Matériel : PianoSoft Software
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SKU: CF.BPS112F
ISBN 9781491152669. UPC: 680160910168.
Josep h Compello's Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. This is a strong and tuneful march in standard form for beginning bands. The composer draws on his many years of teaching to provide a well-written march that will make students sound great!.Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. As it pertains to this piece, Best Friends Forever refers to the two melodies first heard simultaneously at m. 5 after the repeat. Notice that Flutes, Clarinets and Bells play only the second time through at m. 5. Stylistically the entire piece should have the feel of a little march with an easy gait. In addition to gaining experience in independent part playing, young players will also learn the importance of balance by listening to what other sections of the band are playing.
SKU: CF.BPS112
ISBN 9781491151983. UPC: 680160909483.
SKU: CF.WF231
ISBN 9781491153314. UPC: 680160910816.
Styli stic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces” in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes” at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces” in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley.
SKU: WD.080689612176
UPC: 080689612176.
“BIG RED”&mdash ;the most audaciously awesome, music-and-value-driven choir book ever released is finally here—THE BIG RED CHOIR BOOK! It’s big. It’s bold. THE BIG RED CHOIR BOOK is the most comprehensive, all-encompassing church choir resource you’re likely to ever see! 25 Best-Selling Arrangements by some of the industry’s favorite arrangers, compiled just for you into one, bigger-than-big choir book! “Musically diverse, stylistically broad, budget-saving, resourceful, convenient, uniquely wide in variety” are just a few ways to describe Word Music & Church Resources’ BIGGEST and BOLDEST collection yet, featuring 25 proven, best-selling arrangements containing 34 of your favorite songs.
Created with your music ministry budget in mind, this collection is a great way to save money while enjoying your favorite songs and arrangements, all contained in one, valuable resource. From worship services to holidays, THE BIG RED CHOIR BOOK has something for everyone! Your choir will sound their best when presenting the vast array of styles and songs offered in this collection, highlighting everything from Praise & Worship, CCM, Southern Gospel, Patriotic, Christmas, Easter, and more!
< span style=color: #000000; font-size: small;>Get ready to offer to your congregation these inspirational and heartrending arrangements of Dove award-winning hit songs, originally made popular by worship leaders and artists such as Chris Tomlin, Matt Redman, Matt Maher, Casting Crowns, David Crowder, Zach Williams, Lauren Daigle, and many more!
SKU: BT.DHP-1175836-140
The iconic American rock band ‘Red Hot Chili Peppers’ were founded in the early 80’s, and are to this day one of a few bands with such a long and impressive record of musical achievement. Richard Johnsen made a perfectly playable arrangement, withoutcutting out any stylistic qualities of the originals. The medley consists of the songs Californication, Under the Bridge and Snow (Hey Oh). Rock your audience! De iconische Amerikaanse rockband Red Hot Chili Peppers werd begin jaren tachtig opgericht en is de dag van vandaag één van de weinige bands met zo’n lange staat van dienst. Richard Johnsen creëerde een prima speelbaar arrangement met behoud vande stijlkenmerken van de oorspronkelijke nummers. De medley bestaat uit de songs Californication, Under the Bridge en Snow (Hey Oh). Laat uw publiek rocken! Die kultige amerikanische Rockband Red Hot Chili Peppers wurde in den frühen 1980er Jahren gegründet und ist heute eine der wenigen Bands, die schon so lange unglaublich erfolgreich ist. Richard Johnsen hat ein gut spielbares Arrangement erstellt,ohne dabei die Songs stilistisch zu verändern. Dieses Medley besteht aus den Liedern Californication, Under the Bridge und Snow (Hey Oh). Bringen Sie Ihr Publikum zum Rocken! Fondé au début des années 1980, l’iconique groupe rock américain Red Hot Chili Peppers est aujourd’hui l’un des seuls bands aux succès musicaux si nombreux et si impressionnants. Richard Johnsen a créé cet arrangement très jouable sans perdre lestyle de leurs chansons. Ce medley comprend les chansons Californication, Under the Bridge et Snow (Hey Oh). Vous ferez « rocker » votre public ! La leggendaria band americana Red Hot Chili Peppers è stata fondata nei primi anni ‘80 ed è ancora oggi uno dei pochi gruppi che può vantare un impressionante elenco di riconoscimenti in ambito musicale. Richard Johnson ha realizzato un arrangiamento perfettamente eseguibile nel rispetto della qualit stilistica degli originali. Il medley contiene Californication, Under the Bridge e Snow (Hey Oh). Rock per il vostro pubblico!
SKU: BT.DHP-1175836-010
SKU: WD.080689705120
UPC: 080689705120.
In the past twenty years, worship styles in many churches have transformed, emphasizing a personal worship that strives for intimacy with the Father. This renewal led some ministries, perhaps unintentionally, to abandon the great hymns of our faith in favor of newly composed worship songs. Other ministries, in an effort to create a balanced worship style, mixed the new with the old, sometimes with results that only amplified the differences between the two. Hymns for Praise & Worship bridges the stylistic gap between modern-day worship songs and the hymns of our Christian heritage. A select advisory board of active music ministers, Word Music staff and key choral arrangers were assembled to pinpoint fifty-six hymns from the vast array of hymnody, not only for their musical quality, but for the messages that they bring to worshippers today. Veteran choral arrangers John E. Coates and Travis Cottrell have been creating new settings of hymns for their own congregations for years. Their experience as worship leaders brought not only musicality, but also congregational and choral pragmatism to each new arrangement in Hymns for Praise & Worship. With all of the same editions and features as the Songs for Praise & Worship series, this collection is designed to work hand-in-hand with existing resources for worship. Various stylistic changes make these settings flow easily, appeal to the modern ear, and correlate with the styles of contemporary praise & worship songs. Throughout this book you will encounter variations from traditional time signatures, intuitive syncopated rhythms, and substituted chords and harmonies. Even the few hymns with more traditional settings are treated in a manner that takes the congregation on a journey through the verses, sometimes in a more through-composed manner, and usually culminating in a climactic conclusion. Each of the changes was not implemented arbitrarily, but with the goal of making the timeless messages of each hymn leap from the page in new and exciting ways. Two added features of Hymns for Praise & Worship are the demonstration and accompaniment recordings. While the songs in the collection are well known, the new arrangements are not. The staff of Word Music felt that it was vital to provide audible resources to teach and lead worship to best communicate the desires of the arrangers. All of the core editions (Choir/Worship Team, Worship Planner, Keyboard Edition, Guitar Edition) reflect the verses and voicings used on the recordings.
SKU: WD.080689416873
UPC: 080689416873.
SKU: WD.080689419874
UPC: 080689419874.
SKU: WD.080689423871
UPC: 080689423871.
SKU: WD.080689434877
UPC: 080689434877.
SKU: WD.080689428876
UPC: 080689428876.
SKU: WD.080689418877
UPC: 080689418877.
SKU: WD.080689433870
UPC: 080689433870.
SKU: WD.080689424878
UPC: 080689424878.
SKU: WD.080689421877
UPC: 080689421877.
SKU: MB.30974M
ISBN 9781513467931. 8.75x11.75 inches.
The Groove Schoolbook is a complete guide to the most common drum set patterns used in rock, pop, funk, and shuffle music. It is also a handy source of more than 2500 possible technical combinations that will prepare a drummer for the stylistic variety of the most common grooves in modern drumming.Written in standard drum set notation, the book can be used by students and drummers of all ages, levels, and backgrounds. It can also be used by professionals as a reference book, or by anyone preparing for a university percussion program. The book??s intricate and interesting patterns will help students develop ambidexterity and four-limb independence. Includes access to online audio.Hailed by Billboard Magazine as ???one of the best Latin-American drummers nowadays,? Randolf Jimenez is a respected drummer, percussionist, composer and educator who has worked with many Grammy and Latin-Grammy award-winning artists and musicians. He is also an outstanding drum instructor in the Toronto area. Visit: www.randolfjimenez.com??I love this book because it starts with a basic foundation for beginning students and advances into patterns that all drummers of different levels can use musically.? Walfredo Reyes Jr.??Drummer with Chicago, Santana, Traffic, Cristina Aguilera. Visit: www.walfredoreyesjr.com span>
SKU: AP.20305US
ISBN 9783947998531. UPC: 038081558301. German.
It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: — a demo-track which features a live trombone performance by Ludwig Nuss, lead trombonist and soloist of the famous WDR-broadcast big band and one of the best trombone players in the German music scene and— a minus-one mix for you to play-along.This edition is also suitable for Baritone B.C. players.
SKU: WD.080689643170
UPC: 080689643170.
Intro ducing THE BIG RED CHOIR BOOK VOLUME 2! Word Music & Church Resources announces the release of the most audaciously awesome new choir book you’ve ever seen! Volume 2 of “Big Red” is the biggest ever Big Red Choir Book, jam-packed with a musically diverse, and stylistically broad selection of choral arrangements to meet the needs of church choirs everywhere! Compiling 32 best-selling songs in 29 phenomenal arrangements, The Big Red Choir Book, Volume 2 just might be the most comprehensive, all-encompassing, budget-saving and convenient church choir resource of all time…the biggest ever! With a little bit of everything, this Biggest Ever Big Red Choir Book has it all…Praise & Worship, CCM Hits, Southern Gospel, Patriotic, Christmas, Easter, and more! This essential resource features arrangements by Cliff Duren, Daniel Semsen, Bradley Knight, Jay Rouse, Marty Hamby, Marty Parks, David Wise, Camp Kirkland, Tim Paul, and Luke Gambill. Full of hit songs made popular by Worship Leaders, Artists, and Songwriters such as Elevation Worship, David Crowder, Hillsong, Chris Tomlin, Matt Maher, Big Daddy Weave, Matt Redman, Zach Williams, Tauren Wells, Mandisa, Kristian Stanfill, Kari Jobe, The Gaithers, and Michael W. Smith, to name a few, The Big Red Choir Book, Volume 2, is an absolute must-have for every choir’s repertoire. Add this indispensable, inspirational, and resourceful new choral collection to your music library today!
SKU: HL.44007652
UPC: 884088310073. 9x12 inches.
A refreshing and energetic treatment of one of the all-time best loved carols, “Angels We Have Heard on High.” Young musicians will love rehearsing and performing this stylistically creative little gem. The captivating development of the middle section of the piece and lots of contrasting instrumentation throughout makes this arrangement a wonderful experience for all. (Grade 1).
SKU: BA.BA09461-91
ISBN 9790006565474. 27 x 19 cm inches. Text Language: Latin.
TheMesse de Requiemis probably the internationally best-known and most frequently performed work by Gabriel Faure . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both soloists and choir give the work a gentle and optimistic character.The choral score just as the vocal score are based on the volume of the Complete Works of Gabriel Faure (BA 9461) published in 2010. It is important to note that this choral score is also compatible with the first small-scale version as well as the second chamber orchestra version.- High-quality Urtext edition based on theComplete Works of Gabriel Faure- First systematic evaluation of all sources- Based on the large orchestral version of 1900- Choral score suitable for all versions of the Requiem
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through