant, que des traductions (en anglais). L'édition pour soprano comporte notamment aussi 10 airs pour ' coloratura '. / Niveau : Difficile / Recueil / Soprano et Piano